巴黎的

Je suis prince des rues de Paris !

巴黎的街头王子

Then I'm going to be a student at an art school in Paris.

然后我去巴黎的一所艺术学校学习。

Then i'm going to be a student at an art school in paris.

然后我会去巴黎的一所艺术学校就读。

Then I＇m going to be a student at an art school in Paris.

然后我将成为一名巴黎的艺术学院学生。

Then I'm going to be a student at an art school in Paris.

然后到巴黎的艺术学校学习。

Anchor of old Paris, L'Arc de Triomphe frames a parade on Bastille Day.

巴士底日，古老巴黎的灵魂所在--凯旋门正进行一场游行。

But you have , then , a valet de chambre who knows paris ?

&那么，您有一个熟悉巴黎的贴身仆人了？&

It was thought to be named after the sitter, most likely the Florentine wife of Francesco del Giocondo.

这幅画创作于1503年至1506年间，现在在巴黎的卢浮宫内展出。

Then, one night in Paris, Isadora Duncan danced to the haunting melody of Chopin's Funeral March, and a vision of tragedy came to her.

在巴黎的一天晚上，伊莎多拉。

She's being transfer red to our Paris branch.

她已调到我们在巴黎的分部。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。