布罗德

Brad is talking to his friend, Lorraine, about ball games.

布莱德正在和他的朋友罗瑞安聊球赛的事。

Bhaktivedanta Swami Prabhupada and his American and European bhaktas at Cross Maidan.

我决定走一走，我真的很想走走，于是我开始四处走，我看到一个异常巨大的牌子，上面写着："哈瑞·奎师那节--A·C·巴克提韦丹塔·斯瓦米·帕布帕德和他的美国、欧洲门徒在克罗斯操场集会。"

The writer focusrs on investigating and studying how the research is taken scientific paths and the shining course in which he founded his theory of Matter Wave.

着重考察和探索L。德布罗意怎样走上科学的道路，以及他创立的物质波理论的光辉历程。

In comparison with the optical interferometer, the matter wave interferometer is much more sensitive to some physical parameters, it can be applied in the studies of the effect of the gravitation.

德布罗意物质波干涉仪是基于物质粒子的波动特性而建成的。

Wayans will be hoping for a better critical response than James Brolin received for playing Clark Gable in 1976's chummy Gable and Lombard, which detailed the suave Gone With the Wind star's romance with fellow 1930s Hollywood megalith Carole Lombard.

韦恩斯受到的媒体评价将很有希望比詹姆斯布罗林好，后者在1976年的电影Gable and Lombard中扮演克拉克盖博。这部电影详细讲述了"飘"中温文尔雅的盖博和好莱坞30年代的传奇演员卡洛尔隆巴德之间的浪漫史。

Natalia Dubrovinskaia from the University of Heidelberg in Germany, has carried out similar research.

德国海德堡大学的纳塔莉亚·杜布罗维斯卡亚也进行了类似研究。

The spirit of mighty days at that portentous moment made its descent on that unknown man.

康布罗纳找到的滑铁卢的那个字，正如鲁日·德·李勒①构思的《马赛曲》，都是出自上天的启示。

This paper falls into three parts: Part One: Introduction This part presents the origin of deconstruction and a brief introduction of Harold Bloom's six revisionary ratios as well as his "Theory of Influence".

本篇论文分三部分：第一部分：介绍。这一部分说明了解构主义的来源并对哈罗德·布鲁姆的"影响理论"和六个"修正比"进行了简单介绍。

Part Two: Anxiety of Influence and Six Revisionary RatiosThis part expatiates Bloom's "Theory of Influence" and six "Revisionary Ratios".

第二部分：影响的焦虑和六个修正比。这一部分详细阐明了哈罗德·布鲁姆的影响理论和六个"修正比"。

Bloom offers six revisionary ratios that help us ephebes survive the influence river, which are our urgent need for producing Chinese Renaissance.

哈罗德·布鲁姆提供给我们六个"修正比"以使作为后人的我们从"影响河"中逃出并创造出我们自己的"文艺复兴"。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。