巴黎

Then, in early December 2004,while Howard and Grazer were in Paris auditioning actresses for the film's female lead, they got a call from the office of French President Jacques Chirac inviting them to swing by and say bonjour.

然而，2004年12月初，当霍华德和格拉泽正在巴黎为该电影的女主角挑选演员时，他们意外地接到了从法国总统雅克·希拉克的办公室打来的电话，邀请他们顺道来总统府坐坐。

A way in Paris, the unpleasant, empty, unsatisfying greyness of existence weighed on me.

后者是一位老女人，她邋遢、喜欢唠叨而且性格怪僻，虽然有时也不乏诙谐。M远在巴黎。

It is based on Hangzhou history and mythology which is mixed by singing , dancing and acrobatics together. The performance will give you a pleasant and impressed feeling and can be compared beauty with the "Red Grindery"in Paris and "O Show"in LasVegas.

该剧以杭州的历史典故、神话传说为基点，融合世界歌舞、杂技艺术于一体，运用了现代高科技手段营造如梦似幻的意境，给人以强烈的视觉震撼，堪与法国巴黎红磨坊和美国拉斯维加斯O秀相媲美。

It was in Paris that he really came to grips with contemporary art.

在巴黎，他才开始对当代艺术真正有所了解。

The four guys from the band Grizzly bear were locked up in a small parisian bathroom and were asked to play one of their songs.

四个家伙从波段灰熊被关在一个很小的巴黎浴室，并要求发挥他们中的一首歌曲。

And to see it with a worldly dreamboat like David, instead of going there on the boat-train with a grotty, pimply 17-year-old! Is she cynically taking advantage of David for her own motives? Well, yes.

和上流社会的爱人戴维，而不是初出茅庐长满豆豆的17岁少年一道船列混乘才能到的巴黎，她不也为了自己的目的而且极端利己、不讲道德地利用戴维吗？

And to see it witha worldly dreamboat like David, instead of going there on theboat-train with a grotty, pimply 17-year-old! Is she cynicallytaking advantage of David for her own motives? Well, yes.

和上流社会的爱人戴维，而不是初出茅庐长满豆豆的17岁少年一道船列混乘才能到的巴黎，她不也为了自己的目的而且极端利己、不讲道德地利用戴维吗？

Noguchi's talent as an academic figurative sculptor earned him a Guggenheim Fellowship that led to a 1927 apprenticeship with Constantin Brancusi in Paris.

野口勇作为一个学院派雕塑家的才能为他赢得了古根海姆奖学金，并在1927年到巴黎从师罗马尼亚裔雕刻家康斯坦丁。

De Chateau-Renaud, a handsome young man of thirty, gentleman all over,--that is, with the figure of a Guiche and the wit of a Mortemart,--took Albert's hand."My dear Albert," said he,"let me introduce to you M. Maximilian Morrel, captain of Spahis, my friend; and what is more--however the man speaks for himself ---my preserver. Salute my hero, viscount."

我事先已对我这几位朋友宣称过，说您是《一千零一夜》里的一位魔术师，中世纪的巫师，但巴黎人诡辩起来倒是十分精明的，假如那种事不是他们的日常生活所遇到的话，那他们就会把最无可争辩的事实误认作狂想。

Just as every English school child knows Rowena, Rebecca, Ivanhoe, and Sir Brian de Bois Guilbert, so every French reader knows the poor but beautiful gypsy Esmeralda with her little goat; the alchemist-priest Claude Frollo, who desires her; and Quasimodo, the "hunchback of Notre Dame," who loves her and tries to save her.

正如每个英国小学生了解罗维娜，丽贝卡，艾凡赫和布莱恩爵士一样，每个法国读者都知道穷困潦倒却貌美如花的吉普赛女郎艾斯梅拉达和她的小羊，渴望得到她的炼金牧师克劳德·弗罗洛，以及喜欢她并尽力营救她的巴黎圣母院驼背，加西莫多。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。