巴黎人

Eating like a Parisian is really quite simple.

要学得像巴黎人在吃的礼仪是很简单的。

There was something ludicrous as well as painful in the little Parisienne's earnest and innate devotion to matters of dress.

这个小巴黎人迫切地，天生地热中于服饰，这中间有一种令人痛苦的东西，也有一种可笑的东西。

Discover what the Parisians have been raving about, and learn how to do it properly!

了解巴黎人已经发疯的，并学习如何做正确！

Your persian eye sparkle; your lips, ruby blue Don't speak a sound You, oh so gay, with parisian demands, You can run-around And your view of society screws up my mind Like you'll never know Lead me away, come inside, See my mind in kaleidoscope Somebody called me sebastian Somebody called me sebastian Love me sublime, mangle my mind, do it in style, So we all know, oh yeah!

你的波斯眼在闪烁你的唇是红宝石的蓝色别发出任何声音你如此受宠，符合巴黎人的要求你能闯荡天下你的对社会的看法使我深受影响希望你不会知道带我离开，走进来在万花筒中窥见我的思想某人叫我塞巴斯蒂安某人叫我塞巴斯蒂安极端爱我毁灭我的思想做一切都有格调我们都知道

Steve Harley and Cockney Rebel - Sebastian Radiate simply, the candle is burning So low for me Generate me limply, I can't seem to place Your name, cherie To rearrange all these thoughts In a moment is suicide Come to a strange place, we'll talk over Old times we never spied Somebody called me sebastian Somebody called me sebastian Work out a rhyme, toss me the time, lay me, You're mine And we all know, oh yeah! Your persian eye sparkle; your lips, ruby blue Don't speak a sound You, oh so gay, with parisian demands, You can run-around And your view of society screws up my mind Like you'll never know Lead me away, come inside, See my mind in kaleidoscope Somebody called me sebastian Somebody called me sebastian Love me sublime, mangle my mind, do it in style, So we all know, oh yeah! You're not gonna run, babe, We only just begun, babe, to compromise Slagged in a bowery saloon, Love's a story we'll serialise Pale angel face; green eye-shadow, The glitter is outasite No courtesan could begin to decipher Your beam of light Somebody called me sebastian Somebody called me sebastian Dance on my heart, laugh, Swoop and dart, la-di-di-da Now we all know you, yeah!

发光，蜡烛在燃烧很微弱让我四肢无力，我不能就这样任命你的名字，cherie 重整一切思想在某瞬间是自杀来到一个陌生的地方，我们将谈论从未发现的旧时光有人叫我sebastian 有人叫我sebastian 唱出心中的话，给我时间，平息我你是我的我们都知道，欧耶你波斯般的眼镜在闪烁，你的嘴唇如忧郁的红宝石别发任何声音你有巴黎人的需求如此快乐你有借口你对友伴的看法振作了我仿佛你从不知道带我离开，来到内心用万花筒来看我的心有人叫我sebastian 有人叫我sebastian 狠狠爱我，独具风格的撕裂我的心我们都知道，欧耶你不会走的，孩子我们才开始妥协在树荫下的酒吧里成为熔渣爱是我们将要连载的故事苍白的天使的脸和充满活力的眼影闪光在（outasite不知这词）没有情妇可以解释你那一束光有人叫我sebastian 有人叫我sebastian 在我心中跳舞，欢笑飞奔，啦嘀嘀嗒现在我们都知道你，欧耶（都不知道自己在翻什么，准备下来听听。。。。

According to the results of a poll by CSA-Opinion for Le Parisien, 69 percent of the French public either "supports" or "has sympathy" for the strike.

发布于巴黎人报的法国民调公司CSA民调结果显示，69%的法国公众表示"支持"或者"同情"此次罢工。

Several tons of sand was shoveled down to the banks of the River Seine.

巴黎人今天享受着阳光里的欢乐许多吨的沙子被铲到塞纳河的岸边。

A fever of curiosity urged it forward, that kind of Parisian curiosity which is as violent as an access of positive unreason.

一种好奇的狂热驱使人们要知道娜娜，这是巴黎人的好奇心，其疯狂程度达到了无以复加的地步，简直像热病发作似的。

One thing leads to another and that evening Antoine informs his friends that he has been taken on as a trainee by the famous Blady Detective Agency, which is familiar to most Parisians because of a subway poster showing the black silhouette of a man with his face half-concealed behind a newspaper.

事情一件接着一件，当天晚上安托万告诉他的朋友，他已经被著名的侦探社雇为实习生了，这家侦探社很多巴黎人都认识因为它的一张地铁里的广告画着一个用报纸遮着半张脸，只剩漆黑的半张脸部轮廓的男人。

Ever since Ladurée supplied the macaroons for the guillotined heroine played by Kirsten Dunst in Sofia Coppola's film Marie Antoinette, tea for Parisians has become the new obsession – a hedonistic, decadent, hour-long indulgence.

安东尼德》所饰演那被送上断头台都要美丽的女英雄，啜茶之於巴黎人就已成了一件令人著迷之乐事－一种享乐主义的，颓废的，可以维持一个钟头之久的放纵。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。