巴黎人

Even the French were astonished by the freshness of his vision, Delacroix himself repainting the background of his Massacre at Chios after seeing the Constables exhibited at the 1824 Paris Salon.

至此，甚至法国人也惊叹他的视觉的新颖性。德拉克洛瓦本人在看过康斯太布尔1824 年在巴黎沙龙的画展后修改了他的《希阿岛的屠杀》一画的背景。

Mr Spotts, who owes his title to Cocteau ("Long live this shameful peace," was Cocteau's typically flippant reaction to the occupation), has written an exhaustive study of what he says is a neglected subject.

Spotts先生称自己的书名来源于科克托（&令人蒙羞的和平万岁&–这是科克托对德军占领巴黎的典型的戏谑的回应）。Spotts先生对这一阶段进行了详尽的研究，并认为这是一个被人忽略的课题。

Some 11 years later, he travelled to East Prussia with the Soviet State Dancers; refusing an order to return home, he defected and fled to Paris, where another Russian exile, Sergei Diaghilev, hired him as a choreographer for the Ballets Russes.

学习了11年的芭蕾舞后，他同俄罗斯国家舞蹈团一起来到东普鲁士。由于拒绝了回俄罗斯的命令，他就叛逃到了巴黎。在那里，另一名流亡的俄罗斯人谢尔盖·狄亚基列夫聘请巴兰奇瓦泽作为俄罗斯芭蕾舞团的编舞。

Refusing an order to return home, he defected and fled to Paris, where another Russian exile, Sergei Diaghilev, hired him as a choreographer for the Ballets Russes.

楼主原译：由于拒绝了回俄罗斯的命令，他就叛逃到了巴黎。在那里，另一名流亡的俄罗斯人谢尔盖聘请齐瓦泽兰作为&Russes&芭蕾舞的舞蹈者。

Ask anyone in Brazil who invented the airplane and they will name Alberto Santos-Dumont, a 163-cm. bonvivant known not only for his aerial prowess but also for the figure he cut in Parisian high society.

在巴西，你问任何人是谁发明了飞机，回答都是阿尔伯特·桑托斯-杜蒙，这位身高1.63米的会享受生活的人不仅因高超的航空技能著称，而且以在巴黎上层社会的形象而闻名。

A comprehensive account of the architectural work of the Dominicans in France may be found in the magnificent publication of Rohault de Fleury,"Gallia Dominicana, Les couvents de Saint-Dominique en France au moyen-ge" Paris, 1903, 2 vols.

报告全面介绍了建筑工作的多米尼加人，在法国可能会发现，在波澜壮阔的出版罗奥德后继&， gallia Dominicana小，就业辅导组couvents德圣-多米尼克恩法国欧中沙-年纪&（巴黎， 1903年，第2卷。

Ccile Perez, owner of La Fronde, a typical Parisian neighborhood caf said:"In the morning, street cleaners in bright green uniforms sip coffee next to well-dressed businessmen; at lunch hour, working-class types rub shoulders with those of the latest fashion at the bar, while couples of all ages rub noses over salads; during the after-work rush, there is a steady soundtrack of clinking glasses combined with conversation; the constant, no matter what time of day, is the smoke that drifts through the air in curls and clouds, seemingly unnoticed."

佩雷斯是La Fronde，一个典型的巴黎附近咖啡馆的老板，他表示：&穿着明亮的绿色制服的清道工人早晨会来喝咖啡而旁边则可能坐着衣冠楚楚的商人；在午餐时间，工薪阶层会在酒吧与身着最新时装的潮人比肩而座；与此同时各年龄层的夫妇会边吃沙拉边擦鼻子；在下班后的酒吧高峰期间，酒吧内总是说话声夹杂着杯盘的叮当声。一天中无论何时，唯一不变的是人们抽烟吐出的阵阵烟圈，形成烟雾、向空中排放着，似乎被忽视了。&

The Rapa Nui people on Easter Island are mobilizing to preserve their heritage and, in the latest twist, have refused to loan one of their renowned Moai statues for an exhibition in Paris.

复活节岛上的拉帕努伊人全体总动员，以保护他们的文化遗产，最新转折是：他们拒绝出借其中一尊赫赫有名的摩艾石像到巴黎展览。

Karl Lagerfeld traded in New York for Paris and goth for chic.

Karl Lagerfeld抵价购物纽约为了巴黎和哥特人为了别致款式。

Winning five gold medals, the Finnish athlete Paavo Nurmi became the undisputed star of the Summer Games in Paris.

苏兰运动员帕沃？鲁米一人夺得五块金牌，在巴黎夏季奥运会上成为当之无愧的明星。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。