巴黎

When the french writer goncourt witnessed the relics of the ruined building in paris, he said: the inside will be death, life will be public.

1981年，法国作家龚古尔在目睹了巴黎被拆毁的建筑的废墟后说：内部行将死亡，生活势将公众化。

Colette is the brightest woman. She composed, being appointed as the judge at Prix Goncourt, being commented as the greatest prosewriter in the 20th century.

科莱特是20世纪巴黎最耀眼的女人，她写作，当选了龚古尔奖评委，被评论称为"20世纪最伟大的散文家"。

But if Hilda is there, and we have a gondola of our own: yes, it will be rather lovely.

"唉，但是想象一下我在巴黎北车站或加来码头上的情形罢！"

"Jellyfish are an excellent bellwether for the environ-ment," said Jacqueline Goy, of the Oceanographic Insti-tute of Paris.

巴黎海洋研究所的贾桂琳。

This success in a city which has traditionally been a stronghold of the right was made all the more striking by setbacks to the Left in the 2001 elections that occurred more generally — has been partially attributed with the weariness of the Parisian public with respect to various scandals of corruption and graft in the preceding administrations (see corruption scandals in the Paris region ).

在一个传统为右翼据点的城市中，这种因2001年大选的挫败而转向左翼的胜利引起了更多的罢工，简而言之右翼大选失败的一部分的原因是巴黎公众对先前市政管理中出现的各种各样腐败和渎职丑闻感到厌倦。

At number ten, the Grand Foyer of the Paris Opera.

第十名的是巴黎歌剧院的大门厅。

When we were in Paris last year, the Grand Theatre was still under construction .

我们去年在巴黎时，大剧院仍在建设中仍在建设中仍在建设中仍在建设中。

BCMT opened first grande toilette shop at Paris at 1912, and well recoginzed by noble

1912年，开巴黎开设第一家手工定制礼服制作，受到当时上流社会的高度认可。

The young general Bonaparte's pounding of the Paris mob to pieces in 1795 called in playful approval by our respectable classes "the whiff of grapeshot".

1795年，年轻的波拿巴将军接连不断地向巴黎民众开炮，我们可敬的上层阶级把这种炮击叫做"一小阵葡萄弹雨"。

He, in turn, appealed to Gratian, but before anything had been accomplished the emperor was murdered in Paris, and the usurper Maximus had taken his place.

他，在反过来，呼吁gratian ，但之前，一切都还没有完成皇帝被谋杀，在巴黎，和篡权鲆已采取他的位置。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。