希腊风格

They brought Greco-Roman wresting back to life, a style they believed to be exact carryover from the Greek and Roman wrestlers of old.

他们把希腊罗马的夺取带回到生活了，一种风格他们相信是希腊、罗马人摔交选手的精确的 carryover旧的。

The unity of plan and the artificial arrangement of subject-matter could as well have been made in Matthew's Aramaic as in the Greek document; the fine Greek construction, the lapidary style, the elegance and good order claimed as characteristic of the Gospel, are largely a matter of opinion, the proof being that critics do not agree on this question.

统一的计划和安排的人工事由可能以及已经取得了马修的阿拉姆在希腊文件；罚款希腊建设，这句简洁的风格，优雅和良好秩序声称为特徵的福音，基本上见仁见智，证明是，批评者不同意这个问题。

The Greek word typhon, both the name of the father of the winds and a common noun meaning "whirlwind, typhoon," was borrowed into Arabic (as was many a Greek word during the Middle Ages, when Arabic learning both preserved the classical heritage and expanded upon it, passing it on to Europe).

希腊单词 typhon既是风神的姓名又是意为"旋风，台风"的普通名词，被借入到阿拉伯语（就象在中世纪时许多希腊语单词进入阿拉伯语一样，那时，阿拉伯人的学问保存了古典的风格，同时在把它传向欧洲时又有所扩充）。

The sculpture style of Greece and Rome Buddhism in Buddhism arts of Gandhara is very obvious, but the Buddhism arts of Gandhara was characterized by a distinctive local style.

犍陀罗佛教艺术带有明显的希腊、罗马的雕塑风格，马土腊虽然也受到犍陀罗艺术风格的影响，但马土腊受乡土文化传统影响较大，因此马土腊的佛教艺术具有更鲜明的东方色彩。

However, it was also a monument to the power of Athens itself; the Parthenon combines the Doric architecture of the Greek mainland with the Ionic style of outlying areas to symbolize a strong, panhellenic league with Athens at its political and cultural forefront.

同时，它也是雅典全盛时期的纪念碑；帕台农融合了希腊本土的多利安式建筑及周边区域的爱奥尼亚式建筑风格，象征一个由雅典政治文化主导的强大泛希腊联盟。

Thus the descendant of the Arabic word, passing into English (first recorded in 1588) through an Indian language and appearing in English in forms such as touffon and tufan, originally referred specifically to a severe storm in India.

希腊单词typhon 既是风神的姓名又是意为&旋风，台风&的普通名词，被借入到阿拉伯语（就象在中世纪时许多希腊语单词进入阿拉伯语一样，那时，阿拉伯人的学问保存了古典的风格，同时在把它传向欧洲时又有所扩充）。

This dissertation compares and reflects on classical mathematics between Chinese and Western, points that classical mathematics in Chinese differs from Western, former is a constructing and mechanizing system, and latter is logical and deduct system.

本文通过揭示中国古典数学思想及以古希腊为代表的西方古典数学思想特征的基础上，寻求二者之差异及引起差异的根源、表现及特征，指出中国古典数学的构造性、机械化的算法体系，完全有别于以古希腊为代表的西方数学的逻辑风格和演绎体系。

They brought Greco-Roman wresting back to life, a style they believed to be exact carryover from the Greek and Roman wrestlers of old.

他们复活了希腊—罗马式摔跤，一种他们相信正是古时的希腊和罗马摔跤选手所留下来的风格。

Italian furniture world "hegemony" status from the European Renaissance period began, it has inherited the ancient Rome, ancient Greece's architectural styles, and created the "Baroque" and "rococo" and "neo-classical" high-style, in addition to about artisanal sophisticated machines, carving and inlay work, the lines, the proportion of the design, fully show the rich artistic culture.

意大利家具的世界&霸主&地位，是从欧洲文艺复兴时期开始的，它承袭了古罗马、古希腊的建筑艺术风格，创造出&巴洛克&、&洛可可&和&新古典主义&高风格，除了讲究手工精细的裁切，雕刻及镶工外，在线条、比例的设计上，也充分展现出丰富的艺术气息。

The Greek word typhon, both the name of the father of the winds and a common noun meaning "whirlwind, typhoon," was borrowed into Arabic (as was many a Greek word during the Middle Ages, when Arabic learning both preserved the classical heritage and expanded upon it, passing it on to Europe).

希腊单词 typhon既是风神的姓名又是意为&旋风，台风&的普通名词，被借入到阿拉伯语（就象在中世纪时许多希腊语单词进入阿拉伯语一样，那时，阿拉伯人的学问保存了古典的风格，同时在把它传向欧洲时又有所扩充）。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。