布拉马

The Shortlist: Andrey Arshavin, Karim Benzema, Iker Casillas, Cristiano Ronaldo, Diego, Didier Drogba, Edin Dzeko, Samuel Eto'o, Cesc Fabregas, Fernando Torres, Diego Forlan, Steven Gerrard, Ryan Giggs, Yoann Gourcuff, Thierry Henry, Zlatan Ibrahimovic, Andres Iniesta, Julio Cesar, Kaka, Frank Lampard, Maicon, Lionel Messi, Luis Fabiano, Franck Ribery, Wayne Rooney, John Terry, Nemanja Vidic, David Villa, Xavi, Yaya Toure.

大名单：阿尔沙文、本泽马，卡西利亚斯、C-罗纳尔多，迭戈，德罗巴，哲科，埃托奥、法布雷加斯，托雷斯，弗兰，杰拉德，吉格斯，古尔库夫、亨利，伊布拉希莫维奇，伊涅斯塔，塞萨尔，卡卡，兰帕德，麦孔，梅西，法比亚诺，里贝里，鲁尼，特里，维迪奇，比利亚，哈维，亚亚-图雷

"I love the action dramas that Brad Pitt and Matt Damon do," he says.

"我爱的行动戏剧，布拉德皮特和马特戴蒙做，"他说。

Almost all of the artists known to us, including Dürer of Renaissance, Rafeal, Holbein and Bruegel of 16th century, Rembrandt of 17th century, Goya of 18th century, Delacroix, Daumier, Gauguin and Munch of 19th century, Paul Klee, Picasso, Matisse, Brac, Rouault of 20th century, as well as some famous painters in modern period, have ever created some print paintings.

像大家都熟知的文艺复兴时期的丢勒、十六世纪的拉斐尔、贺尔拜因、布鲁盖尔、十七世纪的伦勃朗、十八世纪的戈雅、十九世纪的德拉克洛瓦、杜米埃、劳特莱克、高更、孟克、二十世纪的保尔·克利、毕加索、马蒂斯、布拉克、鲁奥……以及至近代的许多知名画家几乎没有不从事版画创作的。

The story of one winner, Debra Sue Maffett, is not unusual ..

有一位名叫黛布拉休马费特的获胜者，她的经历并不罕见。

In an interview with Italian magazine Chi, Italy and Real Madrid central defender Fabio Cannavaro was asked to give an opinion on Sweden and Inter Milan striker Zlatan Ibrahimovic.

在接受《Italian magazine Chi》专访时，意大利国家队和皇马后卫卡纳瓦罗被问及对于国米的瑞典前锋伊布拉辛莫维奇的看法。

I was quite impressed with the science, adds hematologist Morris Blajchman of McMaster University in Hamilton, Canada.

加拿大汉密尔顿市麦克马斯特大学的血液学家莫里斯·布拉奇曼接着说："这项科学研究给我的印象很深刻。"

I am twenty-two blocks from where Rudolph Valentino lay in state,eight blocks from where Nathan Hale was executed,five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose, four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle , thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska, one block from where Marceline used to clown on the boards of the Hippodrome, thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public, thirteen blocks from where Harry Thaw shot Stanford White, five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany (I could continue this list indefinitely); and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in, some of them on hot, breathless afternoons, lonely and private and full of their own sense of emanations from without..

二十二个街区远的地方，鲁道夫·瓦伦蒂诺在安眠；八个街区远的地方，内森·黑尔被绞死；五个街区远的地方，是出版人办公室，欧内斯特·海明威在那里挥拳击中了马克斯·伊斯门的鼻子；四英里远的地方，沃尔特。惠特曼曾挥汗如雨为《布鲁克林之鹰》写社论；三十四个街区以外，是威拉。卡瑟初到纽约的旧居，她当时正准备写作有关内布拉斯加州的著作；一个街区远的街道，马士莱在竞技场舞台上扮演过小丑；三十六个街区以外，历史学家乔。古尔德在众目睽睽之下踢碎了一台收音机；十三个街区以外，哈里。肖拔枪射击斯坦福。怀特；五个街区以外，是我过去做带位员的大都市剧场；而距离老克拉伦斯。戴举行葬礼的主显节教堂，仅有一百一十二个街区（我不确定还能再想起点儿什么）。就此而言，我正置身其中的房间，或许曾经呆过一些高贵而令人难忘的大人物，他们中一些人，在闷热的下午，坐在这里，孤独而隐秘，发散出异于外界的特有气息。

I am twenty-two blocks from where Rudolph Valentino lay in state, eight blocks from where Nathan Hale was executed, five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose, four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle, thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska, one block from where Marceline used to clown on the boards of the Hippodrome, thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public, thirteen blocks from where Harry Thaw shot Stanford White, five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany (I could continue this list indefinitely); and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in, some of them on hot, breathless afternoons, lonely and private and full of their own sense of emanations from without..

二十二条街外，鲁道夫·瓦伦蒂诺的遗体曾供人吊唁；八条街外，内森·海尔被处决；五条街外的出版社办公室里，欧内斯特·海明威一拳打中马科斯·伊斯特曼的鼻子；四英里外沃尔特·惠特曼曾汗流浃背地为《布鲁克林鹰报》社论主笔；三十四条街外是威拉·卡瑟在纽约写内布拉斯加故事时的住所；一条街外的西波佐恩剧院台，西班牙小丑玛瑟林上台演出，三十六条街外，历史学家乔·古尔德当众将一台收音机踢得粉碎；十三条街外，哈利·绍枪杀斯坦福·怀特；五条街外的大都会歌剧院我当过引座员；一百一十二条街外，老克拉伦斯·岱于主显节教堂洗净了罪孽（这个单子可以无穷无尽地列下去）；而且说起来，我呆着的这个房间，或许就有不少尊贵的、各有其难忘之处的人物坐过，也曾有人在热得喘不过气来的下午，寂寞而私密，满心感受着外来之力。

I am twenty-two blocks from where Rudolph Valentino lay in state, eight blocks from where Nathan Hale was executed, five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose, four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle, thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska, one block from where Marceline used to clown on the boards of the Hippodrome, thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public, thirteen blocks from where Harry Thaw shot Stanford White, five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany (I could continue this list indefinitely); and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in, some of them on hot, breathless afternoons, lonely and private and full of their own sense of emanations from without.

黑尔就义在8个街区之外，5个街区之外的出版社办公室中厄内斯特？海明威(1899-1961，美国著名作家)曾挥拳击中马科斯？伊斯特曼（海明威同时代美国政治家）的鼻子，在4英里外瓦尔特？惠特曼(1819-1892，美国诗人)曾奋力为《鹰报》撰写社论，34个街区之外是威拉？凯瑟(1873-1947，美国作家)在纽约为内布拉斯加拓荒者著书立传时居住的街道，玛瑟琳曾经常在一个街区之外的马戏场扮演小丑，36个街区之外是历史学家乔高德在大庭广众下踢烂收音机的地方，哈里？福射在13个街区之外杀了斯坦福？怀特（1906年），5个街区之外是我曾做引座员的大都会歌剧院，而在112个街区之外老克拉伦斯？戴(1874-1935，美国作家)在主现节教堂洗去他的罪过；也因而，我此刻置身的房间可能迎接过无数显赫人物，一些人是在令人窒息的炎热下午到来，孤独而隐退，散发着莫名的自我。

During the 19th and 20th centuries there were huge achievements on philosophy literature art and music; a variety of activities were also booming at that time Richard Strauss(1864-1949) born at that era when the social phenomena influenced his music learning process combined the classical and romantic music styles and further developed his unique composing style There were 5 chapters in the dissertation The research motivation purposes methodology and the literature review were included in Chapter One Chapter 2 focused on understanding how the history background and personal attitude influenced Richard Strauss' composing style Through the study of the romantic musicians like Franz Schubert1797-1828 Robert Schumann(1810-1856 Johannes Brahms(1833-1897) Hugo Wolf(1860-1903) Gustav Mahler(1860-1911) and etc I attempted to get a complete picture of musical evolution in Chapter 3 In addition Richard's classic compositions were categorized and organized in order to gain a deep understanding of his music From the study and the analysis of Strauss'"Vier letzte Lieder" the features styles the format and the life of the two poets Hermann Hesse1877-1962）and Joseph von Eichendorff(1788-1857 were explored and the relationship between the music of this composition and the poetry were also discussed Chapter 5 summarized the main arguments to give a short account of Strauss' lifetime rich experiences and thinking in his eighties

横跨十九、二十世纪的理察·史特劳斯（Richard Strauss，1864-1949）正是欧洲人文发展空前灿烂的年代，无论在哲学思想、文学、美术以及音乐方面，都有辉煌的成就。在他音乐学习历程中，结合了古典时期及浪漫时期两种音乐风格，发展出独特的作曲风格。本论文分成五章：第一章绪论包括研究动机、研究目的、研究方法及步骤以及文献探讨；第二章则从对理查史特劳斯生平的详实记载中，了解他创作作品的时代背景和心情；第三章则就浪漫时期艺术歌曲作家舒伯特（Franz Schubert1797-1828）、舒曼（Robert Schumann1810-1856）、布拉姆斯（Johannes Brahms1833-1897）、沃尔夫（Hugo Wolf1860-1903）及马勒（Gustav Mahler1860-1911）等，以诗人、旋律、伴奏型态及曲式和声，稍加整理并说明，以便了解艺术歌曲在此时期之演变过程。并将理查史特劳斯艺术歌曲作品分类统整，藉此对他的艺术歌曲能有更深一步的了解。第四章《四首最后的歌》之音乐探究与分析，则探讨此部作品诗人赫塞（Hermann Hesse 1877 - 1962）及艾辛朵夫（Joseph von Eichendorff﹐1788-1857）的生平和作品特色，以及诗的结构与格式，和此部作品音乐与诗的关系。第五章结语说明史特劳斯一生丰富经历与晚年想法，创作出一组宁静感人又深刻的终曲。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。