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希腊精神

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The text analyzes the relationship between death and birth of Greek tragedy philosophic contemplation, ethic connotation and social animadversion reflected in death motif and Greek tragic spirit. Whats more, reappear the wholly new value-ideal of thespian death endowed by Achaean in classical time. This is that people should not live only for living, but devotes himself to kindness and fairness, defense love, dignity and nobleness, even though life is the most precious.

本文分析了死亡与古希腊悲剧创生的关系、死亡主题所反映的哲理内涵、伦理内涵及对社会的批判,揭示了古希腊悲剧精神,从而弭现了古典时代希腊人赋予死亡悲剧性的全新的价值理念,即生命是最宝贵的,但人不能为了活着而活着,人应该献身于善和正义,应该维护心中的爱和人的尊严与高贵秉性。

The fundamental spirit of pre-Qinphilosophy is the affectional spirit of human practical behaviour,whereas theone of Greek philosophy is the rational spirit of human cognitive activities.

先秦哲学的根本精神是以人为活动为中心的情理精神,希腊哲学的根本精神是以认知活动为中心的理性精神。

Mythology, tragedy, Sculpture and bacchanal culture , etc.

希腊神话、希腊悲剧、希腊雕塑和酒神文化等,渲染着一种与东方文化、中国文明完全不同的精神。

By analyzing the Decameron through asceticism, Brancaccio inherited humanism in ancient Roman and tragic spirits in ancient Greece. First, he had strong epochal character. Many Greek tragedies were about myth themes but mirrored the social life in Athens at that time, while the Decameron represented a variety of social contradictions and emotional conflicts in Europe during that time through successive tragedies. Second, he was concerned much about human's moral behaviors. He held that people should be distinguished by their morality.

通过对《十日谈》作品的分析,认为薄伽丘对古希腊罗马人本主义及古希腊悲剧精神的继承集中体现在两个方面:一是其强烈的时代感,古希腊悲剧演出的是神话题材,但反映的却是当时雅典社会生活的图景,而《十日谈》也正是通过一个个悲剧故事来展示当时欧洲社会的各种社会矛盾及人们之间的情感冲突;二是对道德行为的深切关注,都主张将德性作为区分人类的标准。

It mainly includes English vocabulary derived from Dionysus, the theory of archetype and the influence of Dionysus on western literature, the special charm of Dionysia and its influence and the spirit of Dionysus s impact on western culture.

希腊神话中的主神-酒神狄奥尼索斯在西方文化各个领域中产生深远的影响,其中主要包括从酒神派生出的词语、神话原型理论及酒神对西方文学产生的影响、酒神节的魅力及对希腊女性的影响、酒神精神4个方面。

Delphi for much of Greek history was the spiritual centre of the Hellenic world.

在古希腊历史上,德尔斐是泛希腊世界的精神中心。

And who, on the other hand, would think of making only the diversion-craving luxuriousness of those Florentine circles and the vanity of their dramatic singers responsible for the love of the opera which spread with such rapidity?

同时,我们也会感觉到:好象悲剧时代的诞生不过表示德国精神之返回自己,在强大入侵势力长期间强迫它奴役于其治下,过着绝望的野蛮生活之源泉,它敢于在所有民族面前高视阔步,无须罗马文明牵着它学步了,只要它能够坚定地学习一个民族,学习古希腊人——向希腊人学习毕竟是一种高尚的光荣和出众的优越。

On specific time and in special area there emerged the Market Order.which wasoriginated from the spirit of freedom in ancient Athens,the tension between superorder and real order,the confirmation of individual rights since the NewProtestant Reform and the idea of rule of law and relevant legal tradition whichstemmed from the Gregory Ⅶ's Revolution.

第二章 在特定的历史时空和地域产生了市场秩序这一秩序形态,它自有其理念根基:自由精神的古希腊萌发、希伯莱——基督教的幽黯意识及其与此相应的制度设定、超越秩序对世俗秩序的二元张力及新教改革以来的个体权利的尊崇、起源于教皇革命的法律传统和法治精神,均为现代西方市场秩序提供了强大的精神动力。

There is absolute cleavage between finity and infinity because the understanding can't unite these two elements.

在这样的前提下,希腊的伦理生活确实与希腊人的个体生命相契,希腊因此而成为精神的诞生之地。

The Greek mythology is the myth literature arts domain treasure, this research has comprehensively is discussed literature nature in the ancient Greece myth manifestation and the special characteristic , in to the ancient Greece myth artistic contour ,the creation content ,subjective ideology ,the rationality is energetic ,in the esthetic value cognition integrity understanding ,comprehensively understood the ancient Greece myth literature nature unique charm and it's the origin ,have the significant to the European and American later generation literature cognition .

希腊神话是神话文学艺术领域的瑰宝,本研究全面探讨了文学性在古希腊神话中的表现形式及特质,在对古希腊神话的艺术外形、创作内容、人本精神、主体意识、理性精神、审美价值认知的完整认识上,全面理解古希腊神话文学性的独特魅力及其成因,对欧美后世文学的认知具有重大的意义。

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