巴赫

In carnival parodies and religious text-telling, Bakhtin emphasizes impacts of"Mennippean and Carnivalesque"upon religious texts, relationships between"carnival"elements in Christian literature and"Latin Satire"together with"sacred parody", and more directly presents cultural links between the carnival and the making of religious literature.

在狂欢的戏仿和宗教文本的论述中，巴赫金强调了&梅尼普体和狂欢化&对宗教文本创作的影响、&基督文学&中的&狂欢化&因素和&拉丁语诙谐文学&与&神圣的戏仿&的密切关系，更为直接地表述了狂欢同宗教文学创作之间的文化联系。

On this aspect, Bakhtin had totally different cognition structure. What he advocated is that the comprehender actively keeps "extraposition" relative to the comprehendee.

而巴赫金却有着完全不同于他们的另一种认识结构，他提倡的是理解者能动地保持相对于被理解者的&外位性&，即交流者在双向交流中保持自己的独立人格。

Firstly Bakhtin configurate the timeforms of novel in the genre research.

巴赫金首先在体裁研究中构形小说的时空形式，把小说体裁溯源到古希腊，考察了不同时代艺术文本所体现的人们对时间感受的变化。

The Alexander technique,autogenic therapy,Bach flower remedies,biofeedback,colour therapy,craniosacral therapy,creative therapies,kinesiology,magnet therapy,meditation,naturopathy,nutritional therapy,qigong / chi kung, reflexology,relaxation and breathing,t'ai chi,Tibetan medicine, andvisualisation.

亚历山大技术，自体治疗，巴赫花卉补救措施，生物反馈，肤色疗法， craniosacral疗法，创造性疗法，运动学，磁疗法，冥想，自然，营养疗法，气功/池区，足底按摩，放松和呼吸， t'ai智，藏医藏药，和可视化。

The French philosopher Jacque Derrida is the founder of Destructionism Theory and the Ruassian philosopher Bakhtin is the creator of Carnival Poetics. With Derrda's major destructive key words, diffěrance, la dissěmination and the basic principle of Derrda's Character Theory, I analyse the destructive tactics of Wulitou Comedy Movies throughout its conceiption, narration, and performance.

本文重点结合法国德里达的解构主义理论和前苏联巴赫金的狂欢化诗学理论，从&延异&、&播撒&等几个解构主义重要概念，以及作品的艺术思维、人物形象、体裁修辞、作品世界几方面的狂欢化特色来具体分析无厘头影片喜剧性的的解构与狂欢特征。

The French philosopher Jacque Derrida is the founder of Destructionism Theory and the Ruassian philosopher Bakhtin is the creator of Carnival Poetics. With Derrda's major destructive key words, diffěrance, la dissěmination and the basic principle of Derrda's Character Theory, I analyse the destructive tactics of Wulitou Comedy Movies throughout its conceiption, narration, and performance.

本文重点结合法国德里达的解构主义理论和前苏联巴赫金的狂欢化诗学理论，从&延异&、&播撒&、&文字学&等几个解构主义重要概念，以及作品的艺术思维、人物形象、体裁修辞、作品世界几方面的狂欢化特色来具体分析无厘头影片喜剧性的的解构与狂欢特征。

In this sense, Bakhtin's "dialogic" is analogous to T.

这个意义上，巴赫金的&对话式&与T。

Life Is Elsewhere is "dialogic" and "polyphonic" in its content.

巴赫汀所相信的小说特徵，《生活在他方》在内容上是「对话的」与「复调的」。

This thought not only insist on the dialogic spirit in his theory,take inheritance and innovations on his philosophical older generations,but also use it into the practice.

这种思想除了在理论上坚持对话精神，对哲学前辈进行继承和创新外，在现实中也被巴赫金得以充分运用。

Over the past twenty to thirty years, Bakhtin抯 dialogical theory and thoughts not only have caught attention of the academia in the former Soviet Union and western countries, but also exerted great influences on the literature and art, philosophy and linguistics circles in our country.

近二、三十年来，巴赫金的对话理论和思想不仅引起了前苏联和西方学术界的普遍关注，而且对我国的文艺学界、哲学界和语言学界都产生了重大的影响。

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。