幽怨

Worries hide in the glabellum, complex twist in the heart, with lonely and bitter tweedle, with shaking sleeves dancing in the moon, the loneliness pour out sadness.

总是不忍将往事惊醒，情愿追随岁月深深的目光，守候一季又一季的花香，藏在眉间的心事，纠缠的情结，和着幽怨的琴声，月下轻舞水袖，寂寞的诉说着忧伤。

Rows of thick sand on top of that Casuarina was Qinglie the wind to your wish, not, breathing sound, and its echo is mixed with sadness and bitterness of the silence as an implicit Yunzhao hidden bitterness.

沙滩上头那一排排浓厚的木麻黄，被清冽的风吹来欲静不能的喘气声，它的回声是交织着忧愁的苦涩和隐蕴着幽怨般的寂静。

The slightly dancing sculpture, with a jumping force, is designed the connecting wings and a gorgeous heaving surface like ocean waves, symbolizing the unwavering faith to love of Liang-Zhu, and the ups and downs in a odic melody of the lifelong heartbreaking love.

雕塑轻舞飞扬，具有凌空一跃的动感。相互依偎的蝶影和华丽的颤动起伏，象征梁祝至死不渝的坚贞与生死相守的缠绵，犹如千古恩爱的情缘在一曲幽怨的旋律中跌宕起伏。

The slightly dancing sculpture, with a jumping force, is designed the connecting wings and a gorgeous heaving surface like ocean waves, symbolizing the unwavering faith to love of Liang-Zhu, and the ups and downs in a odic melody of the lifelong heartbreaking love.

李占洋和作品《蝴蝶》雕塑轻舞飞扬，具有凌空一跃的动感。相互依偎的蝶影和华丽的颤动起伏，象征梁祝至死不渝的坚贞与生死相守的缠绵，犹如千古恩爱的情缘在一曲幽怨的旋律中跌宕起伏。

The all previous dynasties writers song Lv Zhu, reeded the serene and beaytiful literature system which had a distinctive style, Lv Zhu complex flows slowly and will transmits forever in the Chinese ancient times literature.

历代文人墨客歌咏绿珠，孕育出别具一格的幽美文学体系，缓缓流淌的绿珠情结，沐浴了中国古典幽怨型美学的雨露，这种情结在古代文学中一直传播下去。

The tiger's mouth-jaws of death before I go up hastily is seized feed, good come back his rescue not easily, he returns one face hidden bitterness unexpectedly, it is to disrelished me to break apparently his auspicious predestined relationship.

我急忙上前虎口夺食，好不容易把他抢救回来，他居然还一脸幽怨，显然是嫌我拆散了他的大好因缘。

Or does the blinking eye of the white fox tell about bitterness or unregretfullness?

那白狐眼里闪烁的，是幽怨还是不悔？

This music wants to display the lady-in-waiting who were in depressed and their sad mood.

本曲意在表现古代受压迫宫女幽怨悲泣情绪，唤起人们对她们不幸遭遇的同情。

Miss, is dressed in a dream's clothing and shoes, and shake off a tear of the planetesimals, hidden bitterness of the melodies seem like little fireflies, glitter dip under the stars from Acacia dream green shadow.

思念，是一袭梦的衣衫，抖落带泪的星子，幽怨的旋律似点点流萤般，忽闪起相思星空下蘸绿色的梦影。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。