年代 - 网络例句 - 英语人，englisher

It indicated that the annual runoff of the main and tributary of the Yarlung Zangbo river had an obvious decline trend during 1960s and reached the minimum in 1980s, since then, the annal runoff increased and a relatively wet season occurred in 1990s.

同时研究还发现，雅鲁藏布江干支流在20世纪60年代左右径流量较大，但在进入60年代中后期之后，年径流量呈逐渐减小的趋势，这种趋势在80年代附近达到极小值，此后径流量逐渐回升，并在90年代后逐渐进入相对丰水期。

Among those caught in the Pacific, the average length of an English sole fell from about 34cm in the 1960s to 30cm in 2002, a Pacific barracuda from nearly 80cm in the 1950s to 65cm in 1970, a bocaccio from over 50cm in the 1970s to nearer 45cm in the 1990s.

这些鱼中，在太平洋被捕捞的檬鲽的平均长度，从六十年代的34cm左右减小到2002年的30cm；太平洋梭鱼从五十年代的接近80cm减小到1970年的65cm；一种菖鲉从七十年代的超过50cm减小到九十年代的接近45cm。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

In 1980s, HFRS additionary occurred in spring season, the diseased cases and the dead cases accounted for 42.78%and 21.73%of that of the whole year respectively, the endemic area expanded to 14 areas where the mixed infection of Hantaan virus and Seoul virus were found. In 1990s, the diseased cases and dead cases were 43.68%and 37.55%of that of the whole year respectively, mixed infection of Hantaan and Seoul virus was found.

结果表明：山东省在60年代和70年代HFRS发病以秋冬季（10月～翌年1月）为主，其发病数占全年发病数的89.87％，病死数占全年的88.99％；疫区限于6个地区，疫区型别为姬鼠型。80年代，除秋冬季发病高峰外，出现春季（3～6月）发病高峰，其发病数和病死数分别占42.78％和21.73％；疫区扩大至全省14个地区，疫区型别为姬鼠型和家鼠型的混合型。90年代情况与80年代类同，春季发病与死亡数分别占全年的43.68％和37.55％；疫区型别仍为混合型。

This part mainly discusses four aspects as the following: revelries on material desire and sexual desire, poetic narrative of common customs, aesthetic consideration on modern city life, dialectical interaction between elite thoughts and civilian ideas. The 1980s is a period of desire release and open economy. With the adjustment of city ideas, the original normal things has changed into abnormal ones while the original abnormal things has turned into normal ones now. The 1990s is the age when, under the market economic system, the desire began to expand and the morality began to decay.

这部分主要从物欲与情欲的狂欢、对于世俗的诗性叙事、城市现代生活的审美关怀、精英思想与平民意识的辩证互动四方面来进行论述。80年代是一个欲望释放与经济开放的年代，城市观念的调整，使得本来属于正常的变得不正常了，本来不正常的现在正常了。90年代是市场经济体制下欲望膨胀的年代，多有失范的年代。

Interest generated by the league's growing international initiatives has led to the televising of NBA games in 215 countries in 43 languages.

版块介绍：新成立的NBA考古板块，例如NBA50年代发展时期，60年代的一凯独大时期，70年代的战国乱世，80年代的NBA鼎盛时期，90年代的乔丹称霸时期。

Of more mythological interest is the Kali era (Kali being the latest and most decadent period in the system of the four Yugas), which is thought to have started either at dawn on February 18, 3102 BC, or at midnight between February 17 and 18 in that year.

神话上最感兴趣的是卡利年代（卡利年代是最晚的一个年代，也是四个年代的体系中最颓废的年代），据说是开始于公元前3102年2月18日的黎明，或者是同年的2月17日和18日之间的午夜。

In about a century' s time, their livelihood of swidden agriculture has been changing greatly along with the natural and social environment change. Before 1950s, as a minor group frequently move in the subtropical mountainous area characterized by scarce arable land, high forest coverage rate and sparse population, Kemu people has long been engaged in swidden agriculture which was simple, called for no sophisticated production tools and was suitable for frequent movement. At that time, they adapted to the environment change mainly by moving frequently from one place to another, and their livelihood was featured by complete dependence on environment, frequent movement and swiddening without continuous cultivation. From 1950s to early 1970s, their way of adaptation changed into migration within defined territory and shortterm fallow featured by complete dependence on environment, migration within limited area and short fallow. In early 1970s, they leaned from outside to cultivate irrigated fields and plant cash forest and their livelihood was featured by complete dependence on environment and agro-forestry.

近一个世纪以来，随着其所处自然环境和社会环境的变迁，其刀耕火种的生计方式在不断地变化：20世纪50年代以前，作为频繁迁徙于山多地少、森林覆盖率高、人烟稀少的热带、亚热带山区的弱小族群，以开发容易，便于流动作业不需要复杂生产设施的刀耕火种为其传统的生计方式，主要以迁徙的方式对环境变迁进行调适，其刀耕火种生计方式的特征表现为完全依赖型、随意迁徙型、无轮作型；20世纪50年代至70年代，其主要以固定区域内迁徙和短期轮作的方式对环境变迁进行调适，其刀耕火种生计方式的特征表现为完全依赖型、在固定区域迁徙型、短期轮作型刀耕火种；20世纪70年代初，其主要以外文化——开拓水田及人工造林的方式对环境变迁进行调适，其刀耕火种生计方式的特征表现为部分依赖型、粮林轮作型刀耕火种；20世纪80年代以后，其主要以发展橡胶种植业对环境变迁进行调适，其刀耕火种生计方式的特征表现为暂时依赖型刀耕火种。

The different debates about dialectical logic in the 21〓 century reflect the different attitude to dialectical logic. The monist conception of logic takes the so-called dialectical logic as a sub-discipline of philosophy and denies its legitimacy, and the pluralists differentiate dialectical logic from dialectic and regard the former as a kind of logic.

从20世纪30年代到世纪末，中国学者对辩证逻辑的看法走过了这样一个历程：30-40年代，有&辩证法可否成为逻辑&的争论；50-60年代，几乎没有学者公开对辩证逻辑作为逻辑的合法地位提出质疑；80年代之后，又起辩证逻辑是不是逻辑之争，但反对者的观点已变为&辩证逻辑不是逻辑&。80年代以后，中国学者对辩证法与辩证逻辑的区分已非常自觉。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族&血性&的传承方面。