巴黎人的

Capital letters are used for the names of people and places (john smith, paris, oxford street, new south wales, the black sea, the iron duke); the names of peoples and languag-es and derived words directly relating to them (englishman, austrian, french, swahili, americanize); the names of institutions and institutional groups (the crown, the government, the british museum, the house of representatives, the department of trade); the names of religious institutions and denominations and their adherents (judaism, nonconformism, methodist, protestants) and of societies and organizations; the names of months and days; abstract qualities personified the face of nature, o death!

人名、地名用大写字母(如约翰·史密斯、巴黎、牛津大街、新南威尔士、黑海和铁公爵)；民族、语言及其直接相关的派生词要大写(如英国人、奥地利人、法语、斯瓦希里语和使美国化)；机构和机构团体的名称要大写(如王国政府、内阁、大英博物馆、众议院和贸易部)；宗教机构、教派及其教徒的名称要大写(如犹太教、不信奉国教、循道宗信徒和新教徒)；协会和组织的名称要大写；月份和重要日子的名称要大写(如星期二、三月和复活节日)；人格化的抽象概念要大写如大自然的面容和啊，死神！

Those who knew about the demonstrations surrounding the torch relay seemed to conflate the chaos in Paris and London with foreign coverage of the rioting in the Tibetan capital, Lhasa.

很多人把西方媒体对伦敦和巴黎火炬传递混乱场面的报道和之前西藏首府拉萨的骚乱报道比较。

I have staff in London and Paris, as well as connections in Moscow.

在伦敦和巴黎都有我的人，在莫斯科也有我的关系。

This congregation had been established in 1499 by Bishop Louis d'Amboise, who, there being no reformed convent in the province of France, obtained from Mantuanus tow religious, one of whom died on the road; the survivor found in the Collège Montaigu in Paris some twenty students willing to embrace the religious life.

这会众已成立於1499年，由主教路易斯-a mboise，世卫组织，如果没有改革，修道院，在该省的法国，索取m antuanus丝束宗教，其中一人死於道路；幸存者发现，在该学院m ontaigu在巴黎约20个学生愿意去拥抱的宗教生活。

The hostess had announced to a full house at the American University of Paris's Pavilion Dauphine, Our guest tonight needs no introduction.

女主持人向巴黎美国大学的妃子亭里满满一屋子人宣布道：女士们，先生们，我们今晚的客人不需要介绍。

Could he, for an instant, have supposed that, i n my admonisher at Eton -- in the destroyer of my honor at Oxford,-- in him w ho thwarted my ambition at Rome, my revenge at Paris, my passionate love at Na ples, or what he falsely termed my avarice in Egypt,-- that in this, my arch- enemy and evil genius, could fall to recognise the William Wilson of my school boy days,-- the namesake, the companion, the rival,-- the hated and dreaded rival at Dr. Bransby's? Impossible!

难道一时间，他还以为在伊顿书院忠告我的——在牛津大学毁了我的——在罗马不让我称心，在巴黎不让我报仇，在那不勒斯不让我热恋，在埃及不让我那被他诬称做贪心的欲望满足的——我的心腹之患，附在我身上的魔鬼，我认不出这人就是我小学时代的威廉·威尔逊——那个同名同姓的人，那个伙伴，那个对头——勃兰斯比博士的书院中那可恨又可怕的对头冤家么？

Balzac in their own life experiences, through detailed descriptions and penetrating portrait of a capitalist society between people naked money relations, with a sharp pen portrait of a contemporary Paris, France - which flourished behind temporary society forward to the many stories, it is a microcosm of Bourbon is a true portrayal of the capital class.

巴尔扎克以自己的生活体验，通过细致描写，入木三分地刻画了资本主义社会里人与人之间赤裸裸的金钱关系，用锋利的笔刻画出了当代法国巴黎--哪一个兴盛一时的社会背后隐藏着的许许多多的故事，它就是波旁王朝的缩影，就是资本阶级的真实写照。

Balzac in their own life experiences, through detailed descriptions and penetrating portrait of a capitalist society between people naked money relations, with a sharp pen portrait of a contemporary Paris, France - which flourished behind temporary society forward to the many stories, it is a microcosm of Bourbon is a true portrayal of the capital class.

巴尔扎克以自己的生活体验，通过细致描写，入木三分地刻画了资本主义社会里人与人之间赤裸裸的金钱关系，用锋利的笔刻画出了当代法国巴黎--哪个兴盛一时的社会背后隐藏着的许许多多的故事，它就是波旁王朝的缩影，就是资本阶级的真实写照。

Balzac in their own life experiences, through detailed descriptions and penetrating portrait of a capitalist society between people naked money relations, with a sharp pen portrait of a contemporary Paris, France - which flourished behind temporary society forward to the many stories, it is a microcosm of Bourbon is a true portrayal of the capital class.

巴尔扎克以自己的生活体验，通过细致描写，入木三分地刻画了资本主义社会里人与人之间************裸的金钱关系，用锋利的笔刻画出了当代法国巴黎--哪个兴盛一时的社会背后隐藏着的许许多多的故事，它就是波旁王朝的缩影，就是资本阶级的真实写照。

The Eiffel Tower la Tour Eiffel: Eiffel Tower is one of the symbols of Paris, the French love to be known as the "Iron Lady."

艾菲尔铁塔la Tour Eiffel：埃菲尔铁塔是巴黎的标志之一，被法国人爱称为&铁娘子&。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。