布莱希特

German playwright Bertolt Brecht's plays.

德国剧作家布莱希特的剧作。

Marxist playwright and director Bertolt Brecht devised an epic theatre under the influence of Shakespeare.

马克思主义剧作家和导演贝尔托·布莱希特在莎士比亚影响下设计了一座史诗剧场。

Specifically, Bolt explains that his style is a "bastardized version" of the theatrical technique called alienation, which was conceived by the German playwright Bertolt Brecht.

具体来说，螺栓解释说，他的风格是" bastardized版"的舞台技术要求的异化，这是由德国剧作家布莱希特。

One could talk of the beauty of the hills, the pine trees amidst winter giving way to spring, but that brings us to the dilemma of the poet in hard times, expressed so well by Bertolt Brecht (in "To Posterity"):"Ah, what an age it is/When to speak of trees is almost a crime/For it is a kind of silence about injustice."

一个人或许会赞叹群山的壮美，冬季里挺拔的松林为我们开辟了春的道路，然而这一切带给我们的却是一首诗陷入低潮时那种进退维谷的感觉，正如布莱希特在《致后代》中所描述的："那是什么样的时代啊／一场关于树木的谈话几乎就是一桩罪行／因为它包含着对那么多恶行的沉默！"

John thought for a moment and told me a story about what had happened in the late nineteen-forties when Bertolt Brecht, then living in the United States, was subpoenaed by the House Committee on Un-American Activities.

约翰沉思片刻，给我讲了一个 2 0 世纪四十年代末麦卡锡时期，发生在德国剧作家贝尔托*布莱希特身上的故事。

Bertolt Brecht's theatrical aesthetics is not the one that scholars imagined. His theory of "Verfremdungseffekt" should be re-considered in two dimensions: defamilarization and detachment.

在探讨布莱希特的美学思想时，需要将摹仿与表现、写实与写意、体验投入与理性控制等不同层面的问题加以区分。

The harmful tendency aroused the attention of true realist with international proletariat literature theoretician Lukacs and Bertolt Brecht .

与国际无产阶级文艺理论家卢卡契和布莱希特同声相应、同气相求，中国的左翼文艺批评家胡风也对此种异质倾向展开了不懈的纠正和批判。

By wen yau in collaboration with Shu Ning Presentation Unit and Ken Cheung, inspired by Bertolt Brecht's "The Seven Deadly Sins". Starting from May 2004, 6 live events and installations have been taken place in different unconventional venues in the building of Hong Kong Arts Centre such as main entrance, atrium, closet under the staircase, etc. Parts of the serial work have been presented in live art festival in Beijing and Taipei.

由 2004 年 5 月起。魂游与许树宁及经纶合作，以德国当代剧场家布莱希特剧作《七宗罪》为蓝本，在艺术中心的不同空间堙A十三个月内以六次的不同形式的演出和装置，不断进行探索、实验，与观众互动间寻找更开阔的演出可能性；系列作品并曾应邀往北京及台北的艺术节作演出。

This thesis tries to take a research on his"Vengeance Trilogy": Sympathy for Mr.Vengeance ,The old boy, Lady vengeace, focus on his defamiliarizatiion. The thesis composed by three parts: Chapter one: From a Review of Park Chan-wook's experience in film industry to find out his ideas that guiding artistic creation. Chapter two: Recalls the historical progress of Defamiliarization , which involves Aristoteles, Georg Wilhelm Hegel, Bertolt Brecht's aesthetics theory.

全文共分为三个部分：首先，是从朴赞旭的从影经历来分析他在后现代语境和消费主义潮流中创作心态；第二，从美学的历史上回溯陌生化的概念，从亚理士多德、黑格尔、什克洛夫斯基到布莱希特的陌生化理论；第三，从三个方面就作品本体来分析导演的创作技巧。

ABSTRACT This thesis is on the parables of Brecht which are an important part of his plays.

本文旨在探讨作为布莱希特的戏剧作品的一个很重要的组成部分的寓意剧的写作特点。

The basic concept of FOP can be summarized as to further optimize effective prescription according to the standard of curative effects and with the aid of modern science and technology and theories of traditional Chinese medicine.

其基本内涵可概括为：以确有疗效的中药复方为研究对象，以现代科学技术和传统中医药理论为技术支持，以该复方所治病证的药效响应为评价标准，以优化重组疗效更优的新复方为研究目的。

Ever since our world has been a world, native forests have been indiscriminately exploited by man.

自从我们的世界一直是世界原生森林被任意剥削人。