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The earliest known form of Greek chair, going back to five or six centuries before Christ, had a back but stood straight up, front and back.

已知最早的形式希腊椅子,可追溯到五,六百年前,基督已经回来了,但水量直线上升,前方与后方。

Since it was born, Rome faced to the threaten by its neighbor Achaean.

自罗马诞生以来,它就面临着邻居希腊诸城邦的威胁。

The first torchbearer was Achaean Constantine Kondylis, the last one was Germanic Fritz Schilgen, who was an athlete of 1,500 meter race.

第一名传递火炬的是希腊人康斯坦丁·孔季利斯,而最后一名则是德国1500米赛跑运动员弗里茨·席尔根。

This letter he addresses not only to the church in Corinth, but also to the saints in all Achaia, ie, in Athens, Cenchrea, and other cities in Greece.

这封信的地址,他不仅要教会在科林斯,而且还向圣人在所有achaia ,即在雅典, cenchrea ,和其他城市在希腊。

Allard Pierson Museum is the archaeological museum of the University of Amsterdam The ancient civilisations of ancient Egypt, the Near East, the Greek World, Etruria and the Roman Empire are revived in this museum Art-objects and utensils, dating from 4000 BC till 500 AD give a good impression of everyday-life, mythology and religion in Antiquity There are also several scale models of ancient temples and buildings In the ancient Egypt department there is a room dedicated to death with mummies, sarcophagi and a film showing the process of mummification Our so-called plaster-cast-attic, only to be visited with a guided tour, shows copies of world-famous Roman and Greek statues

地中海考古博物馆是阿姆斯特丹大学的一个考古博物馆。古埃及古老的文明,近东,希腊世界,埃特鲁斯坎和罗马帝国都在这个博物馆里复活。公元前4000年至公元500年的器具和艺术品给我们的日常生活,神话和古代的宗教以深刻的印象。还有几座古代庙宇和建筑的模型。在古埃及馆有一间房子,里面陈列着木乃伊和石棺,在那儿你还可以看到如何制作木乃伊的电影演示。我们所谓的plaster-cast-attic,只对那些有导游带队的游客开放,展示了世界闻名的罗马和希腊雕像。

Allard Pierson Museum is the archaeological museum of the University of Amsterdam46; The ancient civilisations of ancient Egypt, the Near East, the Greek World, Etruria and the Roman Empire are revived in this museum46; Art-objects and utensils, dating from 4000 B46;C46; till 500 A46;D46; give a good impression of everyday-life, mythology and religion in Antiquity46; There are also several scale models of ancient temples and buildings46; In the ancient Egypt department there is a room dedicated to death with mummies, sarcophagi and a film showing the process of mummification46; Our so-called plaster-cast-attic, only to be visited with a guided tour, shows copies of world-famous Roman and Greek statues46

地中海考古博物馆是阿姆斯特丹大学的一个考古博物馆。古埃及古老的文明,近东,希腊世界,埃特鲁斯坎和罗马帝国都在这个博物馆里复活。公元前4000年至公元500年的器具和艺术品给我们的日常生活,神话和古代的宗教以深刻的印象。还有几座古代庙宇和建筑的模型。在古埃及馆有一间房子,里面陈列着木乃伊和石棺,在那儿你还可以看到如何制作木乃伊的电影演示。我们所谓的plaster-cast-attic,只对那些有导游带队的游客开放,展示了世界闻名的罗马和希腊雕像。

It accepts everything royally; it is not too particular about its Venus; its Callipyge is Hottentot; provided that it is made to laugh, it condones; ugliness cheers it, deformity provokes it to laughter, vice diverts it; be eccentric and you may be an eccentric; even hypocrisy, that supreme cynicism, does not disgust it; it is so literary that it does not hold its nose before Basile, and is no more scandalized by the prayer of Tartuffe than Horace was repelled by the "hiccup" of Priapus.

巴黎每天要唱一百万公升的水,但是这并不妨碍它在适当的时候打鼓吹号敲钟,进入警备状态。①普卢塔克(Plutaroue,约46?25),古希腊唯心主义哲学家,古希腊罗马杰出活动家传记的作者。②多米齐安(Domitian,51?6),罗马皇帝(81?6)。除此之外,巴黎是个好孩子。它豁达大度地接受一切,在美女面前它是不难说话的,它的美女是霍屯督①,只要它笑,凡事都好商量,丑态使它欢跃,畸形使它喜悦,恶德使它忘忧,只要与众不同,便可博得众人欢心,伪善即使是绝顶无耻的行为,也不会使它暴跳。它是那样爱好文学,以致在巴西尔②的跟前也不会捂着鼻子,它对达尔杜弗③的祈祷所起的反感并不比贺拉斯对普里阿普斯打嗝的反感来得更强烈。

Like the First-Man he emanates five personalities: from his intelligence the Ornament of Splendour (Sefath Ziva, Splenditenens, phegotatochos in Greek and Latin sources), from his reason the Great King of Honour, from his thought Adamas, Light, from his self reflection the King of Glory, and from his will the Supporter (Sabhla, Atlas and Omothoros of Greek and Latin sources).

像第一人,他单凭5人物:从他的情报饰品的辉煌( sefath日娃, splenditenens , phegotatochos在希腊和拉丁美洲的来源),从他的原因,伟大的国王的荣誉,从他的思想adamas ,光明,从他的自我反思之王的荣耀,并从他的支持者会( sabhla ,地图集和omothoros希腊和拉丁语来源)。

Condemned those who seek to discover exactly how the Word was joined to His human substance; Greek doctrines of the soul, heaven, earth, and creation; the destruction of the soul after death; those who say that creation is eternal or immutable; those who do not accept the miracles of Christ, the Theotokos, and all his saints; those who think Greek philosophy true; that creation is not the result of God's free will; the pre-existence of souls; those who deny that creation is created ex nihilo ; those who say that hell is temporary or that all of creation will be restored; and those who understand the Kingdom of Heaven to be temporary.

谴责那些试图发现到底如何一词被加入到他的人的物质;希腊语学说的灵魂,天,地,吸收和创新;摧毁灵魂死亡后,这些人说,创新是永恒的或一成不变的;那些不接受神迹的基督, theotokos和他的一切圣人;那些认为希腊哲学属实;创造并非由于上帝的自由意志;预先存在的灵魂;那些否认说,创新是创造了前nihilo 那些人说,地狱,是临时的或所有的创作都会被恢复;以及那些了解天国的只属短暂现象。

The cult of Dionysus is a kind of special cultural phenomenon, but similar elements exist in other regions and other places, for example, the cult of tree, going to the god's body by mania and releasing the nervous through the carnivals, etc., also existed in history.

类似的宗教存在于世界各地,比如对葡萄树或酒的崇拜,比如以神附体的形式达到与神的沟通,比如以狂欢的形式发泄内心的紧张感等等;但是,值得我们注意的是,只有狄奥尼索斯崇拜在古希腊城邦民主制条件下得到了较充分的发展,也就是说,希腊多神教的宗教体系和民主制的发展是促进狄奥尼索斯崇拜发展的两个因素。

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