布料

Molly went to the centre lamp,and her hurden was heavy on her.

莫莉走向中间那盏灯，亚麻布料衣服穿在身上有点重。

One day two imposters arrived who gave themselves out for weavers, and pretended they knew how to weave the most beautiful cloth imaginable.

有一天来了两个骗子，他们说自己是织工，佯装会织能想象到的最漂亮的布料。

"We shall be much obliged to you," said the impostors, and then they named the different colors and described the pattern of the pretended stuff.

城里所有的人都在谈论这美丽的布料。当这布还在织的时候，皇帝就很想亲自去看一次。

So, she mix wisely man's fabrics and feelings with looks and particulars of her words, with romance an femininity: little prints, tie jacquards and embroideries

有技巧的运用具有男性意象的布料及感觉於女性的穿著中，如：小图纹印花、领带花纹及绣花，表现浪漫女性化的风情。

There are kettles for yak butter tea and bolts of colorful fabric for traditional Tibetan robes and clothing.

有装酥油茶用的瓶瓶罐罐，和一匹匹五颜六色的用来制作传统藏服及其他服装的布料。

There are kettles for yak butter tea and bolts of colorful fabric for traditional Tibetan robes and clothing.

有酥油茶壶、一卷卷华丽的传统藏袍和衣物所需布料。

However, they put all that was given them into their knapsacks; and continued to work with as much apparent diligence as before at their empty looms.

那两位诚实的官员说。&陛下请看，多么美丽的花纹！多么美丽的色彩！&他们指着那架空空的织机，因为他们以为别人一定会看得见布料的。

They asked for the most delicate silk and the purest gold thread; put both into their own knapsacks;and then continued their pretended work at the empty looms until late at night.

全城的人都听说过这种布料有一种奇异的力量，所以大家都很想趁这机会来测验一下，看看他们的邻人究竟有多笨，有多傻。

Her painting style developed and broke through in the manners and forms of expression when she recognized and understand art step by step. Marta was attracted by the traditional culture and the pure of the art material in China when she came to Shanghai from Spain in 2005. She attempted to establish contact of painting between China and the West on the form of expression. She always uses oil painting first then adds the Chinese traditional material such as pearl, silk, and knit goods together.

随着对艺术的进一步理解和认知，她的绘画风格不断演变，尤其在艺术手法和表现形式上的突破。2005年，Marta从西班牙来到了上海，被中国传统文化的纯粹性和传统物质材料所吸引，在原有艺术语言的基础上，她试图在表现形式方面将中西方的绘画语言有意进行链接，她通常先用西方油画的造型语言塑型，然后将中国一些传统材料如珍珠、丝绸、针织布料等在画面上进行粘贴和拼贴。

The village shadow which shines in that raindrop to whirl and you who fall sleep the long eyebrow draw beautifully even the life which it lives nearly in this morning which hangs down the court lady place your heart sound which it laughs to scorn becoming the clock of inside life, also to live today, it drifts between the wave of the seat, two which it soaks it took off the small ship cloth and the coffee in the as cup which it puts and it followed it put and and it protected it held and and and it gave and and and and it dyed all with my heart stain position trace your nail which it throws away and it erased it gave and and and and and and it protected it held and and and and and and and it gave and my soul and and and and and and and in city inside and and and and and my soul and and and only only inside oneself loved I which it lives convenience own way in your width to cuddle, the summer when it is intense huyn with the sand you The Kiss even hot weather to disappear, it will leave at transparent transgression autumn and only position case love it will be bumped against when being strenuous, to the world and if you are the possibility only the thing sharing an inside pain are in the side and that it will hang with you protect you hold and and and you give and and and a sufficient you are not and my soul and and by two hands which you are warm mes packing there is from I without without before truth and he protects he holds and and he gives and and and he reads he gives and and and and my minds and and and it is valuable is not the possibility of talking the end my eye which it grudges he sees my soul and

发光的村庄阴影美妙地落睡眠长的眼眉凹道甚而生活它几乎居住在今晨垂悬在法院夫人位置下您的心音它笑蔑视成为里面生活时钟的雨珠旋转和您，今天并且居住，它漂移在位子之间，二波浪它浸泡它离开小船布料并且咖啡在如同它投入和的杯子它随后了而来它投入并且和它保护它举行并且和和它给并且和和和它洗染所有以我的心脏污点位置踪影您的钉子它投掷和它删掉了它给了并且和和和和和它保护了它举行了并且和和和和和和它给了并且我的灵魂和和和和和和和在城市里面和和和和和我的灵魂和和和只只在自己里面爱它居住便利拥有方式在您的宽度拥抱，夏天的I 当这是强烈的huyn 与沙子您亲吻热的天气消失，它将离开在透明违反秋天和唯一位置案件爱它将被碰撞反对当是吃力的，对世界并且如果您是可能性事只分享里面痛苦是在边并且那它将垂悬与您保护您举行并且和和您给并且和和充足您不是并且我的灵魂和和由您是温暖的mes 包装那里的二只手是从I 无无在真相和他保护他之前举行和和他给并且和和他读他给并且和和和我的头脑和和和它有价值不是谈末端的可能性它吝惜他看我的灵魂和的我的眼睛

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。