布里杰

Would you like to meet Mr Briggs this weekend,Roger?

罗杰，这个周末你想见见布里格斯吗？

An added bonus is a wonderful rendition of the Benjamin Britten work "A Ceremony of Carols".

另外一个好处是一种非常棒的移交逃犯的本杰明布里顿工作"仪式的颂歌"。

Benjamin Britten is one of the most distinguished composers in the 20th century and the music renaissance leader in British. His opera in the history of opera in the United Kingdom has drawn greater attention.

本杰明·布里顿是二十世纪最杰出的作曲家之一，英国音乐复兴的领军人物，他创作的歌剧在英国歌剧史上倍受关注。

Benjamin Britten (1913 - 1976) was a famous composer, conductor and pianist in the modern United Kingdom.

本文选择英国著名作曲家、指挥家、钢琴家本杰明·布里顿(Benjamin Britten，1913.11-1976.12)早期器乐作品中一部较有影响力的作品《小提琴协奏曲》op.15为研究对象，通过对该曲产生的历史语境的考察与解读、写作技法的分析、试图做出对该曲历史地位与艺术价值的评价，并在此基础上进一步探寻作曲家早期的创作观念和创作思想的形成成因，以及早期的音乐语言和风格。

Edward Benjamin Britten(1913-1976) was an outstanding musician prominent in the nineteenth century in Britain.

爱德华·本杰民·布里顿(Edward Benjamin Britten1913-1976)是二十世纪英国杰出的音乐家。

Genet was on December 10, 1910, in Paris, France, to twenty-two-year-old prostitute Camille Gabrielle Genet.

遗传学是12月10日1910年，在巴黎，法国，到22岁的*女卡米耶加布里埃杰内特。

Returning loanee Francis Jeffers is unwanted at Highbury.

租借期满的杰弗斯在海布里是个多余的人。

In a career filled with unforced, naturalistic performances, Jeff Bridges gives one of his finest in Crazy Heart .

在职业生涯充满了非受迫性，自然的表演，杰夫布里奇斯给他的一个最好的在疯狂的心。

Jerome retained the division into four books, which from the Septuagint had passed into the Itala, or old Latin translation, but changed the name "Books of the Kingdoms" into "Books of the Kings".

圣杰罗姆保留分为四本书，从七十已经过去了到伊泰莱，或旧的拉丁美洲翻译，但名称改为&书演义&（利布里Regnorum ）到&书籍的国王&

Jeff Bridges plays--of course--the addled yet charismatic founder of the New Earth Army, while Kevin Spacey plays--of course--the weaselly, manipulative psychic spy who turns what was meant to transform the world for the better into a mechanism for propaganda and worse.

杰夫布里奇斯次-当然-新地球军的怪僻而魅力的创始人，而凯文斯派西次-当然-在weaselly，轮流操纵心理间谍谁是什么意思转变成一个更美好的世界机制，宣传和恶化。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。