巴黎人的

For most people the real worry, if they were allowed to even say it out loud, is culture: if you're French, you really don't want Paris turning into Kinshasa, because let's be honest, Kinshasa is a Hellhole.

对于大多数人的真正的担忧，如果可以让他们大声讲出来的话，就是文化。假如你是法国人，你不希望巴黎变成金沙萨吧，因为让我们诚实点说，金沙萨是一个地狱坑啊。

The inundation of 1802 is one of the actual memories of Parisians of the age of eighty.

一八○二年的水灾是八十岁的巴黎人记忆犹新之事。

The Parisians manage by getting their vegetables picked at dawn and rushed in farmers' carts to market, where no middleman or marketman delays produce on its way to the pot.

巴黎人解决这个问题的办法是在天亮时摘好蔬菜，然后农民用车运到市场上去，没有中间商或市场商人在把农产品运到锅里去的过程中拖延时间。

Just like with their clothing, the Parisian brand also shows different faces in their footwear offering.

象与他们的衣物，巴黎人品牌在他们鞋类提供也显示不同的面孔。

Eating like a Parisian is really quite simple.

要学得像巴黎人在吃的礼仪是很简单的。

There was something ludicrous as well as painful in the little Parisienne's earnest and innate devotion to matters of dress.

这个小巴黎人迫切地，天生地热中于服饰，这中间有一种令人痛苦的东西，也有一种可笑的东西。

Its principle of operation, to guard the person from painful tension, is termed the pleasure principle.

直到见到了在巴黎街头跳舞的艾斯美拉达，人的意识才觉醒了。

Quasimodo moves into the bell tower of a cathedral and becomes the hunchback of Notre Dame.

卡西莫多搬进了一座天主教堂的钟楼里，成了巴黎圣母院的敲钟驼背人。

According to the results of a poll by CSA-Opinion for Le Parisien, 69 percent of the French public either "supports" or "has sympathy" for the strike.

发布于巴黎人报的法国民调公司CSA民调结果显示，69%的法国公众表示"支持"或者"同情"此次罢工。

Marx's aesthetic thoughts were developed on axiological aesthetic thoughts on the basis of people's existence and enhancement.

马克思《巴黎手稿》美学思想是以人的生存、发展为其关注对象的价值论美学思想。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。