幻影似的

They are marked by the abstract action and made up of outside actions. It is shapeless and illusional.

抽象绘画的内容也是如此，它们带着抽象运作行为的印记，由外在性的行为所建构，是无形的、幻影似的。

We were shown charts and diagrams, plans and projections, and given what seemed to be a phantasmagorical description of the dramatic transformation in store for the very ordinary looking rice paddies we had just spent hours driving through.

他们给我们看了一些表格、图示、方案和规划，还对我们在几小时车程中路过的普通稻田即将发生的巨大变化作了一番近乎幻影似的描述。

We've come out of nowhere, literally, nowhere, autumnal towns marked for destruction by a phantom hand; houses held underwater, every bed a sunken tub, tools drowned between rows, every keyhole caulked; clouds hallucinating girls asleep on a wedge of wedding cake; the white rose, among the greatest of liars beginning to show the debilitating effects of fame, the ever-popular blaze placates a vase; the bad sons of thunder beating back a strand of light; someone who knows nothing apart from the rain standing on a chair in muddy legs; the roses blown into their cumulonimbuses, and someone whose glove is recovered, a face that doesn't come clear, a face drawn under an umbrella, beautiful, charcoal, beautiful, like words that never get old, the sons of thunder beating

我们来自无处，纯粹意义上，无处置身，秋天的小镇已被一只无形的幻影之手作上毁灭的记号，房屋们都淹在水下，每一张床成了淹水浴盆，工具没在水滩里，每个洞眼充塞着。云层屯集着像女孩们昏睡于层叠的蛋糕边缘。白玫瑰，在巨大的谎言中，显露渐渐虚弱的光彩。和曾经眩目光芒抚慰着的花瓶。雷电的儿子们回击着一线光亮，有人不知情地站在泥泞的高椅子上，玫瑰被吹向积雨云，有人找到了她的手套，看不清楚的脸，从伞下移出，美丽的，黑炭似的，美丽的，像语言从来不会变老，雷电的儿子们回击着

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。