常位的

Around 1750 the well-traveled President Charles de Brosses complained that the facade of the Pamphili Palace in Rome was redone with a kind of filigree ornamentation more suitable to tableware than to architecture.

大约1750年，长常旅游各地的法国一位首长Charles de Brosses，他抱怨罗马的Pamphili皇宫的建筑立面是一种过度精雕细琢的装饰，若用在桌上的器具倒是比用在建筑更合适。

Penfield uses the term "flash-back" in his account of a 26-year-old woman's postepileptic hallucination:"She had the same flash-back several times. These had to do with her cousin's house or the trip there -- a trip she has not made for ten to fifteen years but used to make often as a child."

潘菲尔德在描述一位二十六岁妇女的postemileptic幻觉时用了&反闪&这个术语：&她同样地反闪了几次，都和她的亲戚家或在那里的旅行有关——她已经有十到十五年没有去那里旅行了，但小时候常去。&

Penfield uses the term "flash-back" in his account of a 26-year-old woman's postepileptic hallucination:"She had the same flash-back several times. These had to do with her cousin's house or the trip there -- a trip she has not made for ten to fifteen years but used to make often as a child."

潘菲尔德在描述一位二十六岁妇女癫痫发作时的幻觉时用了&闪回&这个术语：&她同样地闪回了几次，都和她表亲的家或去那里的旅行有关——她已经有十到十五年没有去那里旅行了，但小时候常去。&

My blog has no more than 20 loyal visitors and I know the reason – I only say what I want to say instead of what you want to hear.

常来我博客的人不到20位，而且我知道为什么——我只说我想说的，而不是你想听的。

Soybean is sensitive to flooding and waterlogging stress, especially at early seedling stage as well as flowering and podding stages; On the other hand, there existed great difference in the tolerance to flooding or waterlogging in soybean germplasm, so utilizing tolerant cultivars is one of the most effective ways to improve the soybean production under flooding and waterlogging stresses condition.

长江中下游地区常有梅雨天气，大豆苗期易形成涝害。在前人研究我国大豆资源耐淹性的基础上，本文进一步研究我国和亚洲其他国家大豆育成品种苗期耐淹性的遗传变异，发掘优异资源；对耐淹性进行关联定位，寻找优异等位变异及其载体材料，并追索在后代育成品种中的累积。

There were six themes in this study. First of all, the geometry of in-vivo human pinna and ear canal was measured non-invasively. The 3D model of pinna and ear canal was reconstructed and then measured based on the image processed by HRCT. Second, the 2D curvature of in-vivo human ear canal was measured non-invasively. The angles and curvatures of superior and inferior walls of first and second bends were measured. The 2D curvature of ear canal was computed by sine and cosine laws. Third, the in-vivo human ear canal was reconstructed by RE. The distribution of sound field was analyzed by FEM. The data obtained in this study can be the reference for clinicians and audiologists. Fourth, the 3D model of earmold of hearing aids, including the ear shell and the housing, was reconstructed by RE based on the image of in-vivo human ear canal obtained by CT.

本研究主题其四，对於听力受损之患者往往皆须选配助听器帮助其放大声音，其中耳模是助听器的外壳，也是接触到耳朵的仪器，而耳道型助听器系位於耳甲艇及耳甲腔延伸至耳道第一弯道处，在制作耳模必须利用灌模方式来取得紧配之耳模，其中耳模在助听器的使用过程中，常因耳模松脱，无法与人耳道紧密配合而造成漏音，因此，利用活体人外耳道电脑断层影像，重建耳道型助听器耳模之三维立体模型影像，其中耳模包括了耳壳及耳模内部空间，并进行几何外型量测，探讨耳道型助听器之体容积大小，也提供了制作耳模时快速、精确度高、减少翻模及修模次数，可减少误差率之方法。

One from among themselves, a prophet of their own, said, Cretans are always liars, evil beasts, idle gluttons.

1：12 有革哩底人中间的一位，就是他们自己的申言者，曾说，革哩底人常是说谎的，乃是恶兽，又馋又懒。

I have now heard all my neighbour's history, at different sittings, as the housekeeper could spare time from more important occupations.

我现在已经听完了我的邻人的全部历史，因为这位管家可以从比较重要的工作中腾出空闲常来坐坐。

Tit. 1:12 One from among themselves, a prophet of their own, said, Cretans are always liars, evil beasts, idle gluttons.

多一12 有革哩底人中间的一位，就是他们自己的申言者，曾说，革哩底人常是说谎的，乃是恶兽，又馋又懒。

This image of a young tubercular prostitute belongs to Chabaud's second Parisian period, the time after his apprenticeships and travels: that of the companionship, in the Salons and exhibitions with The Fauves, even though after 1907, the main artists among them, Matisse, Derain and Braque had already gone their separate ways and had begun to explore quite different avenues.

作者在遗留下来的众多信件及诗作中，都常提及这位伊维。作品属于夏布巴黎时代的第二期作品。当时他与野兽派的艺术家为伍，然而在1907年后，艺术家如马谛斯、戴伦、布拉克等都各自发展。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。