巴黎的

In 1989 Wim Wenders received an honorary doctor title from the Sorbonne University in Paris.

1989年，文德斯接受了巴黎大学的名誉博士称号。

Paris in springtime was, is and always will be, something rather special.

巴黎在春天是，是而且总是将会是，相当特别的事物。

George Orton of Strathroy, Ontario, took first place in the steeplechase at the 1900 Olympics in Paris, but because Canada did not have an official team, he entered as part of the American team instead.

奥兰多的乔治在1990年巴黎奥运会获得障碍赛冠军。但由于加拿大没有正式队，他只好为美国队效力。

George Orton of Strathroy, Ontario, took first place in the steeplechase at the 1900 Olympics in Paris, but because Canada didn't have an official team, he entered as part of the American team instead.

奥兰多的乔治在1990年巴黎奥运会获得障碍赛冠军。但由于加拿大没有正式队，他只好为美国队效力。

Andersson, who lives and works in Paris, became fascinated by still-life scenes after teaching herself photography.

在巴黎生活和工作的Andersson女士，在自学摄影后，痴迷于静物景观。

Even a Paris street sweeper is so handsome.

巴黎大街上一个普通的清洁工居然都这么帅。

I also hope China can have more stylist to move toward Paris, Milan and new York.

我也希望中国可以有更多的设计师走向巴黎、米兰和纽约。

Using guile and seduction they managed to get humans to feed them thus preserving their superciliousness without going hungry. A neat trick.

它们听到这个消息后，也召开了会议--当然是在巴黎--痛斥狗屈服于人类强权的懦弱行径。

Computers control the plane, which travels at supersonic speed, so our businessman is in Paris in less than three hours.

飞机由电脑控制以超音速的速度飞行，所以我方人员将在3小时内到达巴黎。

You shall sojourn at Paris, Rome, and Naples: at Florence, Venice, and Vienna: all the ground I have wandered over shall be re-trodden by you: where I stamped my hoof, your sylph's foot shall step also.

你要住在巴黎、罗马和那不勒斯，还有佛罗伦萨、威尼斯和维也纳。凡是我漫游过的地方，你都得重新去走走；我马蹄所至，你这位精灵也该涉足。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。