布景

Directed by famed director of Dora the Explorer and Blues Clues Live Gip Hoppe, the musical features choreography by Jenn Rapp, who is also serving as associate director; the scenic design is by Tony Award winner David Gallo; the costume design is by Broadway costume designer Mirena Rada; the lighting design is by Drama Desk winner Richard G.

这部音乐剧由吉伯·霍伯执导，简·利普担任编舞兼助理导演，戴维·加洛担任布景设计，米莱娜·拉达担任服装设计，理查德·琼斯担任灯光设计，克里斯朵夫·科诺林担任音效设计，麦克尔·科瑞担任卡通造型设计，飞翔特效设计由保罗·鲁宾担任。

An ILM wireframe of this set has been created to assist in the extension of the entire Duel environment.

一整个上午，演员们都在这同一个布景的地板上跑来跑去，从看不见的危险跟前跑开。

In addition to the impressiveness of the settings, there is a use of the camera which at times seems magical

除了布景的感染力外，摄影机的使用技巧有时显出不可思议的效果。

In addition to the impressiveness of the sett in gs, there is a use of the camera which at times seems magical

除了布景的感染力外，摄影机的使用技巧有时显出不可思议的效果。

In addition to the impressiveness of the settings,there is a use of the camera which at times seems magical .

除了布景的感染力外，摄影机的使用技巧时时显出不可思议的效果。

The rain; the oversight was not imputable to him; decide to which of these motives such extraordinary

可归咎于校对粗心的标点符号的错误；音乐会的取消可归因于下雨；这个疏忽不能归咎于他；确定是什么动机导致了如此反常的布景——查尔斯·狄更斯。

However, I would like to acknowledge, especially, B. Gentry Lee; the Cosmos production staff, including the senior producers Geoffrey Haines-Stiles and David Kennard and the executive producer Adrian Malone; the artists Jon Lomberg (who played a criticalrole in the original design and organization of the Cosmos visuals), John Allison, AdolfSchaller, Rick Sternbach, Don Davies, Brown, and Anne Norcia; consultants Donald Goldsmith, Owen Gingerich, Paul Fox, and Diane Ackerman; Cameron Beck; the KCET management, particularly Greg Andorfer, who first carried KCET's proposal to us, Chuck Allen, William Lamb, and James Loper; and the underwriters and co-producers of the Cosmos television series, including the Atlantic Richfield Company, the Corporation forPublic Broadcasting, the Arthur Vining Davis Foundations, the Alfred P.

然而，我还要特别感谢 B·金特里·李及《宇宙》电视系列片全体制作人员——包括老一辈制片人杰弗里·海恩斯－斯太尔斯和戴维·凯纳德以及监制人艾德里南·马龙，画家乔恩·龙伯格（他那富有独创性的布景设计与组织能力对《宇宙》的拍摄起了关键性的作用）、约翰·阿利森、阿道夫·沙勒、里克·斯特恩巴赫、唐·戴维斯、布朗和安妮·诺西亚；顾问唐纳德·戈德史密斯、欧文·金杰里奇、保罗·福克斯和黛安妮·阿克曼、卡墨伦·拜克；KCET管理人员，特别是格雷格·安多尔弗（他首先把KCET的建议传达给我们）、丘克·艾伦、威廉·拉姆和詹姆斯·洛珀，《宇宙》电视系列片的担保人和合作制片人，其中包括大西洋里奇菲尔德公司、公共广播公司、阿瑟·维宁·戴维斯基金会、艾尔弗雷德·斯龙基金会、英国广播公司和波利特尔国际组织。

In 1983, he received a César (the French equivalent of an Academy Award) for Best Set Design for the film "La Lune dans le caniveau" by Jean-Jacques Beineix.

贝内克斯的影片《明月照沟渠》中的设计而一举荣膺恺撒奖的最佳布景。

In that magic lantern all the pictures are privileged.

区别就是在于，意识中没有电影布景，只有一串连续却前后不一致的插图。

First in Dresden and Vienna theater to work, study three-dimensional stage and lighting problems .182 years -188 years, saw Wagner's "Meistersinger Nuremberg" and other operas, the Preparation of a sense of realism of the rigid nature of the stage scenery.

最初在德累斯顿和维也纳的剧院里工作，研究立体舞台和灯光问题。182年—188年间，看了瓦格纳的《纽伦堡名歌手》等歌剧后，备感写实舞台布景的刻板性。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。