巴黎的

Then I'm going to study at an art school in Paris and study French at the same time.

然后我将到巴黎的一家美术学校学习。我打算同时学习法语。

Hemingway sailed to Europe in May 1918 to serve as a volunteer ambulance driver for the Italian Red Cross during World War Ⅰ. Within weeks, he suffered a serious injury from fragments of an exploding mortar shell on the Italian front.

在法国，海明威结识了诗人埃兹拉·庞德、作家格特露德·斯泰因、艺术家琼·米罗、帕勃洛·毕加索和其他一批战后旅居巴黎的杰出作家和艺术家，并和他们成为朋友。

I would like to book a ticket of May ,3th,i.e the ticket to paris the day after tomorrow.

我想预订一张五月三日，也就是后天去巴黎的车票。

The team is managed by Marc Madiot, a former road bicycle racer and a former winner of the Paris-Roubaix classic.

管理团队由Marc马迪奥前公路自行车赛车和巴黎的前冠军得主，鲁贝经典之作。

At its site a Strasbourg charcuterie posted this bad news: Cannot at this time ship.

珍－马克唐斯（Jean-Marc Donce 注：店名）可以把法式鹅肝准时送到，如果我人在巴黎的分社。

There, he met other artists who had distanced themselves from the front, such as Archipenko, Foujita, Kisling, Soutine as well as the painter Gaston Modot.

在那里，他会合了其它因战争而离开巴黎的艺术家，如阿基本科、藤田嗣治、基思林、苏丁等。还有画家加斯顿莫笃。

Why was Bastille important to the citizens of Paris The building of the Bastille had been started in 1370 under Charles V.

为什么巴士底狱对巴黎的市民如此重要？

In 1827 Berlioz fell in love, wildly, passionately, dramatically of course, with an English actress, Harriet Smithson, then performing in a season of Shakespeare plays in Paris.

1827年，柏辽兹狂热地、激情地、当然也是戏剧性地爱上了一位英国女演员哈里特·史密森。当时她正在巴黎的莎土比亚戏剧季节中演出。

Passengers were told not to go to Paris Charles de Gaulle airport or Orly airport.

旅客被告知不要去巴黎的戴高乐机场或者奥利机场。

C'est la Tour Eiffel à Paris.

这是巴黎的埃菲尔铁塔

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。