希腊的

The New Acropolis Museum is a major event not only for Greece .

新卫城博物馆不仅是希腊的一件大事。

It said that Aeschylus wrote between seventy and ninety tragedies,but only seven have survived today.

它说希腊的悲剧诗人在七十而且九十件悲剧之间写了，但是只有七今天已经幸存。

On productions at the National Theatre, Skini and Nea Skini theatres, Aplo Theatro, Epochi theatre, Amphitheatro, etc., of plays by Shakespeare, Goldoni, Griboyedof, Turgenief, Chekhof, Gorki, O'Neill, Tennessee Williams, Arthur Miller, Pinter, Mammet, Orton, Aristophanes, Hourmouzis, Loula Anagnostaki, G.Dialegmenos, Euripides etc.At the cinema: Since 1983 she has been a permanent collaborator with Theo Angelopoulos, composing music for his films Voyage to Cythera, The beekeeper, Landscape in the Mist, The Suspended Step of the Stork, Ulysses' Gaze and the Cannes Festival Golden Palm award-winning film, Eternity and a Day. She has also composed music for films by Dimitris Mavrikios, Takis Kanelopoulos, Tonia Marketaki, Christoforos Christofis (Wandering / Rosa), Lefteris Xanthopoulos, Giorgos Koras Margarethe von Trotta (L' Africana), etc.

然后她回到雅典，上电台，办民族音乐试验室，1979年被她视为命运的转折点，她开启了电影作曲的职业生涯，合作者是希腊诗人兼新电影流派的导演Chistoforo Chillstofis，1982年Eleni Karaindrou因前者的影片"芳名罗莎"在塞瑟隆尼基电影节上获得原创音乐奖，颁奖人正是评审团主席Theo Angelopoulos，他们的合作也由此开始，以后的九年可谓硕果累累，两个人物以类聚，谁都没有辜负了彼此间的厚望。80年代安氏创作了他的"漂泊"三部曲，当首篇"塞瑟岛之旅"告竣之后，安氏在访谈录中称赞Eleni正是他所需要的那种博采众长且深具古典音乐实力的最佳搭档，Eleni不仅创作电影音乐，而且也涉足希腊的先锋戏剧，她的第二个丈夫就是一位戏剧导演，Eleni迄今已为35部剧本谱写了音乐。

Perhaps it is possible to find implicit theories of this sort in Homer and other descriptions of Greek education, but, at any rate, more conscious and fuller theories arose in Greece through a conjunction of two developments—the rise of philosophy or what Aristophanes called the "Think Shop" and tried to laugh out of existence, and the breakdown of the traditional or "old" educational system.

也许我们可能发现这种隐性的理论在荷马哪里和别的类型在希腊的教育中，但是，无论如何，更多有意识的和更丰富的理论在希腊通过两种发展的联合而出现——哲学或如阿里斯托芬所言的"思想车间"的产生和尽力对脱离存在的嘲笑，与传统或"老的"教育体系的崩溃。

Helladic science reaches very high attainments because Greeks has the culture of reason and liberty and society cultural environment of democratic and free.

古希腊的科学之所以达到很高的造诣，是因为古希腊人具有追求理性与自由的求真的文化传统以及自由民主的社会文化环境。

Greek commercial economy was one free of gilds or associations, whether of Roman Age, reflecting emperial oppression and exploitation, or of Middle Age, reflecting penisular equalism and feudalism.

为商业经济所决定，或与它相适应，希腊才采取了奴隶制的生产关系，并发展到发达的古典形态；希腊的政治组织才发展到奴隶制民主的水平，为精神文化的极大繁荣创造适宜的人文环境。

By the Classical Age, older boys were dispatched to live in the wilds for a period as members of the "secret band" whose job it was to murder any helots who seemed likely to foment rebellion.

至Classical Age（希腊的一个时期，其余的还有Dark Age， Golden Age…以后叙述希腊史的时候再明确说明），年长一些的男孩加入一个秘密的组织，并被派往野外生存一段时间，他们的任务是刺杀有煽动叛乱嫌疑的奴隶。

On productions at the National Theatre, Skini and Nea Skini theatres, Aplo Theatro, Epochi theatre, Amphitheatro, etc., of plays by Shakespeare, Goldoni, Griboyedof, Turgenief, Chekhof, Gorki, O'Neill, Tennessee Williams, Arthur Miller, Pinter, Mammet, Orton, Aristophanes, Hourmouzis, Loula Anagnostaki, G.Dialegmenos, Euripides etc.At the cinema: Since 1983 she has been a permanent collaborator with Theo Angelopoulos, composing music for his films Voyage to Cythera, The beekeeper, Landscape in the Mist, The Suspended Step of the Stork, Ulysses' Gaze and the Cannes Festival Golden Palm award-winning film, Eternity and a Day. She has also composed music for films by Dimitris Mavrikios, Takis Kanelopoulos, Tonia Marketaki, Christoforos Christofis (Wandering / Rosa), Lefteris Xanthopoulos, Giorgos Koras Margarethe von Trotta (L' Africana), etc.

然后她回到雅典，上电台，办民族音乐试验室，1979年被她视为命运的转折点，她开启了电影作曲的职业生涯，合作者是希腊诗人兼新电影流派的导演Chistoforo Chillstofis，1982年Eleni Karaindrou因前者的影片&芳名罗莎&在塞瑟隆尼基电影节上获得原创音乐奖，颁奖人正是评审团主席Theo Angelopoulos，他们的合作也由此开始，以后的九年可谓硕果累累，两个人物以类聚，谁都没有辜负了彼此间的厚望。80年代安氏创作了他的&漂泊&三部曲，当首篇&塞瑟岛之旅&告竣之后，安氏在访谈录中称赞Eleni正是他所需要的那种博采众长且深具古典音乐实力的最佳搭档，Eleni不仅创作电影音乐，而且也涉足希腊的先锋戏剧，她的第二个丈夫就是一位戏剧导演，Eleni迄今已为35部剧本谱写了音乐。

The same man, stimulated by private pique against the MEGARENSIANS,[2] another nation of Greece, or to avoid a prosecution with which he was threatened as an accomplice of a supposed theft of the statuary Phidias,[3] or to get rid of the accusations prepared to be brought against him for dissipating the funds of the state in the purchase of popularity,[4] or from a combination of all these causes, was the primitive author of that famous and fatal war, distinguished in the Grecian annals by the name of the PELOPONNESIAN war; which, after various vicissitudes, intermissions, and renewals, terminated in the ruin of the Athenian commonwealth.

同样是他，由于对MEGARENSIANS——希腊的另一个城邦——的私愤，或者为了免于在雕塑家Phidias失窃案中被起诉为盗窃同谋，或者为了摆脱对他浪费国家资金收买人心的指控，或者所有这些原因的总合，他发动了那场著名的致命的战争——古希腊历史上以&伯罗奔尼萨&命名的战争；这次战争经过各种变迁，暂停和再起之后，最终以雅典共和国的覆灭告终。良好的人性，恰当的理性，和对上帝的信仰。规则的美在于简单，个性的美在于丰富，语言的美在于逻辑。

In time came other cities in other places: Harappa and Mohenjodaro in the Indus valley, Memphis and Thebes in Egypt, Yin and Shang cities in China, Mycenae in Greece, Knossos in Crete, Ugarit in Syria and, most spectacularly, Rome, the first great metropolis, which boasted, at its zenith in the third century AD, a population of more than 1m people.

后来在其他地区出现的城市还有：印度河流域的哈拉帕和摩亨约－达罗、古埃及的孟斐斯和西比斯、中国殷商时期古城、希腊的迈锡尼、克利特岛(位于地中海东部，属希腊)的克诺索斯宫、叙利亚的乌加里特以及人类第一个最宏伟壮观的大都市――罗马。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了