巴黎人的

In 1649 the holy sacrament was profaned on two occasions a few days apart, in two churches in Paris, at Saint-Sulpice and at Saint-Jean en Greve, a rare and frightful sacrilege which set the whole town in an uproar.

一六四九年，在巴黎的两个礼拜堂里，圣稣尔比斯和格雷沃的圣约翰，圣体曾两次被亵渎，前后两次相隔不过几天，那种少见的渎神罪发生后全城的人都为之骇然。

In 1649 the holy sacrament was profaned on two occasions a few days apart, in two churches in Paris, at Saint-Sulpice and at Saint-Jean en GRE ve, a rare and frightful sacrilege which set the whole town in an uproar.

一六四九年，在巴黎的两个礼拜堂里，圣稣尔比斯和格雷沃的圣约翰，圣体曾两次被亵渎，前后两次相隔不过几天，那种少见的渎神罪发生后全城的人都为之骇然。

In 1649 the holy sacrament was profaned on two occasions a few days apart, in two churches in Paris, at Saint-Sulpice at Saint-Jean en Greve, a rare frightful sacrilege which set the whole town in an uproar.

一六四九年，在巴黎的两个礼拜堂里，圣稣尔比斯和格雷沃的圣约翰，圣体曾两次被亵渎，前后两次相隔不过几天，那种少见的渎神罪发生后全城的人都为之骇然。

He studied philosophy at the Sorbonne , where he was strongly influenced by the work of Antonin Artaud , to whom he dedicated his first play,"Akara".

他就读于巴黎大学，在那里他强烈的安东尼阿尔托工作的影响，哲学的人，他把他的第一出戏，"阿卡拉"。

After the Renaissance, the newly revived inhabitants of Europe developed a burgeoning interest in collecting those ancient objects associated with the miracles and the unforgettable stories of the past. In 1580, the unlettered obelisk that stands in St. Peter's Square in the Vatican was dubbed the "Magnificent Feat".

文艺复兴后重新复苏的欧洲人，对古代文明许多奇迹和难以忘怀的故事，萌发收寻古物的强烈欲望，1580年，竖立安置在梵蒂冈圣皮埃尔广场著名的无字方尖碑被称之为壮举。19世纪，古典埃及方尖碑作为外交礼品耸立在巴黎、纽约和伦敦。

Blur images, virtual focus and sloped horizon make people difficult to recall the Paris they were familiar with.

模糊的影像、虚焦的主体和倾侧的地平线，一时很难让人想起那个大家熟悉而向往的巴黎。

DANCE like no one is watching you;SING same as in a weald only you;LOVE same as it never disappointed you;WORK like you don't just need it for the money;LIVE like you are in paradise

法国巴黎是世界文明的艺术之都，它不仅以秀丽的风景吸引着来自世界各地的人，更以其光彩夺目的艺术明珠另人心往神迷。

He write large quantities of songs and piano and orchestra works. He use the scale、 rhythm、 melody and so on unique elements of Aframerican folk music and Jazz music.

他凭借着非凡的天赋创作出了《蓝色狂想曲》、交响诗《一个美国人在巴黎》、歌剧《波吉与佩斯》、《古巴序曲》、《F大调钢琴协奏曲》等大量音乐会作品，打破了美国民间音乐难登大雅之堂的禁律，把爵士音乐的艺术表现力提高到新的水平，并把爵士音乐这种通俗音乐形式与交响乐完美地结合在一起。

Holland is the country with the most complete bicycle transportation system, with 22,000 kilometers of bike lanes, equalling ten times the length of its freeway. Eighty percent of Dutch citizens own more than one bicycle. In addition, bicycle sharing schemes are available in cities like Paris, London, Barcelona and Copenhagen. These schemes allow residents to use public bicycles at a low price or even for free.

荷兰是脚踏车交通系统最完善的国家，脚踏车车道全长22，000公里，是高速公路的10倍；高达八成的荷兰人，拥有一辆以上的脚踏车；此外，公用脚踏车计画也在许多城市施行，包括巴黎，伦敦，巴塞隆纳和哥本哈根，民众可以低价甚至免费去使用公共脚踏车。

The state-run art museum and Paris's Louvre and the Saint Peter's Emile Tash art museum share the honor, is in the world one of most attractive art museums.

参观航空航天博物馆还有一个看点，在进门不远处，月亮宝石一定要摸一摸，据说摸过月亮宝石的人会有福气。国立美术馆与巴黎的卢浮宫及圣彼得的埃米尔塔什美术馆齐名，是世界上最漂亮的美术馆之一。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。