平等主义的

The author argues that we should change our view of art as expressed in the notion of disinterestedness, shift the focus of our studies from high art and traditional aesthetics to the aesthetic phenomena of the daily life,and pay critical attention to the new forms of social inequality and power relations hidden behind the process of aestheticization.

面对这种现象，美学与文艺学工作者应该突破审美活动的自律性观念，打破美学研究的传统对象，关注日常生活的审美化并寻找美学研究的新的生长点；同时，必须警惕日常生活审美化中存在的新的不平等现象，批判性分析新媒介人阶层的社会角色与意识形态，揭示审美化与大众消费主义意识形态以及市场逻辑的合谋。

Today, the influences of su model, western feminism and women's liberation in chinese style coexist and they influence to each other. by the post tendency of economic globalization and culture multiformity, su model and its influences has become a historic topic, but one undeniable fact is that it is still an important clue led us to understand chinese society, chinese women and to resurvey the gender equality.

改革开放带给中国人的冲击与反思是强烈的，在苏联模式影响、西方女权主义和中国式妇女解放共存并相互影响的今天，苏联模式与影响虽然已经成为历史讨论的话题，但在经济全球化、文化多元化加速发展的时代，无疑成为全面了解中国社会、中国妇女以及重新审视性别平等的重要方面。

In our male-dominant male-centric tradition, we blame the Asian woman for the phenomenon. And in our minorities-are-the-victims tradition, we also blame White Privilege, White sexual imperialism, and the white-washing of the world that globalization has wrought–theories we use like a panacea to explain why any minority race may experience inequality in this world.

按照男性中心的社会传统，我们把责任推到亚裔女性头上；按照"少数族裔是受害者"的社会传统，我们指责白人特权主义，指责白人性爱帝国主义，指责全球化造成的白人给全世界人民洗脑的现象——我们用这些理论来解释一切少数族裔所遇到的不平等，好似包治百病的万金油。

Either at the point of Marx's theory about inherent restriction and external restriction on freedom or taking the functional theory's stand that argues for the role of division of social class, these different treatments are unreasonable and impeditive for social progress as superstructures, so they have formed legal inequality.

无论是从马克思关于自由的内在限制和外在限制的观点看，还是从人类政治文明发展的一般进程看，甚至从对社会分层持积极解释立场的功能主义理论看，这些差别对待都是不合理的，都是阻碍和制约社会进步的落后的上层建筑，因此它们构成了法律上的不平等。

Either at the point of Marx's theory about inherent restriction and external restriction on freedom or taking the functional theory's stand that argues for the role of division of social class, these different treatments are unreasonable and impeditive for social progress as superstructures, so they have formed legal inequality.

无论是从马克思关于自由的内在限制和外在限制的观点看，还是从人类政治文明的一般进程看，甚至从对分层持积极解释立场的功能主义看，这些差别对待都是不合理的，都是阻碍和制约社会进步的落后的上层建筑，因此它们构成了上的不平等。

Either at the point of Marx's theory about inherent restriction and external restriction on freedom or taking the functional theory's stand that argues for the role of division of social class, these different treatments are unreasonable and impeditive for social progress as superstructures, so they have formed legal inequality.

无论是从马克思有关自由的内在限制和外在限制的观点看，还是从人类政治文明发展的一般进程看，甚至从对社会分层持积极解释立场的功能主义理论看，这些差别对待都是不合理的，都是阻碍和制约社会进步的落后的上层建筑，因此它们构成了法律上的不平等。

Either at the point of Marx's theory about inherent restriction and external restriction on freedom or taking the functional theory's stand that argues for the role of division of social class, these different treatments are unreasonable and impeditive for social progress as superstructures, so they hxdye formed legal inequality.

无论是从马克思关于自由的内在限制和外在限制的观点看，还是从人类政治文明的一般进程看，甚至从对分层持积极解释立场的功能主义看，这些差别对待都是不合理的，都是阻碍和制约社会进步的落后的上层建筑，因此它们构成了上的不平等。

The second chapter analyses theories of Islamic Revolution and Islamic Republic. Khomeini's theory is to establish Islamic government ruled by Faqih, his theory is progressive and conservative, rational and lopsided, religious and popularist, of extremism and moderation.

阿里·阿里亚梯的理论深受马列主义和社会主义影响，是第三世界反帝反封建的革命理论；纳瓦布·萨法维的理论是保守而偏激的伊斯兰原教旨主义理论；巴扎尔甘的理论明显接受西方资产阶级的自由、民主、平等、博爱的思想。

Virginia Woolf realizes that the women writers in the nineteenth century often express their personal grievance in the novels. However, after entering the twentieth century, the women writers begin to "use writing as an art, not as a method of self-expression", and pay more and more attention to the essence of the art-"freedom and fullness of expression". Secondly, she discusses the relationship between men and women, and she believes that they should be equal in society, and indicates the final goal of feminist struggle is to "deconstruct the death-dealing binary opposition of masculinity and femininity".

她意识到19世纪的女作家经常在作品中表达个人愤怒：20世纪以后，女作家们开始将写作当成一门艺术，而不是一种自我表现的方法，并且越来越关注艺术的真谛；二、积极探讨男女两性之间的关系，寻求男女平等，指出&女权主义斗争的最终目的是解构男女之间的二元对立&，并通过分析拉姆齐先生和拉姆齐夫人的性格特征展示两性之间的关系；三、正因为男女之间存在诸多不平等，女性在男性的压制下，逐渐丧失了话语权。

However, after entering the twentieth century, the women writers begin to "use writing as an art, not as a method of self-expression", and pay more and more attention to the essence of the art –"freedom and fullness of expression". Secondly, she discusses the relationship between men and women, and she believes that they should be equal in society, and indicates the final goal of feminist struggle is to "deconstruct the death-dealing binary opposition of masculinity and femininity". Meanwhile, she implies the relationship between men and women by analyzing the characters of Mr. Ramsay and Mrs. Ramsay. Thirdly, being oppressed by the patriarchal society, women lose the right of discourse.

她意识到19世纪的女作家经常在作品中表达个人愤怒；20世纪以后，女作家们开始将写作当成一门艺术，而不是一种自我表现的方法，并且越来越关注艺术的真谛；二、积极探讨男女两性之间的关系，寻求男女平等，指出&女权主义斗争的最终目的是解构男女之间的二元对立&，并通过分析拉姆齐先生和拉姆齐夫人的性格特征展示两性之间的关系；三、正因为男女之间存在诸多不平等，女性在男性的压制下，逐渐丧失了话语权。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失