巴黎黄

Wait, currit rota, the Spirit of Paris, that demon which creates the children of chance and the men of destiny, reversing the process of the Latin potter, makes of a jug an amphora.

等着瞧吧，"周回陶钧"，巴黎的精神，这是个凭机会创造孩童、凭造化陶铸成人的巨灵，它不同于拉丁的陶工，它能化瓦釜为黄钟。

Artistic Director and principal dancer of the Shanghai Song and Dance Ensemble, Huang Doudou was born in the province Zhejiang in 1977. At the 2003 Autumn Art Festival in Paris, he choreographed and performed a piece to percussion music composed by Tan Dun. At the closing ceremonies for the 2004 Olympic Games in Athens, he gave a performance based on the theme of traditional China directed by renowned filmmaker Zhang Yimou. In 2006, at the New York Metropolitan Opera, he danced the lead in "The First Emperor", directed by Zhang Yimou and set to a score by Tan Dun.

黄豆豆于1977年出生在浙江省，现为上海歌舞团艺术总监、首席舞蹈家。2003年，在巴黎秋季艺术节上，他和作曲家谭盾合作，自编自演了打击乐舞。2004年，在雅典奥运会的闭幕式上，他参加了由著名导演张艺谋策划、以中国传统文化为主题的表演。2006年，在纽约大都会歌剧院上演了由张艺谋导演、谭盾作曲的歌剧《秦始皇》，黄豆豆在其中担任主角。

If you collect valuable points of bonus, ask your team colleagues for support, so that you can defeat your opponents, and pass you in Paris as the first in the yellow leotard the target line!

如你能收集宝贵的奖励，得到团队的支持，你就可以打败对手，并第一个冲过巴黎的终点黄线！

When he came secretly to Paris to meet the Chinese ambassador, Huang Zhen, Kissinger was made to stay with Walters,the military attache of the American Embassy in Paris.

在基辛格秘密来巴黎与中国大使馆黄镇会晤时，他一直被安排在美国驻巴黎使馆武官沃尔特斯的住处。

Olympic ensign, is white the bottom be limitless, central have 5 a set mutually connect of circle wreath, the color of wreath from left go to right for blue, Huang, black, green and red(can also draw with the monochrome), fasten 1913 according to attend to do obeisance conceive outline of Dan but design creation.1914 is celebration modern Olympic sport instauration 20 anniversary, at Paris hold of Olympic representative conference top first time rise.

奥林匹克旗，为白底无边，中央有五个相互套连的圆环，环的颜色自左至右为蓝、黄、黑、绿、红，系1913年根据顾拜旦的构思而设计制作的。1914年为庆祝现代奥林匹克运动恢复20周年，在巴黎举行的奥林匹克代表大会上首次升起。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。