巴黎

After France he moved to Luxemburg where he collaborated with The European Commission on various projects involving exhibitions and multi-media performances involving actors and electronic music performances. In 1982 he moved to Belgium where he became very succesfull with portraying the Belgium Aristocracy and High Society.In 1984 he moved again to Paris and studied contemporary electronic music in the IRCAM that was under the direction of the famous French composer Pierre Boulez. In 1986 he moved to Berlin to study the new tendencies in German painting.

之后，他搬到了卢森堡，和欧盟委员会合作了很多项目，包括画展、多媒体演员表演和电子乐演出。1982年，他搬到比利时，为当地贵族和上流社会人物画肖像画，非常成功。1984年，他再次来到巴黎，在巴黎IRCAM进修当代电子音乐，当时IRCAM由著名法国作曲家Pierre Boulez所领导。1986年，他到柏林研究德国绘画艺术新潮流。

The publication of this decision aroused all enlightened Catholics, and the "case of conscience" was condemned by Clement XI (1703), by Cardinal de Noailles, Archbishop of Paris, by a large number of bishops, and finally by the faculties of theology of Louvain, Douai, and Paris.

该刊物的这一决定引起了所有开明的天主教徒，以及"一案的良心"的谴责克莱门特十一（ 1703 ），由红衣主教诺阿耶，巴黎大主教，通过大量的主教，并最终由学院神学比利时鲁汶，杜埃和巴黎。

Catacombs of Paris, about 20 meters (60 feet) underground, under Paris city center.

巴黎地下墓穴，约20米（60英尺）的地下，在巴黎市中心。

Catacombs of Paris (off-limit area), about 20 meters (60 feet) underground, under Paris city center.

巴黎地下墓穴，约 20米（60英尺）的地下，在巴黎市中心。

It was of no avail that the pavements of Paris were there on every side, the classic and splendid hotels of the Rue de Varennes a couple of paces away, the dome of the Invalides close at hand, the Chamber of Deputies not far off; the carriages of the Rue de Bourgogne and of the Rue Saint-Dominique rumbled luxuriously, in vain, in the vicinity, in vain did the yellow, brown, white, and red omnibuses cross each other's course at the neighboring cross-roads; the Rue Plumet was the desert; and the death of the former proprietors, the revolution which had passed over it, the crumbling away of ancient fortunes, absence, forgetfulness, forty years of abandonment and widowhood, had sufficed to restore to this privileged spot ferns, mulleins, hemlock, yarrow, tall weeds, great crimped plants, with large leaves of pale green cloth, lizards, beetles, uneasy and rapid insects; to cause to spring forth from the depths of the earth and to reappear between those four walls a certain indescribable and savage grandeur; and for nature, which disconcerts the petty arrangements of man, and which sheds herself always thoroughly where she diffuses herself at all, in the ant as well as in the eagle, to blossom out in a petty little Parisian garden with as much rude force and majesty as in a virgin forest of the New World.

巴黎的铺石路白白在那一带围绕，华伦街上的那些典雅富丽的府第相隔才两步路，残废军人院的圆顶近在咫尺，众议院也不远，勃艮第街上和圣多米尼克街上的那些软兜轿车白白地在那一带炫耀豪华，驶来驶去，黄色的、褐色的、白色的、红色的公共马车也都白白地在那附近的十字路口交织奔驰，卜吕梅街却但是冷清清的；旧时财主们的死亡，一次已成过去的革命，古代豪门望族的崩溃、迁徒、遗忘，四十年的抛弃和寡居，已足使这个享受过特权的地段重新生满了羊齿、锦葵、霸王鞭、蓍草、长茅草，还有那种叶子宽大、颜色灰绿、斑驳的高大植物，蜥蜴、蜣螂、种种仓皇急窜的昆虫，使那种无可言喻的蛮荒粗野的壮观从土壤深处滋长起来，再次展现在那四道围墙里，使自然界棗阻扰着人类渺小心机的、随时随地在蚂蚁身上或雄鹰身上都肆意孳息的自然界，在巴黎的一个陋劣的小小园子里，如同在新大陆的处女林中那样，既犷悍又庄严地炫耀着自己。

It was of no avail that the pavements of Paris were there on every side, the classic splendid hotels of the Rue de Varennes a couple of paces away, the dome of the Invalides close at hand, the Chamber of Deputies not far off; the carriages of the Rue de Bourgogne of the Rue Saint-Dominique rumbled luxuriously, in vain, in the vicinity, in vain did the yellow, brown, white, red omnibuses cross each other's course at the neighboring cross-roads; the Rue Plumet was the desert; the death of the former proprietors, the revolution which had passed over it, the crumbling away of ancient fortunes, absence, forgetfulness, forty years of abandonment widowhood, had sufficed to restore to this privileged spot ferns, mulleins, hemlock, yarrow, tall weeds, great crimped plants, with large leaves of pale green cloth, lizards, beetles, uneasy rapid insects; to cause to spring forth from the depths of the earth to reappear between those four walls a certain indescribable savage grandeur; for nature, which disconcerts the petty arrangements of man, which sheds herself always thoroughly where she diffuses herself at all, in the ant as well as in the eagle, to blossom out in a petty little Parisian garden with as dddtt.com rude force majesty as in a virgin forest of the New World.

巴黎的铺石路白白在那一带围绕，华伦街上的那些典雅富丽的府第相隔才两步路，残废军人院的圆顶近在咫尺，众议院也不远，勃艮第街上和圣多米尼克街上的那些软兜轿车白白地在那一带炫耀豪华，驶来驶去，黄色的、褐色的、白色的、红色的公共马车也都白白地在那附近的十字路***织奔驰，卜吕梅街却但是 dddTt 冷清清的；旧时财主们的死亡，一次已成过去的革命，古代豪门望族的崩溃、迁徒、遗忘，四十年的抛弃和寡居，已足使这个 www.8 ttt8。 com 享受过特权的地段重新生满了羊齿、锦葵、霸王鞭、蓍草、长茅草，还有那种叶子宽大、颜色灰绿、斑驳的高大植物，蜥蜴、蜣螂、种种仓皇急窜的昆虫，使那种无可言喻的蛮荒粗野的壮观从土壤深处滋长起来，再次展现在 dd dtt。 com 那四道围墙里，使自然界棗阻扰着人类渺小心机的、随时随地在蚂蚁身上或雄鹰身上都肆意孳息的自然界，在巴黎的一个陋劣的小小园子里，如同在新大陆的处女林中那样，既犷悍又庄严地炫耀着自己。

The Grand Paris, with its origin dating back in 1900, has been expanding from the old city of Paris along the road of what has been La Chasse Royale since medieval.

巴黎大区，在历史上从1900开始，是以西岱岛为中心的巴黎老城沿着中世纪以来的皇家狩猎场的道路向外发展的。

Photo Gallery: Paris Just north of the Place des Vosges, sunny Chez Janou brings a taste of Provence to Paris.

意译：巴黎图片画廊。仅仅在北部的地方des Vosges，阳光在 janou带来了品尝普罗旺斯到巴黎。

The nobility of Paris and London are no doubt much upon a level ; but the common people of the former, being much more dependent, are not to be compared with those of the latter: and for the same reason the commonalty in Scotland differ from those in England, though the nobility too are much upon a level.

巴黎贵族和伦敦贵族的品行，无疑地没有优劣之分，但巴黎平民却不能和伦敦平民相比，因为前者的依赖性大于后者。由于同样理由，苏格兰平民和英格兰平民也有不同，尽管贵族们的道德水平是没有差别的。后面就开始出现第二分部的大标题。这两段话的英文原文是

If there were question of the vagaries of many Nominalists, as, eg, that a bilocated person could be living in Paris and at the same time dying in London, hating in Paris and at the same time loving in London, the impossibility would be as plain as day, since an individual, remaining such as he is, cannot be the subject of contrary propositions, since they exclude one another.

如果有问题的变幻莫测的许多nominalists ，因为，例如，在某bilocated人可住在巴黎，并在同一时间内死亡，在伦敦，恨在巴黎和在同一时间，爱在伦敦，是不可能的，将作为中原为一天，由于个人，其余如他的地方，不能得到解决，有待相反的主张，因为他们排斥另一种。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。