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巴斯特尔

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Morse. These men, who slaughtered English, gesticulated like lunatics, and fought one another's ideas with primitive anger, seemed somehow to be more alive than Mr. Morse and his crony, Mr. Butler.

这些把英语糟踏得一塌糊涂、疯头疯脑地打着手势、怀着原始的愤怒对彼此的思想交战的人似乎要比莫尔斯先生和他的老朋友巴特勒先生更为生气勃勃。

Morse. These men, who slaughtered English, gesticulated like lunatics, fought one another's ideas with primitive anger, seemed somehow to be more alive than Mr. Morse his crony, Mr. Butler.

这些把英语糟踏得一塌糊涂、疯头疯脑地打着手势、怀着原始的愤怒对彼此的思想交战的人似乎要比莫尔斯先生和他的老朋友巴特勒先生更为生气勃勃。

The idea is also influential to other arts; it appears in the classical music as well. Stravinsky used the Russian folk tunes and rhythms in his compositions. Furthermore, Bartok notates and collects the Hungarian folk songs as part of his duties. By doing so, it opens another new world in the study of music-Ethnomusicology becomes possible.

这股潮流亦影响著其他艺术形式的发展,原始主义的成染力也出现在古典音乐中;史特拉汶斯基將俄国民谣与节奏运用於作品中,巴尔托克更將匈牙利民谣的採谱蒐集视为使命,甚而影响了音乐的学习態度与思维,间接成就了民族音乐学的產生。

In order to achieve his stilistic and tonal goals his ensembles work with different sizes of voices: The Chamber Choir of Stuttgart performs not only with 16 independent voices as an a-cappella ensemble, but also in the formation of a Baroque choir with 26 independent voices or as an ensemble with up to 60 voices when performing oratories or stage preformances.

为达到贝尔纽斯对风格与音色的要求,他旗下的乐团会以不同的编制进行演出,例如司图加特室内合唱团的表演当中,不仅有十六部合声的无伴奏合唱演出,也有二十六部合声的巴洛克式合唱,或甚至多达六十部合声的歌剧演出。

With the swiftness and wide-reaching of multitudinous thought charles Butler's whole life was telescoped upon his vision.

查尔斯·巴特勒的整个一生在他的幻。

Babel was almost sold in the January transfer window after a spectacular bust-up with Benitez, but he has been patient and waited on the bench for the chance that could arrive tonight.

今年一月冬季转会窗口开启的时候,巴贝尔几乎和贝尼特斯翻脸然后出走利物浦,但他还是选择留下来并且在板凳上耐心地等待上场机会,正如今晚。

Kurt motioned to the Spartans and then to the four ropes strung to the archways overhead.

库尔特示意斯巴达们到连在拱门的绳子那里。

Literature has a great influence on my initial encounter, especially the poetic recounting of experiences particular to different places the writings of Willa Cather on New Mexico, Camus on North Africa, Bruce Chatwin on Australia or Patagonia, and Federico Gartia Lorca's evocations of Andalucia.

文学作品对我的创作灵感有很大的影响,尤其是那些针对不同的地方有感而发的富有诗意的作品——如维拉·凯瑟关于新墨西哥州的描述,加缪的北非随笔,布鲁斯·查特温笔下的澳大利亚或巴塔哥尼亚,以及费德里科·加蒂亚·洛尔卡对安达卢西亚之魂的呼唤。

Fiske drawed a analogy between modern mass media and the bard of Middle Ages, then, pointed out that mass media has a function which moulds collective culture. Under the influence of Gramscis's theory of """" hegemony"""", he thinks that media text is open space with diverse meaning and regards media text as popular producerly text through using the concept of """"open/ciosed"""" text of Eco and """"writerly/readerly"""" text of Barthes. On the basis of inheriting the theory of """"encoding and decoding"""" of Hall, he also absorbs the theory of """"resisting"""" of Decerteacc. Then, he thinks that audience don't simply passively absorb while contacting media, but have a kind of strong positive initiative, can """"produce"""" and """"consume"""" the meaning from the text according to their own demand.

费斯克将现代的大众传媒与中世纪的&吟游诗人&进行类比,指出大众传媒具有塑造集体文化的功能;在葛兰西文化霸权理论的影响下,他将媒介文本视为一个意义开放的空间,并借鉴艾科的&开放式/封闭式&文本及巴特的&作者式/读者式&文本概念,进一步将媒介文本界定为一种&大众的生产者式文本&;他在继承霍尔编码/解码理论的基础上,又吸收了德塞图的&抵抗理论&,认为受众在接触媒介时不是一味消极被动的&吸收&,而是具有一种强烈的积极主动性,能够按照自己的需求从文本中&生产&和&消费&意义。

At the insistence of the Turkish leader Talat Pasha , all lands Russia had captured from the Ottoman Empire in the Russo-Turkish War (1877–1878), specifically Ardahan , Kars , and Batumi , were to be returned.

在坚持的土族领导人塔拉特帕沙,所有土地俄罗斯抓获了由奥斯曼帝国在俄土战争( 1877年至1878年),具体ardahan ,卡尔斯和巴统,是要回来了。

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Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时,他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

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