巴黎

It's a little bit of Paris in a town where hardly anyone has been to Paris, and the aromas are to die for.

在这座几乎没人到过巴黎的小城里，它就像是巴黎一样，那里的香味让人爱死了。

This is Rue des Barres, a cobble stoned pedestrian street in the 4th arrondisement that backs up to Eglise Saint Gervais, one of the oldest churches in Paris, being mentioned as far back as the 4th century.

这是Barres大街，一条位于巴黎四区，比邻Saint Gervais大教堂（巴黎历史最悠久的教堂之一，最早可追溯至4世纪）的鹅卵石步行街。

Also from the mid-18th century, Parisians realized the importance of taking a bath, when Paris has gradually built more than a dozen public bathhouses.

也是从18世纪中叶以后，巴黎人才认识到洗澡的重要性，那时巴黎已陆续建起了十几家公共浴室。

PARIS, France -- It's the Paris version of the "staycation": Marc des Bouillons lounged in a beach chair with a book, surrounded by women in bikinis, ice cream stands, a DJ spinning summer tunes and kids running amok...

巴黎，法国-这是巴黎版的& s taycation&：马克万B ouillonsl ounged在沙滩椅子上一本书，周围的妇女身着比基尼，冰淇淋站，一个夏天的D J音乐纺纱和孩子们横行。

One of the ways in which the bank differentiates itself from BNP is through architecture – BNP Paribas' bankers are housed in low-slung buildings in the centre of town; Mr Bouton even said once that he fancied being an architect if he had not been a banker.

兴业银行与法国巴黎银行的一个不同之处在于其办公建筑，法国巴黎银行的银行家们在市中心的低层建筑中办公；溥敦甚至曾表示，如果他不是一位银行家的话，他会选择做一位建筑师。

High above the streets of Paris, a bird's eye view reveals some of the chicest addresses in the capital of chic.

意译：Marais 设计，巴黎，法国。巴黎有高层的建筑之间的街道，鸟瞰景色别致的首都居民区。

In our search for the "new" Paris, we went to lunch at Les Cocottes, a fantastic casual-chic restaurant, and were seated next to two very Parisian ladies.

调查是关于&新&巴黎，我们去了Les Cocottes吃午餐，那是一家极好的、气氛随意却又别致高雅的餐厅，一旁邻座的是两位典型的巴黎女郎。

All Paris was there, the Paris of literature, of finance and of pleasure. There were many journalists, several authors, a number of stock-exchange people and more courtesans than honest women.

这时，剧场成了巴黎的缩影，成了汇集巴黎文学界、金融界和寻欢作乐的人的场所，那里还有许多新闻记者，一些作家，交易所的投机家，也有一些轻佻的女人，她们比正经女人还要多。

These are beings of the great neuter species: impotent men, parasites, cyphers, who have a little land, a little folly, a little wit; who would be rustics in a drawing-room, and who think themselves gentlemen in the dram-shop; who say,"My fields, my peasants, my woods"; who hiss actresses at the theatre to prove that they are persons of taste; quarrel with the officers of the garrison to prove that they are men of war; hunt, smoke, yawn, drink, smell of tobacco, play billiards, stare at travellers as they descend from the diligence, live at the cafe, dine at the inn, have a dog which eats the bones under the table, and a mistress who eats the dishes on the table; who stick at a sou, exaggerate the fashions, admire tragedy, despise women, wear out their old boots, copy London through Paris, and Paris through the medium of Pont-A-Mousson, grow old as dullards, never work, serve no use, and do no great harm.

他们全是那一大堆无用人群的组成部分；不事生产，食人之力，一无所长，有一点地产，一点戆气，一点小聪明，在客厅里是乡愚，到了茶楼酒馆又以贵人自居，他们的常用语是&我的草场，我的树林，我的佃户&，在剧场里叫女演员们的倒彩，以图证明自己是有修养的人，和兵营中的官长争辩，以图显示自己深通韬略，打猎，吸烟，打呵欠，酗酒，闻鼻烟，打弹子，看旅客们下公共马车，坐咖啡馆，上饭店，有一只在桌子下面啃骨头的狗和一个在桌子上面张罗的情妇，一毛不拔，奇装异服，幸灾乐祸，侮蔑妇女，使自己的旧靴子更破，在巴黎模仿伦敦的时装，又在木松桥模仿巴黎的时装，顽冥到老，游手好闲，毫无用处，但也不碍大事。

These are beings of the GRE at neuter species: impotent men, parasites, cyphers, who have a little land, a little folly, a little wit; who would be rustics in a drawing-room, and who think themselves gentlemen in the dram-shop; who say,"My fields, my peasants, my woods"; who hiss actresses at the theatre to prove that they are persons of taste; quarrel with the officers of the garrison to prove that they are men of war; hunt, smoke, yawn, drink, smell of tobacco, play billiards, stare at travellers as they descend from the diligence, live at the cafe, dine at the inn, have a dog which eats the bones under the table, and a mistress who eats the dishes on the table; who stick at a sou, exaggerate the fashions, admire tragedy, despise women, wear out their old boots, copy London through Paris, and Paris through the medium of Pont-A-Mousson, grow old as dullards, never work, serve no use, and do no great harm.

他们全是那一大堆无用人群的组成部分；不事生产，食人之力，一无所长，有一点地产，一点戆气，一点小聪明，在客厅里是乡愚，到了茶楼酒馆又以贵人自居，他们的常用语是&我的草场，我的树林，我的佃户&，在剧场里叫女演员们的倒彩，以图证明自己是有修养的人，和兵营中的官长争辩，以图显示自己深通韬略，打猎，吸烟，打呵欠，酗酒，闻鼻烟，打弹子，看旅客们下公共马车，坐咖啡馆，上饭店，有一只在桌子下面啃骨头的狗和一个在桌子上面张罗的情妇，一毛不拔，奇装异服，幸灾乐祸，侮蔑妇女，使自己的旧靴子更破，在巴黎模仿伦敦的时装，又在木松桥模仿巴黎的时装，顽冥到老，游手好闲，毫无用处，但也不碍大事。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。