巴赫

So begins the chapter headed "Voice and Body: Bach's Solo Cello Suites as an Apotheosis of the Dance" in Wilfrid Mellers' book Bach and the Dance of God.

维尔福雷德·米勒斯在巴赫与上帝之舞一书中的"声音与身体：巴赫的大提琴独奏奏鸣曲，神化了的舞曲"一章中，是这样开头的。

After Bakhtin explained Rabelais with carnivalesque theory, the research about Rabelais receive great development, or research Bakhtin and carnivalesque theory to announce the essence of folk culture.

特别是当巴赫金以狂欢化理论系统地阐释拉伯雷之后，更多的人对拉伯雷及其《巨人传》进行研究、论述，或通过对巴赫金狂欢化理论的再阐释而进一步接近民间文化的本质。

The key to that is an abstract proof, a mathematical sleight-of-hand that shows irrefutably that Goldbach, a mathematics professor in St Petersburg who went to Moscow as tutor to the family of Tsar Peter II, got it right.

问题的关键是需要有一个绝对的证明，即利用数学技巧来证明哥德巴赫所提出的这一猜想是无可辩驳的。哥德巴赫本人是圣彼德堡的数学教授，他曾在莫斯科被沙皇彼得二世聘为家庭教师。

In the second half of a professional match between German lower division sides Wimsheim and Grunbach last Sunday, a Grunbach player attempted to launch a goal-kick against the intense winds, only to have the ball hang in the sky and come right back the way it came, bounce high over the goalkeeper's head and into the net, giving Wimsheim a 1-0 lead.

当比赛进行到下半时，格林巴赫队球员在本方禁区开出球门球，不料此时狂风大作，球在半空中飘停一会儿后猛然向回转，继而掠过格林巴赫门将的头顶，直坠本方球网。1比0，维姆斯海姆队就这样&被&领先了。

As well known, Bachs works is the peak of Polyphony works with DSFBA becomes the main topic of this thesis.

众所周知，复调音乐的顶峰是巴赫，因而，如何用自由低音手风琴演奏巴赫的复调键盘作品就成为我们要研究的对象。

Busoni arranged a total of 14 piano transcriptions of Bach's organ works, not only followed Bach's original intention, but also bring features of the romantic style into his transcriptions. So this series of works have compatible with the style of two eras.

布索尼一共改编了14首巴赫管风琴音响的钢琴改编曲，他在遵循巴赫原意的同时，也将浪漫主义时期的创作风格特点带入到他的这些改编作品中，使这一系列作品的音乐兼容了两个时代的风格。

Ferruccio Busoni (1866-1924) is the greatest Piano transcription writer after Franz Liszt, He admired J.S.Bach deeply, and devoted a lifetime to the adaptation of Bach's works.

意大利钢琴家、作曲家费鲁乔·布索尼(Ferruccio Busoni 1866-1924)&是继李斯特后最伟大的钢琴改编曲作家&，他十分敬仰巴赫，一生致力于对巴赫作品的改编。

Beethoven's first composition published in 1782,Paul Hindemith is the guest of honor in Beethovenhaus. His works and history is displayed alongside Ludwig van Beethoven because they appear to have many amazing similarities and correlations. For example, both of them had been deeply affiliate with Voila (below is the voila used by Beethoven in Bonn). Both of them shared similar admiration for Bach and had worked on his music.

信德米特同学是贝多芬故居的荣誉客座嘉宾，贝多芬故居里同时展览贝多芬和他的展品，这两位同志原本八竿子打不着的，不过后来越走越近，历史学家翻旧账时候的亦发现了诸多惊人的相似处，譬如他们与中提琴的深厚渊源和热爱(照片上是贝多芬在波恩用过的中提琴)，譬如他们对巴赫同学的崇拜以及对巴赫作品的在加工，等等。

The Transcendence of Lingguistics——A Study on M.M.

超越语言学——巴赫金语言哲学研究米·米·巴赫金（〓，1895-1975）是俄罗斯苏联时期享有世界性声誉的思想家，在人文科学的多种学科领域卓有。。。

The Transcendence of Lingguistics——A Study on M.M. Bakhtin's Language Philosophy Abstract M. M. Bakhtin is a thinker in Soviet Era enjoying high reputation throughout the world. He made lots of influential achievements in various subjects and domains of human science.

超越语言学——巴赫金语言哲学研究米·米·巴赫金（〓，1895-1975）是俄罗斯苏联时期享有世界性声誉的思想家，在人文科学的多种学科领域卓有建树，深具影响力。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。