幽闭的

While lamenting the fact that writers since world war II have chosen to limit themselves to the never-never land of the fable or the claustrophobic isolation of minimalism, Wolfe himself has chosen to travel a different path, putting his theory of realism in practice.

第二次世界大战以后，多数作家选择逃避到寓言的理想世界或者是极限主义的幽闭恐惧中。汤姆？沃尔夫为这样的现状悲叹，选择截然不同的文学道路，将他的现实主义理论付诸到自己的文学创作中去。

When most I wink, then do mine eyes best see, For all the day they view things unrespected; But when I sleep, in dreams they look on thee, And darkly bright are bright in dark directed.

我眼睛闭得最紧，看得最明亮：它们整天只看见无味的东西；而当我入睡，梦中却向你凝望，幽暗的火焰，暗地里放射幽辉。

As we were waiting patiently for the new Striborg full length, Southwest Passage, we discovered ANOTHER new Striborg release, a split with a band called Claustrophobia, released on Sin Nanna of Striborg's own label Finsternis Productions, so we contacted Sin Nanna directly the reports of his reclusiveness, living in a shack with no telephone or computer, turned out to be greatly exaggerated!

正当我们耐心等待Striborg的新专辑《Southwest Passage》时，我们发现Striborg另一个新的作品，一张与一支叫&幽闭恐怖症&的乐队的拼盘，由Sin Nanna的Finsternis Productions出品。于是我们直接联系了Sin Nanna（有消息说他已隐居，住在一个没有电话与电脑的小屋里，这其实是夸张的说法），购买了一些这张作品的拷贝。

MERCAT the TOURS travel agency organizes 5 subjects "to seek travel ofthe ghost","will seek travel of the ghost" in the gloomy cave withthe candle illumination to be able extremely to stimulate, has thehouse arrest sickness person please not to have to participate.

MERCAT TOURS旅行社组织5个主题的&寻鬼之旅&，在阴森的地窖里用蜡烛照明的&寻鬼之旅&将会非常刺激，有幽闭症的人请不要参加。

It belongs in urban, public spaces and can serve as an accessible alternative to stuffy or claustrophobic offices.

它既可以用于城市的公共空间，也可以作为乏味的，导致幽闭症的办公室的替代品。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。