幻想的

Bonaparte had become an almost fabulous monster, and in order to paint him to the imagination of the people, which, as we lately pointed out, resembles the imagination of children, the party of 1814 made him appear under all sorts of terrifying masks in succession, from that which is terrible though it remains grandiose to that which is terrible and becomes grotesque, from Tiberius to the bugaboo.

于是波拿巴几乎成了一种传说中的怪物，而且，一八一四年的党人，为了要把它描绘在人民的幻想中？？我们前面说过，人民的幻想是和孩子的幻想相似的？？便给他捏了一连串形形色色的骗人的脸谱，从凶恶而不失威严直到凶恶得令人发笑，从提比利乌斯到马虎子，样样齐全。

I can still fantasize about watching a night-blooming cereus unfold, something I've always wanted to do, or about meeting one of my favorite celebrities, or even of losing a few pounds.

我仍然能够幻想着观看一个夜间开花的仙人掌展现在我面前，幻想着我要去做的某件事情，幻想着遇到我最喜欢的名人，或甚至梦想丢掉几英镑的钱。

CURREY''s Science Fiction and Fantasy Authors: A Bibliography of First Printings of their Fiction (1979), a genuine first-edition bibliography which covered about 200 of the principal genre writers and intensified Reginald''s coverage; and George LOCKE''s remarkably accurate A Spectrum of Fantasy: The Bibliography and Biography of a Collection of Fantastic Literature (1980), which suggested en passant several titles that plausibly supplemented the Reginald Checklist; A Spectrum of Fantasy: Volume 2: Acquisitions to a Collection of Fantastic Literature, 1980-1993 (1994) continues the invaluable enterprise.

柯里所著的《科幻和幻想小说作家：其作品第一次印刷版本的目录》（1979）。作为一本纯正的初版目录，包括了大约200个主要的类型作家，并扩大了雷金纳德著作的覆盖面。乔治。洛克的《幻想小说大系：一个幻想文学收藏的目录与传记》（1980）具有让人惊叹的精确性（以及引人入胜的奇闻趣事），其中似真似假地顺便提到了几个条目补充雷金纳德的目录。《幻想小说大系：第二卷：一个幻想文学收藏的所得，1980-1993》（1994）将这一无价的事业继续下去。

What drives me insane is the twofold nature of this nymphet — of every nymphet, perhaps; this mixture in my Lolita of tender dreamy childishness and a kind of eerie vulgarity, stemming from the snub-nosed cuteness of ads and magazine pictures, from the blurry pinkness of adolescent maidservants in the Old Country (smelling of crushed daisies and sweat); and from very young harlots disguised as children in provincial brothels; and then again, all this gets mixed up with the exquisite stainless tenderness seeping through the musk and the mud, through the dirt and the death, oh God, oh God.

3，叫我失去理智的是这个性感少女的双重性：我的洛丽塔身上混合了温柔的爱幻想的稚气和一种怪诞的粗俗；这种粗俗来自广告和杂志图片上那些忸怩作态的塌鼻子女郎，来自故国（含有踏碎了的雏菊与汗水的气味）的那些脂粉狼藉的青年女佣，也来自外地妓院的那些装扮成小姑娘的非常年轻的妓女。然后所有这一切又跟通过麝香与泥土、通过污垢与死亡渗出的那种纯洁美妙的温柔混合在一起，天哪，天哪。

Stayed; meanwhile, the romantic and imaginary style reflects the spirit of Romanticism; brilliant and gorgeous music shows the trend of technicalism; the use of metaphoric wordpuzzle hints to the people Schumann had encountered; furthermore, harmony with mysterious nature reflects the philosophic thinking trend of Naturalism; his musical composition is always associated with things surrounded him, and this tells the source of his endless inspiration for the creation.

经本研究发现，《阿贝格变奏曲》虽是舒曼初期的创作，但是，此作真实的反映他所身处的环境与时代背景，浪漫、幻想的风格反映浪漫主义的精神；灿烂、华丽的音乐显示炫技派的风潮；隐喻性字谜的使用暗示他所邂逅的人物；具神秘特质的和声则反映出自然主义的哲学思潮，他的音乐创作总是与周遭的事物互相结合，而这也透露了他源源不绝创作灵感的来源。

In Mansun's Only Love Song', we get a glimpse into his life as he sees himself during the day - a vicar in appearance, but his mind is far away, dreaming of the exciting world of being a stripper -"Mavis looking sexy through her dress it shines, standing in the vestry she recites her lines" are how he views himself at that time - just reciting lines like an actor, not really meaning it, as his mind was on being Mavis, his stripper alter-ego, who really is "all things to no men" in the clubs.

在Mansun's Only Love Song'这首歌中，我们得以窥见到他的真实生活，他真实的一面----表面道貌岸然，脑子里的幻想却早已九霄云外。。去幻想那些本该不属于自己生活的东西，比如，他会想如果自己变成脱衣舞娘那样的生活会有多刺激--绚丽的灯光下的Mavis--也就是幻想中的自己，看起来是那么迷人与性感。

We were there, the group of us women, on our backs, on our mats, searching for our spots, our locus, our reason, and I don't know why but I started crying. Maybe it was sheer embarrassment. Maybe it was knowing that I had to give up the fantasy, the enormous life-consuming fantasy, that someone or omething was going to do this for me - the fantasy that someone was coming to lead my life, to choose direction, to give me orgasms. I could feel the panic coming.

我们这些女人，躺在那些蓝色的鲜亮的席子上，寻找着自己的阴蒂，那些皱折、那些纹路、那些地方，我不知道为什么，突然之间，我开始嘤嘤地哭了起来，也许是因为窘迫和尴尬，也许我知道我即将放弃那些幻想，那些强烈的来自生活真实的幻想，那是什么人什么东西曾经给过我的幻想，它支配着我的生活，指引我的方向，它给了我高潮的幻想。

One major study by London-based psychotherapist Brett Kahr, which involved more than 23,000 sexual fantasies, found the most popular phantasms are those involving exhibitionism, seduce, and third-party sex.

英国伦敦心理疗法专家布雷特·卡尔在分析了2.3万份性幻想调查问卷后发现，多数人的性幻想内容都是一样的，最常见的包括裸露身体、爱侣极具魅惑地撩动和幻想第三方等。

Contact found in 80 works will impose upon space and the norm of thinking seems to exist faults and barriers, ahead of fashion conscious consumers continue to derive more imaginative ideas to make their work a kind of weightlessness a sense of unconscious, self-desire expansion and to meet the Gengrang has become such a vague sense of, when hidden, at times, a lot of 80, after describing himself as an artist is not weight of objects, flying freely in the air, floating, this subjective state of consciousness driven by the description of means that the objective mental states, disorders and emptiness, extreme inflation and a good self-concept of a serious departure from the idealism and sense of reality, greatly outstrips reality, a feeling based on fantasy or fantasy thinking.

在我们接触的作品中会无形中发现80后的思维空间与常态似乎存在着断层和隔阂，超前时尚的消费意识不断派生出更有想象力的观念使他们的作品有种无意识的失重感，自我欲望的膨胀和满足更让这样的意识变得虚无飘渺、时隐时现，很多80后艺术家将自己描述成没有重量的物体，在空中自由自在的飞行、飘浮，这种主观意识状态驱使下的描述，意味着客观精神状态的失常和空虚，极度膨胀和自我良好的唯心意识观严重背离了现实，凌驾于现实之上的感觉建立在空想或幻想的思维中。

Now, Ten years passed in a flash, although going through the baptism of the sea and the blowing of coco wind, I still could not achieve the goal of my friends expected, that is:" Painted the wings of fantasy a color of reality."

&小野马&渐渐长大，虽然我一直在寻找梦中的意境，梦中的他，可现实却总在跟我开玩笑。正如一句话所说：&幻想是美丽的，现实是残酷的。&我一次又一次幻想，一次又一次受伤。在幻想中失望，在失望中幻想。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。