布莱斯

In the cultural context of China, not only Benjamin's works , but also his background, just as his Jewish birth, the friendship with Gershom Scholem, Theodor Wiesengrund Adorno and Bertolt Brecht, the same status with Charles Baudelaire, the same personal passion of collection with Eduard Fuchs, the same dumpish contemplation with Kafka, and his suicide are all texts which can be interpreted endlessly.

在中国学者的视野中，不仅本雅明的著述，一切有关本雅明的背景：他的犹太家庭出身、他与朔勒姆、阿多诺、布莱希特等人的友谊、他与波德莱尔相同的"文人"处境、与爱德华·福克斯相同的"收藏家"嗜好、与卡夫卡相通的痛苦思索，以及他在纳粹迫害下于通往自由之路上的自杀行为等都是可被无限阐释的文本。

Outside la Maison Claire Blazes Boylan waylaid Jack Mooney's brother-in-law, humpy, tight, making for the liberties.

468克莱尔屋外面，布莱泽斯。博伊兰截住杰克。穆尼的内弟——这个筋骨隆起的人正醉醺醺地走向自由区。

Arthur Weasley is a second cousin once removed.

亚瑟·韦斯莱是布莱克家族的第二代远房表兄。

When did the Golden Lion last serve populist fare such as the George Clooney thriller Michael Clayton (murder, skulduggery and Tilda Swinton glammed up as an evil corporate lawyer), the army-base thriller In the Valley of Elah (a bread-and-jam whodunit in spite of Haggis's thick spreading of Iraq war allusions) or Branagh's loop-the-loopy attempt to refashion Sleuth with a Pinter script and Michael Caine and Jude Law playing hide-and-seek amid the arty camera angles.

金狮奖上次专门为民粹主义作品设立是什么时候来着？比如乔治？克鲁尼令人毛骨悚然的影片《迈克尔？克莱顿》（谋杀、使诈，还有蒂尔达？斯文顿扮演的衣着光鲜的企业律师），根据军队拍摄的令人毛骨悚然的影片《决战以拉谷》（尽管哈吉斯散布了大量伊拉克战争的暗示，它还是一部像"面包加果酱"一样平常的推理影片），还有布莱纳兜着圈子地努力翻拍《足迹》，用平特的剧本与迈克尔？凯恩和裘德？洛，在富有艺术家气派的各种拍摄视角中玩捉迷藏的游戏。

In the cultural context of China, not only Benjamin's works , but also his background, just as his Jewish birth, the friendship with Gershom Scholem, Theodor Wiesengrund Adorno and Bertolt Brecht, the same status with Charles Baudelaire, the same personal passion of collection with Eduard Fuchs, the same dumpish contemplation with Kafka, and his suicide are all texts which can be interpreted endlessly.

在中国学者的视野中，不仅本雅明的著述，一切有关本雅明的背景：他的犹太家庭出身、他与朔勒姆、阿多诺、布莱希特等人的友谊、他与波德莱尔相同的&文人&处境、与爱德华·福克斯相同的&收藏家&嗜好、与卡夫卡相通的痛苦思索，以及他在纳粹迫害下于通往自由之路上的自杀行为等都是可被无限阐释的文本。

Humphrys notes Blair's apparent fear of verbs and mocks inhis speeches, which are pepper ed with verbless phrases like "new challenges, new ideas," or "for our young people, a brighter future" and "the age of achievement, at home and abroad."

汉弗莱斯提到，布莱尔在演说中对动词和嘲讽语言有着明显的畏惧，他的演说充斥着非动词式的词组，比如&新挑战，新想法&，&为了我们的年轻一代，一个光明的未来&，还有&一个充满成就的时代，无论国内还是国外&等。

Humphrys notes Blair's apparent fear of verbs and mocks inhis speeches, which are peppered with verbless phrases like "new challenges, new ideas," or "for our young people, a brighter future" and "the age of achievement, at home and abroad."

汉弗莱斯提到，布莱尔在演说中对动词和嘲讽语言有着明显的畏惧，他的演说充斥着非动词式的词组，比如&新挑战，新想法&，&为了我们的年轻一代，一个光明的未来&，还有&一个充满成就的时代，无论国内还是国外&等。

On good days, I'd tell New Jersey Net Brian Scalabrine that I didn't like him (maybe in different terms than that).

在心情好的时候，我告诉从新泽西篮网转会过来的布莱恩-斯卡莱比尼我不喜欢看他打球（也许是我会用不同的方式来表达）。

With only occasional forays into commercial filmmaking, Epstein devoted much of his efforts from the silent Finis terrae in 1929 to the short Le Tempestaire in 1947 to a masterly series of semi-documentary evocations of the Breton countryside and seascape.

在《厄舍古厦的倒塌》后，爱浦斯坦几乎远离了法国电影制作圈，偶尔才会在商业电影制作中出现，他把大部分的精力和时间投入在了《沉默的菲尼斯特莱》（1929），以及短片《风暴》（1947）这些电影上，更创作出了一系列关于布莱顿乡村和海滨生活的大师级水准的半记录影片。

Figg and Mundungus Fletcher were all mentioned in passing well before they burst onto the stage as fully-fledged characters, so now you've all become too clever, not for your own good, but for mine.

天狼星布莱克、费格太太和蒙顿格斯弗莱彻在正式亮相前我都一笔带过，因而现在你们都聪明了许多--这对我有利，对你们则相反。

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。