幻想的

It is a manifestation of rage acted out by those who fear impotence with such dread, that their whole effort is directed into the emasculation and destruction of the terrifying rival of their unconscious fantasies.

它是那些如此害怕自己的虚弱以致于其全部努力都放在了阉割和毁灭他们无意识当中所幻想的反抗者之上的人们所做出的强暴行为的一种展示。

He was at one of those moments when the thoughts which one has in one's mind are troubled.

在开始行动的那一刹那间，由于幻想的扩大，他几乎认为那个门臼活起来了，并且具有一种非常的活力，就象一头狂叫的狗要向全家告警，要叫醒那些睡着的人。

In her new book, Vivian Gussin Paley decries this rapid disappearance of creative time and makes the case for the critical role of fantasy play in the psychological, intellectual, and social development of young children.

在她的新书，维维安Gussin佩利告一段落这种创造性的时间迅速消失，使得对幻想的发挥在青年儿童心理，智力和社会发展的关键作用的情况。

Tess was so wrapt up in this fanciful dream that she seemed not to know how the season was advancing; that the days had lengthened, that Lady-Day was at hand, and would soon be followed by Old Lady-Day, the end of her term here.

苔丝一直沉浸在幻想的美梦里，似乎已经忘记了岁月的流转；似乎忘记了白天的时间已经越来越长，也似乎忘记了圣母节已经临近，不久紧接而来的就是旧历圣母节，她在这儿的工期也就结束了。

The star of fanal fantasy ,a future existed sci-fi thriller is a billion scientist called dr arki ross.the films opening dream sequence which are closed up over ienroviews have authentically her human characteristics have been digitally rendered.

最终幻想的主角，是一个未来派的科幻恐怖的杰出科学家阿奇罗斯博士。电影开场是一系列梦境，用她的眼睛做了特写镜头，展示了由数码特技将人类特性真实呈现。为其配音的演员明娜，对此感到震惊。

One defender of the policy is N. Vasudevan, chief official of the Kafkaesque vision of bureaucratic hell that is the Backward Classes, Most Backward Classes and Minorities Welfare Department in Chennai, where workers languish behind mountains of never-opened files.

这项政策的另一个拥护者是有着卡夫卡式古怪幻想的政务长官 N ·万瓦苏德万，他把金奈地区的落后阶层、最落后阶层以及少数民族福利局看作是官僚主义所造成的地狱，工人们在小山一样永不开封的文件后苟延残喘。

No one could live long in Berlin without being completely disabused of illusions.

没有人能够在柏林生活长久还能满心幻想的，他们看到了柏林生活的困难，但选择接受之，尽管被囚禁着人类活力和希望的极权主义制度所包围，他们仍然继续建设着这个美好的、令人自豪的城市。

In this marvelously imaginative work that defies categories, the visionary Venetian traveler Marco Polo and Kublai Khan, the aged and melancholy ruler of the Tartars, engage in a dialogue.

在这部奇特的挑战客观现实的想象性作品中，威尼斯的爱好幻想的旅行家马可波罗和鞑靼国年迈忧郁的统治者忽必烈汗进行了一次对话。

Tender Sibyls, benign sprits, and the serene presences of our ancestors were always with us ,bathing us in the radiance of their diverse rainbows.

温柔的女先知，和善的精灵，祖先安详的灵魂总与我们为伴，并以他们迥异的幻想的光辉沐浴着我们。

He does a superb job of walking the tightrope between fidelity to the genre conventions and logic of humanist fantasy on the one hand and a realistic evocation of the war experience and its very real tragedy on the other.

他把以下的两方面拿捏得恰到好处，一是对电影类型的忠实和人道主义幻想的逻辑，二是对战争真实的表现和影片及其真实的悲剧。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。