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平面化

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He began to zoom out the close shots, such as in the artworks about airports and flyovers, the unexpected "inserting" of arcs of upper sides of the plane, the car and the flyover in the close shots is not only a fruit of "accidental gain of daydreams", but also the result of the intentional arrangement of the artist, it disturbs the horizontal composition formed by the existence of the "apparent horizon" and compresses the depth of field in great extent so that the picture turns to be more planar

在一些作品中,尹朝宇有意识地打破"地平线"的固化结构,他开始放大近景,譬如那些有关机场、立交桥等的作品,飞机、汽车、立交桥上沿的弧形等在近景中出人意料地"插入",不仅是一种"迁想妙得"的成果,也是画家有意味地刻意摆放,它们打乱了画面因为"地平线"的存在而形成的横向平行的构成,并在很大程度上压缩了景深以至于画面变得更为平面化

Behind the romantic eroticism of The Dream Records of Witness and Why Does Sunset Make Us So Beautiful, we still can see the violence and the hidden bloodiness. In the works from 2004 to 2005, in the lazy, depressed, irritable and uneasy emotions, the treatment of figures and time-space got new significance. However, the metaphor of neo-expressionism became the monologue-like means of his psychological pouring out, using today's popular colors and images and striving to make them getting rid of the "plane" narrative logic.

有关目击者的梦境》、《夕阳为什么让我们如此美丽》,出现在画面浪漫的情色背后我们仍可以看到暴力和隐藏的血腥。2004年至2005年的作品中,在慵懒、低迷、烦躁和不安的情绪中,人物和时空的处理有了新的意味,虽然新表现主义的隐喻感成为他内心独白式的心理倾诉手法--利用当今的流行色彩和图像,又极力使它们摆脱"平面化"的叙述逻辑。

The third, society and culture play an important role in the tendency of complanation.

第三部分,论述影响平面化倾向的社会、文化因素。

The second, status quo of the tendency of complanation in Chinese contemporary oil painting.

第二部分,当代中国油画创作中平面化倾向的现状。

Forecasting possible development of the tendency of complanation in Chinese contemporary oil painting.

对油画平面化倾向前景的展望。

It mainly discusses the research field: concentrating on the property of complanation in contemporary era. Also expounds the signification and value of this thesis.

主要阐明了本课题研究的范围,即着眼于对油画平面化倾向的当代性分析;并论述了本文的写作意义和价值。

Through the classification and analysis of contemporary oil paintings with an tendency of complanation, this paper explains a phenomenon in Chinese contemporary oil painting which cannot be ignored, and demonstrates the reality of complanation that it is an approach to reflect social life.

本篇论文通过对当代平面化倾向油画作品的梳理和分析,发掘和阐释了当代中国油画创作中的一个不可忽略的艺术现象,并论述了平面化作品也是反映社会生活真实性的途径之一。

The influences include stimulation of image consumption, change of reading habit, impact of visual technology, turning of aesthetic concept and as well as different cognitions upon the complanation.

包括图像消费的刺激、阅读习惯的改变、视觉技术的冲击、审美转向以及平面化认知状态的变化。

The preceding characteristics take an important effect on the complanation and the fragmentation of life, the losing of the historical consciousness, the prevalence of the model of smallnarration, the appearance of the consumptive culture and the new subjects.

而上述特质对生活的平面化与历史意识的丧失、小叙事的流行、消费文化的出现和新主体的产生都有着重大的影响。

One side, it explains the conception and characteristic of complanation; the other side, demonstrates the fact that oil paintings with an tendency of complanation occupy a large quotient in Chinese contemporary oil painting.

一方面,对平面化倾向的概念及特点进行说明;另一方面,通过对具体数据的统计,证实了平面化倾向在当代油画艺术领域占有较大的份额。

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