幻觉

Allude illude

与 to 连用暗指，影射，间接提到 vt。欺骗，诓骗，置……于幻觉中 v。

He cannot be decisive without thinking for a long time; he is decisive because he has abandoned the two-dimensional illusionistic painting language given to the canvas; instead he tries to present directly the properties of the canvas and the material attributions to the paint, pursuing something else in the direct expression.

如果不是想了很久，他做不到果断；果断是因为他放弃了画布被赋予的二维幻觉主义绘画语言体系，而直接呈现画布属性、颜料的物质属性，在直接的倾述中又寻找着某种东西。

So there is an important psychological difference between constructing the Matrix as a dream-inducing system and as a hallucination-producing system: it is not merely a matter of whether the subjects are awake; it is also a matter of the kinds of psychological state that are produced in them—imagistic or sensory.

所以在Matrix这样的造梦机和幻觉制造机大不一样：不仅仅是受测物是否清醒的问题；还包括他们接受的是画面还是知觉。

Living souls in their inanimated bodies, and thence conceiving what would be our emotions in this case.

正是由于这种想象而产生的幻觉，我们对自己生命将瓦解的先见对我们来说才是如此可怕。

The idea of that dreary and endless melancholy, which the fancy naturally ascribes to their condition, arises altogether from our joining to the change which has been produced upon them, our own consciousness of that change,from our putting ourselves in their situation, and from our lodging, if I may be allowed to say so, our own living souls in their inanimated bodies, and thence conceiving what would be our emotions in this case.

正是由于这种想象而产生的幻觉，我们对自己生命将瓦解的先见对我们来说才是如此可怕。

Intentionalism well explains the nonexistence of the object of hallucination, but it cannot coherently account for the relationship of intentional state and intentional object.

意向论很好地解决了幻觉对象的非存在性问题，但它无法一致地解释意向状态和意向对象的关系。

Driven by an almost Jacobean rhetoric, it had a visionary fervour. Its most eye-catching characteristic was Hughes's ability to get beneath the skins of animals: foxes, otters, pigs.

受詹姆士一世风格的影响，其诗歌呈现出幻觉式的激情，其最显著的特点是休斯可以描述动物外表下面的东西，无论是狐狸、水獭还是猪。

The image of Japanese devil ; beastliness ;" Japanophobia "; the hallucanation of the superior nation.

日本鬼子的形象；野兽化；&恐日症&；优等民族的幻觉

The twenteenth-century's dominant art form was born out of the nineteenth-century predilection for machiner, movement, optical illusion and public entertainment.

二十世纪的主导艺术形式是从十九世纪对机械、运动、光学幻觉巨大众娱乐的偏好中诞生的。（原来认为是&视觉暂留&的作用使人能看见银幕上所没有的运动。

In full accordance with the idea of a monistic universe, it is now asserted that there is not a shade of difference between the Absolute and the phenomenal, between Nirvana and Samsara.

这种假设是一种幻觉，必须越快越好地被抛弃。依一元论宇宙的理想，证明了绝对与现象、涅槃与轮回，没有稍许的不同。

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。