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However, it lacks close proximity to basic Paris cafes and toher restuatnsts.

然而,它缺乏基本接近巴黎的咖啡馆和toher restuatnsts。

T.S. Eliot took boxing lessons from an ex-pugilist in a toughish gym in Boston's South End.

当韦德汉姆·刘易斯进入艾斯拉·庞德在巴黎的工作室时,他惊奇地看到

We were like detectives10, Mrs. Vidian and I. We put ourselves on the trail11 of any Armenians who lived in Paris.

我和维迪安太太像侦探似地开始行动,我们追踪任何一位住在巴黎的亚美尼亚人。

Please give me two tickets for upper berths to Paris.

请给我两张到巴黎的上铺。

CHUCKLING All this time I've been underneath Paris?

原来我一直都在巴黎的地下?

Ever since this morning people have been dreeing me with Nana.

难道我认识巴黎的所有风骚娘儿们吗?

What happened in Paris on April 7 has engendered a feeling of bitterness in your country.

4月7日发生在巴黎的事件给中国人民造成了很大伤害。

In 1891 Marie lived in Paris among a group of Polish exiles.

1891年玛丽生活在巴黎的一群波兰流亡者中。

This show of force quieted any hotheads in the city.

这种显示镇住了巴黎的激进分子。

Il est le prince des rues de Paris !

他是巴黎的街头王子

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推荐网络例句

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称;三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起,称之为挽歌体诗人或者史诗诗人,他们被称为诗人,似乎只是因为遵守格律写作,而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。

This is not paper type of business,it's people business,with such huge money involved.

这不是纸上谈兵式的交易,这是人与人的业务,而且涉及金额巨大。