巴黎圣母院

Gargoyles sit atop Notre Dame keeping watch over all that takes place in the city.

怪兽像蹲坐在巴黎圣母院上监视着这个城市发生的一切。

What he forgot to say, Secretary Rice, is that he went to Notre Dame.

国务卿赖斯忘了说的是，她去了巴黎圣母院。

As " Notre-Dame de Paris " done of the romantic literature model Morality and justice and symbol of intuitive knowledge not merely, purity with kindhearted place, faith, harbour that pursue and castigate to " evil " and to the " beautiful " witness in images sung the praises of, and has represented that blindly, simply, odd-shaped, primitively vividly --Love.

作为浪漫主义文学典范之作的《巴黎圣母院》不仅是道义与良知的象征、纯洁与善良的所在、信仰与追求的港湾以及对&恶&的鞭挞和对&美&的讴歌的形象化的见证，而且也生动地展现了那盲目的、单纯的、畸形的、原始的--爱。

First, the distortion, metamorphosis love --- human nature tragedy 19th century France romanticism writer Gugo vice-Bishop Clode who molds in "the Notre Dame cathedral" continuously representative who regards as the evil influence, also is the object which the people whip vigorously, but if inspects his inner world and with the environment relation earnestly, not difficult to discover, not only on his body has pastor's false, also has the human nature encounters constrains after the sorrow.

一、 扭曲、变态的爱情———人性悲剧 19世纪法国浪漫主义作家雨果在《巴黎圣母院》中塑造的副主教克洛德一直被看作邪恶势力的代表，也是人们极力鞭挞的对象，但如果认真考察他的内心世界及同周围环境的联系，就不难发现，他身上不仅有牧师的虚伪，也有着人性遭到压抑之后的悲哀。

It wrote one occurring in 15 century France's story by the strange and contrast technique: Notre Dame Cathedral Vice-Bishop Claude affectedly virtuous, viper feelings, hates after the love, to persecute the Gypsy Woman Esmeralda.

它以离奇和对比手法写了一个发生在15世纪法国的故事：巴黎圣母院副主教克罗德道貌岸然、蛇蝎心肠，先爱后恨，迫害吉卜赛女郎爱斯梅拉尔达。

The Chorus returned to Europe in 2003 to perform at St. Peter's Basilica and Chiesa Santa Maria Maggiore and La Madeleine Church, Notre Dame Cathedral and Chartres Cathedral.

2003年，合唱团重返欧洲，在意大利圣彼得大教堂、米兰圣马丽亚格拉兹教堂以及法国的玛德莲教堂、巴黎圣母院、沙特尔大教堂。

The Notre-Dame Cathedral stands proud, its astronomical clock a marvel to see, as a parade of mechanical figures illustrate the stages of life when the clock strikes half past noon.

巴黎圣母院代表着骄傲，它的天文学时钟看起来是一个奇迹，作为一个机械装置，当它走过一半时，它说明了一个生命阶段。

General de Gaulle, now universally recognized as the leader of the French people, drove in triumph to Notre Dame for the Te Deum of thanksgiving.

已被公认为法国人民领袖的戴高乐将军凯旋而归，来到了巴黎圣母院接受市民的感恩赞美诗。

Stand in the square in front of the cathedral Here, you are standing in the center of France All distances are measured from the front of Notre Dame Every road in France leads to her front door All French kings and leaders have journeyed here to commemorate important occasions and give thanks Notre Dame is the heart of Paris and the heart of France

站在教堂前面的广场。在这里，你即处于法国的正中心。所有的距离皆是以圣母院前门开始计算。法国的每一条路都通往它的前门。所有的法国国王或统治者都曾经旅游到此来纪念重要的节日或感恩。圣母院是巴黎的中心，也是法国的中心。

The park is arranged according to the five continantal maps and gathers 109 famous minatural landscapes from 40 countries including different constructures such as Egytian Pyramid, Franch La Tour Eiffel, NOTRE-Dame, American White House, US Capitol, Lincoln Memorial, Australian Sydney Opera and so on, and Italy-style and Japanese-style gardens.

公园整体布局按照五大洲版图划分景区，以世界上40个国家的 109处著名古迹名胜的微缩景点为主体，荟萃了世界上最著名的埃及金字塔、法国埃菲尔铁塔、巴黎圣母院、美国白宫、国会大厦、林肯纪念堂、澳大利亚悉尼歌剧院等建筑，以及意大利式、日本式花园等。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。