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希腊风格的

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In the first chapter, I discuss the meaning of history in ancient Greece, the reason of its emergence, the structure and the style of Histories of Herodotus and The History of Peloponnesian War of Thucydides.

在第一章中,我们讨论了古希腊历史学的涵义、起源以及《历史》和《伯罗奔尼撒战争史》的结构与叙述风格。

There is the famous Ritz Escoffier Cooking School, where you can learn the best skills of cakemaking; the Hemingway Bar, which has topranked 16bartenders; and the Greektempleish 17subterranean swimming pool.

在著名的里兹烹饪学校,你可以学习蛋糕制作的技巧;海明威酒吧拥有世界级的酒吧间招待;还有希腊神庙风格的地下游泳池。

My thesis is divided into three chapters: In the first chapter, I mainly present the excavations of Oxyrhynchus, the discovery of the Hellenica Oxyrhynchia, the author, the organization, the style and the vocabulary of the Hellenica Oxyrhynchia as well as the time of writing and the scope of the content.In the second chapter, I mainly analyze the war at Ephesus, Megara and Notium recorded in the Cairo Fragment and Florence Fragment and compare them with other historian\'s records.In the third chapter, I analyze the contents of London Fragment item by item and compare the parallel records with the other historian\'s. I mainly discuss the prosperity of Thebes and the fall of Athens in the Peloponnesian War, the constitution of Boeotia, the recovery of Athens after the Peloponnesian War, the consolidation of Spartan hegemony, the Corinthian War, the democratic revolution of Rhodes, the relationship between Persia and the Greek City States, the political conflict inside the Greek City States, etc.

本文共分为三章:在第一章中,笔者主要探讨了奥克西林库斯的考古发掘、《奥克西林库斯希腊志》的发掘出土及其作者、体例、语言和风格、创作时间以及记载的内容;在第二章中,主要对《奥克西林库斯希腊志》的开罗断片与佛罗伦萨断片所记载的以弗所战役、麦加拉战役和诺丁姆战役进行了史料分析和文献比对;在第三章中,笔者对伦敦断片所记内容进行逐条分析并与其他史家的记述进行了文献比对,其中主要探讨了伯罗奔尼撒战争中雅典的衰落与底比斯的繁荣、比奥提亚的联盟体制、伯罗奔尼撒战争之后雅典的复兴、斯巴达霸权的巩固、科林斯战争、罗德斯民主政变、波斯与希腊城邦的关系以及希腊城邦内部的党派斗争等内容。

But we must remember that all the discourses and colloquies had to be translated from Aramaic into Greek, and in this process received from the author their distinctive unity of style.

但是我们必须记住,所有的话语和colloquies已被翻译成希腊文的阿拉姆语,并在这个过程中收到了作者自己的独特风格的统一。

Archaeologists have found papyruses inscribed with parts of lost plays by Sophocles and Euripides in a Greco-Roman rubbish tip in Egypt.

在埃及,人类学家在一个希腊罗马风格的垃圾堆中发现了一些纸草,上面印有索福克勒斯和欧里庇得斯部分失传的剧本。

They brought Greco-Roman wresting back to life, a style they believed to be exact carryover from the Greek and Roman wrestlers of old.

他们复活了希腊—罗马式摔跤,一种他们相信正是古时的希腊和罗马摔跤选手所留下来的风格。

Within the direct Western tradition, the earliest movement motivated by a neoclassical inspiration is a Roman style that was first distinguished by the German art historian Friedrich Hauser (Die Neuattische Reliefs Stuttgart 1889), who identified the style-category he called "Neo-Attic" among sculpture produced in later Hellenistic circles during the last century or so BCE and in Imperial Rome; the corpus that Hauser called "Neo-Attic" consists of bas reliefs molded on decorative vessels and plaques, employing a figural and drapery style that looked for its canon of "classic" models to late 5th and early 4th century Athens and Attica.

在直接的西方传统,最早的运动动机是新古典灵感是一个古罗马风格,最早是由德国杰出的艺术历史学家弗里德里希豪瑟(模具Neuattische救济斯图加特1889年),确定谁的风格类他称之为&新阁楼&除雕塑制作后来希腊各界在过去的世纪左右,在公元前罗马帝国;主体的豪瑟所谓&新阁楼&由浅浮雕成型装饰船只和斑块,雇用人物和布料风格,寻找其佳能的&经典&模式,以已故第五和第四世纪初雅典和阿提卡。

One who is entirely ignorant of the modes of Art in its revolution or the moods of thought in its progress, of the pomp of the Latin line or the richer music of the vowelled Greek, of Tuscan sculpture or Elizabethan song may yet be full of the very sweetest wisdom.

就算一个人不懂艺术变化的方式,不懂其间思维的变化,不知道华丽的拉丁诗行,不明白希腊语元音化带来的丰富的音韵美,不理解托斯卡纳风格的雕塑,不知晓伊丽莎白时代的歌曲,他仍可以使充满智慧的圣哲。

Greek Revival (1801~1850):Architectural style based on 5th-century-BC Greek temples that spread throughout Europe and the U.S.

希腊复兴式(1801~1850):19世纪前半叶,以公元前5世纪希腊神庙为模板流行于整个欧洲和美国的建筑风格,为当时社会被希腊文化吸引的表现。

Greek Revival (1801~1850):Architectural style based on 5th-century-BC Greek temple s that spread throughout Europe and the U.S.

希腊复兴式(1801~1850):19世纪前半叶,以公元前5世纪希腊神庙为模板流行于整个欧洲和美国的建筑风格,为当时社会被希腊文化吸引的表现。

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