带子的

But the men with the measuring lines went on tamping up and down, paying no attention to her at all.

两个牵着带子在量的人，都穿着短装的，并没有理睬她，只是在菜地走上走下的。

I had DOUBLE harnesses since the sponsor was very cautious of my life.

我身上套有两倍的安全带子，因为主办者很担心我的安危的。

I remember a drunken woman catching at the ribbons of my dress.

我记得一个喝醉了的女人不断的扯我衣服上的带子。

Unfortunately, we'll never know of those errors if clean, neat, immaculate but errorless floppy discs replace tattered, pen-scratched, scissored, taped, yellowed, rewritten, retyped manuscripts.

而不幸的是，如果干净整洁，完美无瑕，没有错误的软盘代替了破烂、钢笔乱涂、剪贴、带子装订、发黄、重写、重打印的手稿的话。我们将永远不会发现任何错误。

It was scrawled in yellow on the pink ribbons of my grandmother's funeral bouquet.

在祖母的葬礼上，黄色的& shmily &一字潦草地写在花束的粉红带子上。

Mark unbuckled the belt pack from his waist and pulled out the miniature sensor array Nambu had designed to decipher this monstrosity.

被解开来自他的腰部带子包裹并且拉出小规模的感应器排列 Nambu 的马克已经设计译解这一个畸形。

But the television broadcast that his Duan is a dress rehearsal of live or on tape not know.

但电视台播出的他的那个段子是直播还是彩排的带子就不得而知了。

She wore a red ribbon in her hair, and was the only one of the white company who could boast of such a pronounced adornment.

她头上扎着一根红带子，在一片白色的队伍里，能以这样引人注目的装饰自夸的，只有她一个人。

A continuous narrow, flexible strip of cloth, metal, paper, or plastic, such as adhesive tape, magnetic tape, or ticker tape.

胶带，磁带：一种由布、金属、纸或塑料做成的连续狭窄的柔韧带子，如胶带、磁带或自动电报机用的纸带

It showed the rear view of a very suntanned man, glistening with oil, standing on a perfect beach wearing only a golden thongHe had his hands on his hips

图片上是个被阳光透晒成棕褐肤色的男人后背，在阳光下油光发亮，他身上仅佩带一条金色的皮带子站在一片美丽的海滩上，双手搭在臀部。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。