巴黎人的

If there were question of the vagaries of many Nominalists, as, eg, that a bilocated person could be living in Paris and at the same time dying in London, hating in Paris and at the same time loving in London, the impossibility would be as plain as day, since an individual, remaining such as he is, cannot be the subject of contrary propositions, since they exclude one another.

如果有问题的变幻莫测的许多nominalists ，因为，例如，在某bilocated人可住在巴黎，并在同一时间内死亡，在伦敦，恨在巴黎和在同一时间，爱在伦敦，是不可能的，将作为中原为一天，由于个人，其余如他的地方，不能得到解决，有待相反的主张，因为他们排斥另一种。

Quadrille in 1973 and then Coryphaeus in 1974, he danced Aureole and Les Quatre temperaments. Subject in 1975, he took on the role of Tristan created by Noureev at the Paris Opera. Named leading dancer in 1976, he won with Florence Clerc the Bronze medal prize at the International Tokyo competition.

在尼斯艺术学校接受教育以后，他于1972年被巴黎国家歌剧院芭蕾舞团聘用。1973年表演四人方步舞，1974年担任领舞，他表演了保罗·泰勒的光环和乔治·巴兰钦的Les Quatre temperaments.1975年，他在巴黎歌剧院演出了努尔瑞夫的崔斯坦。1976年他被任命为首席舞蹈者，和弗洛伦斯·克勒克一起在国际东京比赛中获得铜奖。

CHAPTER X ECCE PARIS, ECCE HOMO Chinese To sum it all up once more, the Paris gamin of to-day, like the graeculus of Rome in days gone by, is the infant populace with the wrinkle of the old world on his brow.

十 瞧这巴黎，瞧这人英文再简括起来谈谈，今日巴黎的野孩，正如当年罗马的剽民，他是那种额上有古国皱纹的人民孩子①。①在手稿上雨果对"人民孩子"是这样解释的："人民孩子两词并立，两词表达一个意思：孩子。"

Meanwhile in Paris, unwitting British wine shop owner Steven Spurrier hopes to revive his own failing business by sponsoring a competition which will pit the traditional French powerhouse against the California upstarts.

而筹划这场盲测酒会的，是个事业面临瓶颈的品酒师，他是个英国人，却在法国的巴黎开店教人怎麼品酒，他隔壁是一个专做巴黎导览的旅行社，老板来自美国，没事就往隔壁老英开的店品酒一番。

CHAPTER IV HE MAY BE OF USE Chinese Paris begins with the lounger and ends with the street Arab, two beings of which no other city is capable; the passive acceptance, which contents itself with gazing, and the inexhaustible initiative; Prudhomme and Fouillou. Paris alone has this in its natural history.

四 他可能有用英文巴黎以闲人开始，以野孩殿后，这两种人是任何其他城市有不起的；一个是满足于东张西望的盲目接受，一个是无穷无尽的主动出击；这是呆老汉和淘哥儿，只在巴黎的自然史中才会有。

The song is called:"La Valse d' Amélie" by Yann Tiersen off the Soundtrack of the 2001 French film - Amelie. The soundtrack is available on itunes.

剧情提要：萨沙和大飞是两个普通的在法留学生，一起在巴黎生活，在开学的第一天两人遇到了同校的小南，于是萨沙对其展开了疯狂的追求，与此同时，和萨沙在国内同校学法语的女生——明明，也来到了巴黎。。。

CHAPTER X ECCE PARIS, ECCE HOMO Chinese To sum it all up once more, the Paris gamin of to-day, like the graeculus of Rome in days gone by, is the infant populace with the wrinkle of the old world on his brow.

十 瞧这巴黎，瞧这人英文再简括起来谈谈，今日巴黎的野孩，正如当年罗马的剽民，他是那种额上有古国皱纹的人民孩子①。①在手稿上雨果对&人民孩子&是这样解释的：&人民孩子两词并立，两词表达一个意思：孩子。&

These are beings of the GRE at neuter species: impotent men, parasites, cyphers, who have a little land, a little folly, a little wit; who would be rustics in a drawing-room, and who think themselves gentlemen in the dram-shop; who say,"My fields, my peasants, my woods"; who hiss actresses at the theatre to prove that they are persons of taste; quarrel with the officers of the garrison to prove that they are men of war; hunt, smoke, yawn, drink, smell of tobacco, play billiards, stare at travellers as they descend from the diligence, live at the cafe, dine at the inn, have a dog which eats the bones under the table, and a mistress who eats the dishes on the table; who stick at a sou, exaggerate the fashions, admire tragedy, despise women, wear out their old boots, copy London through Paris, and Paris through the medium of Pont-A-Mousson, grow old as dullards, never work, serve no use, and do no great harm.

他们全是那一大堆无用人群的组成部分；不事生产，食人之力，一无所长，有一点地产，一点戆气，一点小聪明，在客厅里是乡愚，到了茶楼酒馆又以贵人自居，他们的常用语是&我的草场，我的树林，我的佃户&，在剧场里叫女演员们的倒彩，以图证明自己是有修养的人，和兵营中的官长争辩，以图显示自己深通韬略，打猎，吸烟，打呵欠，酗酒，闻鼻烟，打弹子，看旅客们下公共马车，坐咖啡馆，上饭店，有一只在桌子下面啃骨头的狗和一个在桌子上面张罗的情妇，一毛不拔，奇装异服，幸灾乐祸，侮蔑妇女，使自己的旧靴子更破，在巴黎模仿伦敦的时装，又在木松桥模仿巴黎的时装，顽冥到老，游手好闲，毫无用处，但也不碍大事。

The French capital looked to have another hit on its hands this year as most sunbeds were snatched up by mid-morning and parents sat back to watch their offspring work on sandcastles and jump around in cooling water sprinklers.

法国首都巴黎期待着今年的巴黎海滨同样能够引起轰动：大部分太阳浴床在上午就被人占了，父母们在一旁休息，看着他们的孩子堆沙滩城堡或是在凉爽的洒水车旁嬉戏。

The French capital looked to have another hit on its hands this year as most sunbeds were snatch ed up by mid-morning and parents sat back to watch their offspring work on sandcastles and jump around in cooling water sprinklers.

法国首都巴黎期待着今年的巴黎海滨同样能够引起轰动：大部分太阳浴床在上午就被人占了，父母们在一旁休息，看着他们的孩子堆沙滩城堡或是在凉爽的洒水车旁嬉戏。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。