巴黎人的

Belgium was celebrating the hundredth anniversary of the death of my favorite Belgian, Adolphe Sax, inventor of the saxophone, and the mayor of Dinant, Saxs hometown, presented me with a beautiful new Selmer tenor sax made in Paris.

比利时正在庆祝我最喜欢的比利时人、萨克斯管的发明者阿道夫。萨克斯诞辰100周年。萨克斯的诞生之地迪南市的市长赠给了我一枝巴黎制造的崭新的塞尔默次中音萨克斯管。

All elements are being recomposed in Shanghai. The city is addicted to Chicagoan skyscrapers and Parisian boulevards. The integration of traditional culture and a cosmopolitan spirit, the constant, ever-changing collision of foreign habits and local conventions make it impossible to define the city.

一切元素都在此地重新拼贴，一边迷恋芝加哥式的摩天大厦，一边偏爱巴黎风格的林荫道，老中国文化和新的都市精神组合成这城市无数的解释，外来的和本地的人与思想冲撞，城市的定语不断修正

Those rare dreamers, mysterious priests of the beautiful who silently confront everything with perfection, would have caught a glimpse in this little working-woman, through the transparency of her Parisian grace, of the ancient sacred euphony

偶然有些深思的人默默地用十全十美的标准来衡量一切事物，他们在这个小小女工的巴黎式的丰采中，也许会想见古代圣乐的和谐吧。

De Chateau-Renaud, a handsome young man of thirty, gentleman all over,--that is, with the figure of a Guiche and the wit of a Mortemart,--took Albert's hand."My dear Albert," said he,"let me introduce to you M. Maximilian Morrel, captain of Spahis, my friend; and what is more--however the man speaks for himself ---my preserver. Salute my hero, viscount."

我事先已对我这几位朋友宣称过，说您是《一千零一夜》里的一位魔术师，中世纪的巫师，但巴黎人诡辩起来倒是十分精明的，假如那种事不是他们的日常生活所遇到的话，那他们就会把最无可争辩的事实误认作狂想。

Among his engagements for the season 2006-07 are La Boheme in New York and Vienna, Les Contes d' Hoffmann in Paris, Manon in Los Angeles, Berlin and Barcelona.

2006至2007年间，他参与的演出有在纽约和维也纳上演的《波西米亚人》，在巴黎上演的《霍夫曼的故事》，在纽约、柏林和巴塞罗那上演的《曼侬》。

With deeply study and detailed analysis of some works of famous landscape architects such as Dan Kiley , Peter Walker and Martha Schwartz, as well as some well-know modern landscape projects such as Parc Andre-Citroen and Parc de la Villette, this article explores how modern landscape design inherited and developed the great tradition of Le Notre's gardens in the western countries.

通过对西方著名风景园林师如丹·凯利、彼得·沃克和施瓦茨等人的一些作品、以及某些著名的西方现代园林实例如巴黎雪铁龙公园和拉·维莱特公园的深入研究和细致分析，探讨了西方现代风景园林设计是如何继承与发展勒·诺特尔式园林之优秀传统的。

Ever since Ladurée supplied the macaroons for the guillotined heroine played by Kirsten Dunst in Sofia Coppola's film Marie Antoinette, tea for Parisians has become the new obsession – a hedonistic, decadent, hour-long indulgence.

安东尼德》所饰演那被送上断头台都要美丽的女英雄，啜茶之於巴黎人就已成了一件令人著迷之乐事－一种享乐主义的，颓废的，可以维持一个钟头之久的放纵。

The contrast between the vibrant pro-Algerian emotion and the more discreet pro-French sentiment was all the more troubling because it recalled another soccer night, when France was playing Algeria in Paris and the French team was booed by a sizable portion of the spectators, whose parents or even grandparents were born in Algeria.

亲阿尔及利亚和亲法情绪的鲜明对比让人想起了那场足球之夜。在那场巴黎举行的法国对阿尔及利亚的比赛中，有相当数量的阿尔及利亚后裔对法国队大喝倒彩。

This net-work of cellars has its immemorial population of prowlers, rodents, swarming in greater numbers than ever; from time to time, an aged and veteran rat risks his head at the window of the sewer and surveys the Parisians; but even these vermin grow tame, so satisfied are they with their subterranean palace.

这个地窖网当然仍有它的古得无法追忆的啮齿类居民，现在比以往任何时候都要多；不时有一只有着老须的老鼠，冒险向沟窗外探头察看巴黎人；这只寄生鼠也习惯了，它对它的地下宫殿很满意。

A regular reference to Proust in such a major publication struck me as remarkable, and it was only until I'd read Andre Maurois's Proust: Portrait of a Genius that I understood what this was all about.

因著作 《追忆逝水年华》而闻名的Marcel Proust并不是这份问卷的发明者，但这份问卷因为他特别的答案而出名，并在当年时髦的巴黎人沙龙中颇为流行。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。