巴黎

Each man had lived in Paris, and each understood the economic and social potential of this Parisian housing form.

两个人都在巴黎生活过，都了解这种巴黎式住宅形式的经济及社会潜力。

Balzac was inspired to write the story after he spotted the name "Z. Marcas" on a sign for a tailor's shop in Paris. It was published in July 1840, in the Revue Parisienne, a magazine he had founded that year.

巴尔扎克在巴黎有一次无意看到一家裁缝店招牌上写着"泽·马尔卡斯"的名字，他灵光一现，随后创作了这部小说。1840年他创办了杂志《巴黎女子评论》，小说于6月在杂志上刊登。

Later she went to study at the Ecole de La Chambre Syndicat de la Couture Parisienne in Paris, the best French designing school which has cultivated great designers such as Yve Saint Laurent and Issey Miyake. She was chosen to present her serie of designs in the school's graduation exhibition held in Le Louvre.

其后她前往法国巴黎高级时装工会学校研读高级时装设计，该校为法国首屈一指的拥有崇高地位的设计学校，曾培养出象三宅一生及圣罗兰这样伟大的设计师。2004年她在同学中脱颖而出受邀在巴黎罗孚宫的毕业典礼上展示了自己设计的系列服装。

Famous Russian ballet dancer Anna Pavlova gave the premiere of The Dying Swan on May 19 in Paris, gaining common ovation.

1909年5月19日，俄国芭蕾舞后安娜·帕夫洛娃在法国巴黎第一次公演《天鹅之死》，引起了整个巴黎艺术界的极大轰动。

Her perfumer ran the first perfume company in Paris , which can be found in Paris now,leaving only ruins.

她的专职香水师还在巴黎开了第一家香水公司，此店的遗址还能在巴黎找得到。

From him, and other Impressionists, she acquired an interest in the rehabilitation of the pictural qualities of everyday life, inclining towards the domestic and the intimate rather than the social and the urban (Lady at the Teatable, 1885; Metropolitan Museum, New York), with a special emphasis on the mother and child theme in the 1890s (The Bath, 1891; Art Institute of Chicago). She also derived from Degas and others a sense of immediate observation, with an emphasis on gestural significance.

除7l临摹卢浮宫的先辈大师作品外，她也到巴黎沙龙学习同时代艺术家的作品。1867年她参观了库尔贝和马奈的画展，对马奈作品很有兴趣。1872年春，卡萨特向巴黎沙龙送的第一件作品《狂欢节日之前》被接受，其后两年她都送作品参加沙龙的展览。1874年她的一幅妇女肖像画在沙龙展出，受到德加的高度评价。1879年，应德加的邀请，卡萨特参加了印象派画展，直到l船6年这段时间，她始终是印象派的活跃成员。1879年展出的《蓝色扶手椅中的小女孩》和作于1883年的《穿黑衣的妇女》是她的代表作品。

How rapid was the disappearance of the free peasantry' is shown by Irminon's records of the monastic possessions of the Abbey of Saint Germain des Pris, at that time near, now in, Paris.

自由的农民等级灭亡得多么迅速，这从伊尔米农所编的圣日耳曼─德─普雷修道院（当时在巴黎附近，现在巴黎市内）的地产登记册中可以得到证明。

However the accident of two teenagers person dies this year, the fall that causes Paris turned Paris into rambunctious autumn.

然而今年两个少年人的意外死亡，导致巴黎的秋天变成了巴黎骚乱的秋天。

Secondly, the Paris RER serves mainly the Paris urban area and very few satellite towns.

第二， 巴黎RER 服务主要巴黎市区和非常少量卫星镇。

This is all part of the training programme for the Paris police's latest weapon in the fight against crime - a 50-strong roller blading police squad .

原来这是巴黎警察最近的反罪恶训练的内容之一，巴黎警方近日挑选了50名精壮警察参加训练，组建了"旱冰小分队"。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。