席勒

The spreading of broad beauty is category and system of beauty, including elegance, loftiness, tragedy, comedy and ugliness etc., and dynamic spreading of human nature means process of self-generating of human.

席勒之所以能够在探讨了美与人性的静态的异型同构以后又进一步揭示美与人性在动态上的异型同构，看到了美的范畴体系与人的自我生成的异型

In his " Letters of Aestheical Education " Siller points out Aesthetics i rooted in the depth of human nature it is the object of game impulse which is the combination of perceptual impulse and rational impulse resulted from interraction of human character and human nature .

席勒在中明确地提出：美根植于人性深处，美是游戏冲动的对象，游戏冲动是结合感性冲动和理性冲动的冲动，它们根源于人性的抽象结果(人格，状态及其相互作用)。

Shiller's view of sublimity is an important part of his aesthetic theory.

崇高思想是席勒美学理论的重要组成部分。

The eruption of French Revolution and the development of the revolutionary situation make Schiller think over such a question: how to avoid the unfree ways to obtain the goal of freedom?

法国大革命的爆发及革命形势的发展使席勒思索这样一个问题：如何避免用不自由的手段去达到自由的目的？

Similar demands on an audience's attention are now being made with a ten-hour staging in a converted brewery in south-east Berlin of Friedrich Schiller's "Wallenstein", a play in three parts.

席勒的《华伦斯坦》同样是对观众注意力的极大挑战。

Schiller stayed in the school which is called "the slave becoming" for 8 years, the real experience made the youth who was a citizen come into being sharp-cut antifeudal consciousness and brought up the progress of opposing arbitrary tyrant governance.

席勒在这所被称为&奴隶养成所&的学校里呆了8年，切身的经历和体验使这个市民出身的青年产生了鲜明的反封建意识，培养了他反对专制暴君统治的进步思想。

It is certainly true, as Schiller saw, that the Greek chorus of satyrs, the chorus of primitive tragedy, moved on ideal ground, a ground raised high above the common path of mortals. The Greek has built for his chow he scaffolding of a fictive chthonic realm and placed thereon fictive nature spirits.

席勒的见解是正确的，他认为：希腊萨提儿歌队，原始悲剧的歌队，所常常遨游的境界，确实是一种&理想的&境界，是一种远远超出凡夫行径之上的境界，因为希腊人为这种歌队虚构了一种假设的自然状态的空中楼阁，而把假设的自然人物放在它上面。

After introducing the definition of the hero by the German poet Friedrich Schiller and the philosopher G. W. F. Hegel, the article discusses the conception of the heroic artist in two books by Rudolf and Margot Wittkower and the heroization of the artist in early modern historiography as described by Ernst Kris and Otto Kurz.

在引介德国诗人席勒与哲学家黑格尔的「英雄」定义之后，本文讨论Rudolf和Margot Wittkower两本书中的英雄式艺术家的概念，以及由Ernst Kris和Otto Kurz在早期现代史学史中所描述的艺术家英雄化过程。

He set art against the reality and attempted to advocate the idealness of art to help people get rid of the restraints of material desire and power mechanism in everyday life, achieve freedom and the equal association eventually.

席勒把艺术的本质规定为&审美假象&，由此把艺术和实在对立起来，试图通过艺术的理想性使人们摆脱现实生活中物质欲望和权力机制的束缚，修复人性，实现人的平等交往和自由。

Johann Christoph Friedrich Schiller is the famous dramatist and esthetician in German classical period. His esthetical idea assimilates the essence of Kantism and removes the inefficiency as well, so as to form his particular aesthetic conceptions. In his idea, aesthetic is not far away from every common person's reach but to perfectly melt into the human and to radiate its glamour.

约翰·克里斯托夫·弗德里希·席勒作为德国古典时期著名的剧作家、美学家，他的美学理念汲取了康德美学理论的精华，又对其弊端进行了大胆地扬弃，形成了独特的审美观，使美不再高居在神圣不可攀的庙堂之上，而走向了凡世间的每一个人，与人性完美地融合在一起，闪耀出最美丽的光辉。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了