巴黎圣母院

Quasimodo moves into the bell tower of a cathedral and becomes the hunchback of Notre Dame.

卡西莫多搬进了一座天主教堂的钟楼里，成了巴黎圣母院的敲钟驼背人。

There is Notre-Dame de Paris, a pointed-arch edifice, which is imbedded by its pillars in that Roman zone, in which are plunged the portal of Saint-Denis,and the nave of Saint-Germain des Près.

那就是巴黎圣母院，尖拱建筑物，但从其早期那些柱子来说，深深根植于罗曼带，圣德尼教堂的正门和圣日耳曼—德—普瑞教堂的中殿也都如此。

Thus, the Roman abbey, the philosophers' church, the Gothic art, Saxon art, the heavy,round pillar, which recalls Gregory VII., the hermetic symbolism,with which Nicolas Flamel played the prelude to Luther,papal unity, schism, Saint-Germain des Près, Saint-Jacques de la Boucherie,--all are mingled, combined, amalgamated in Notre-Dame.

这样，罗曼教堂，炼金术教堂，峨特艺术，萨克逊艺术，使人回想起格列高利七世时代的那种笨重柱子，尼古拉·弗拉梅尔创先于路德的那种炼金术象征，教皇帝国的统一，教派分裂，圣日耳曼—德—普瑞教堂，屠宰场圣雅各教堂，所有这一切巴黎圣母院兼收并蓄，统统将其熔铸、组合、揉和在它的建筑中。

The upper or Old Town contains the grand Gothic cathedral, Notre-Dame; its turreted towers a well-known symbol of the city.

上部或旧城区包含宏伟的哥特式大教堂，巴黎圣母院的精髓，它的炮塔塔著名城市的象征。

My research paper is mainly about beauty and ugliness in Victor Hugo's great Romanticism novel Notre Dame De Paris.

我的论文主要讲的是巴黎圣母院这部大型浪漫主义小说中的美与丑的分析。

For, the rooms, though a beautiful scene to look at, and adorned with every device of decoration that the taste and skill of the time could achieve, were, in truth, not a sound business; considered with any reference to the scarecrows in the rags and nightcaps elsewhere (and not so far off, either, but that the watching towers of Notre Dame, almost equidistant from the two extremes, could see them both), they would have been an exceedingly uncomfortable business--if that could have been anybody's business, at the house of Monseigneur.

因为这些房间尽管漂亮豪华，具有当时最高雅最精美的设计和装饰，实际上已是摇摇欲坠。考虑到别的地方那些衣衫褴褛、戴着睡帽的穷汉们的存在（他们离此不远，巴黎圣母院的高塔差不多就在两极的正中，从那里可以眺望到这两处），这些华屋已成了令人极其不安的地方-一若是大人府第里也有人负责研究这个问题的话。

For, the rooms, though a beautiful scene to look at, and adorned with every device of decoration that the taste and skill of the time could achieve, were, in truth, not a sound business; considered with any reference to the scarecrows in the rags and nightcaps elsewhere (and not so far off, either, but that the watching towers of Notre Dame, almost equidistant from the two extremes, could see them both), they would have been an exceedingly uncomfortable business--if that could have been anybodys business, at the house of Monseigneur.

因为这些房间尽管漂亮豪华，具有当时最高雅最精美的设计和装饰，实际上已是摇摇欲坠。考虑到别的地方那些衣衫褴褛、戴着睡帽的穷汉们的存在（他们离此不远，巴黎圣母院的高塔差不多就在两极的正中，从那里可以眺望到这两处），这些华屋已成了令人极其不安的地方-一若是大人府第里也有人负责研究这个问题的话。

Casually he transfers the handle from one hand to the other, catching it as it twirls, the music leaping around him as if it would whisk him and his machine over the rooftops and away past Notre Dame Cathedral or along the Champs Elysees.

他不在意地将摇柄从一只手换到另一只手，在柄快速旋转时，抓住它。音乐在他身边跳跃，似乎能急速地带着他和他的乐器飞过层层屋顶，越过巴黎圣母院，穿过爱丽舍大街。

B: Well, let's see. Notre Dame Cathedral, Eiffel Tower, Louvre Art Museum, Arch of Triumph

我想想喔，你可以去巴黎圣母院、艾菲尔铁塔、罗浮宫、凯旋门…等

Les Travailleurs de la Mer is read chiefly for its magnificent evocations of the sea, but Notre Dame de Paris is known the world over.

人们阅读《海上劳工》主要是因为海的壮丽召唤，而《巴黎圣母院》享誉全世界。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。