布莱希特

If a piece of text is already printed in italics, then the function of italicization is taken by roman type: she was reading on the use of verfremdungseffekt in brecht's plays.

如果一篇正文已经采用斜体印出，那么斜体的功能就由罗马体来取代(如她正在阅读"论布莱希特戏剧中'间离效果'的运用")。

The thesis will make a try to reveal the truth lied in the mechanism on an objective and general basis. The first step is to clarify what it is, then secondly 1 would like to make a contrast between Stanislavsiky, Meyerhold and Brecht with a view to deepen our understanding.

为了真实认识这个在过去及现在都仍具有着深刻影响力的演剧体系，本文力求在较为全面客观研究原著的基础上，首先弄清该体系到底是什么，进而再将斯坦尼斯拉夫斯基与梅耶荷德和布莱希特作一个比较，在横向比较中，对该体系再加以深入的认识。

There are also some common parts between them. Divided by similitude, Stanislavsiky produced prose poem, Meyerhold produced lyric poem and Brecht produced narrative philosophical poem.

用句比喻来形象地区分他们，即：斯坦尼斯拉夫斯基追求的是散文诗，梅耶荷德想往的是抒情诗，布莱希特要求的是叙事哲理诗。

Stanislavsiky hold a lot of differences on drama esthetics and production style with Meyerhold and Brecht. Mainly the difference shows to be: the former is of the school of"reappearing esthetics"while the latter is of"expressive esthetics".

斯坦尼斯拉夫斯基与梅耶荷德和布莱希特，在戏剧美学思想和创作方法上都存有很大区别，这主要表现为，前者属于"再现美学"，而后两者属于"表现美学"，但他们之间也有很多相同相通之处。

Dramatic theories from Piscator, Brecht to Boal covers the essential claim of ideological and aesthetic appeals of western theatre of the left.

从皮斯卡托、布莱希特到博亚尔的戏剧理论大体上涵盖了20世纪西方左翼戏剧在政治意识形态和戏剧美学两方面的根本诉求。

Explanation of Piscator's"political theatre"and theory of Brecht's"epic theatre"become the guideline of theatre of the left in 20th century West. Boal's"poetics of the oppressed"represents the most important achievement of theatre of the left in the second half of the 20th century.

皮斯卡托关于"政治剧"的阐述、布莱希特著名的"史诗剧"理论对于整个20世纪西方左翼戏剧来讲可以说是纲领性的；而博亚尔的"被压迫者诗学"则代表了20世纪后半期左翼戏剧理论的最高成就。

The Poetics of the Oppressed,established by the celebrated Brazilian left-wing theoretician Augusto Boal,is built on the tradition of Piscator,Brecht and other left-wing theatrical artists.

著名的巴西左翼戏剧理论家奥古斯多·博亚尔创立的"被压迫者诗学"继承了自皮斯卡托、布莱希特以来西方左翼戏剧理论传统，在意识形态上接受了西方"新左派"的影响，在戏剧美学上融合了后现代理念。

Serves the unprosperous, unsuccessful

布莱希特是这样评论好莱坞的

From 1940 onward, Brecht came to win international recognition for his most famous plays, producing the bulk of them with the East German Berliner Ensemble as directed by his wife, Helene Weigel.

从1940年起，布莱希特来赢得国际社会的承认，他最有名的发挥，生产的大部分他们东德柏林乐团的指示他的妻子海伦韦格尔。

Brecht attach great importance on the communication between the audiences and theatre.He utilize the whoopla public square and public space to strengthen the knowledge of society,and meanwhile reserve the amusement.

布莱希特戏剧的意识形态功能旨在于唤起受众的理性批判态度，让受众认识到现实的可改变性，使之产生变革现实的需要并付诸于实际行动，以此来实现艺术的社会功能。

The basic concept of FOP can be summarized as to further optimize effective prescription according to the standard of curative effects and with the aid of modern science and technology and theories of traditional Chinese medicine.

其基本内涵可概括为：以确有疗效的中药复方为研究对象，以现代科学技术和传统中医药理论为技术支持，以该复方所治病证的药效响应为评价标准，以优化重组疗效更优的新复方为研究目的。

Ever since our world has been a world, native forests have been indiscriminately exploited by man.

自从我们的世界一直是世界原生森林被任意剥削人。