巴黎人的

Ccile Perez, owner of La Fronde, a typical Parisian neighborhood caf said:"In the morning, street cleaners in bright green uniforms sip coffee next to well-dressed businessmen; at lunch hour, working-class types rub shoulders with those of the latest fashion at the bar, while couples of all ages rub noses over salads; during the after-work rush, there is a steady soundtrack of clinking glasses combined with conversation; the constant, no matter what time of day, is the smoke that drifts through the air in curls and clouds, seemingly unnoticed."

佩雷斯是La Fronde，一个典型的巴黎附近咖啡馆的老板，他表示：&穿着明亮的绿色制服的清道工人早晨会来喝咖啡而旁边则可能坐着衣冠楚楚的商人；在午餐时间，工薪阶层会在酒吧与身着最新时装的潮人比肩而座；与此同时各年龄层的夫妇会边吃沙拉边擦鼻子；在下班后的酒吧高峰期间，酒吧内总是说话声夹杂着杯盘的叮当声。一天中无论何时，唯一不变的是人们抽烟吐出的阵阵烟圈，形成烟雾、向空中排放着，似乎被忽视了。&

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。