巴士底狱

Madame Defarge no longer sat behind the counter of her small wineshop, silently knitting into her work the names of her hated enemies,but ax in hand and knife at her belt, headed a frenzied mob of women on to the Bastille.

迪法热夫人不再坐在小酒店柜台后面安静地把她所恨的敌人的名字用暗号一一织进她的毛线活里，而是手持斧头，腰插钢刀，带领一群狂热的妇女直奔巴士底狱。

As Mr Prendergast recalls, the fall of the Bastille was not quite the stuff of epic myth.

在Prendergast先生的描述里，攻陷巴士底狱并不是什么伟大的壮举。

Famous French writer Alexandre be adapted into novel from the "Iron Man" is sweeping the world. 1717 philosopher Voltaire by calling prince regent Orleans Duke also had been imprisoned in the prison bus to 11 months.

法国着名作家大仲马将此改编成小说，从此《铁面人》便风靡世界。1717年哲学家伏尔泰因讥讽摄政王奥尔良公爵，也曾被囚禁在巴士底狱达11个月之久。

And took the Bastille, where political prisoners were kept.

巴士底狱里关的都是些政治囚犯。

Inform the Tribunal of what you did that day within the Bastille, citizen.

向法庭报告那天你在巴士底狱做的事吧，公民！&&

The Bastilles workings were secret.

巴士底狱的运行是秘密的。

Partly to help heal the wounds of defeat in the Franco-Prussian war, Bastille Day was given a military theme which lasts to this day, and wrapped up in nationalist imagery "the union of army and nation under the flag".

另外，在一定程度上也是为了弥合普法战争失利的创伤，巴士底狱日又被赋予了军事意义，一直延续至今，并被置于&法兰西旗帜下国家与军队的统一&这面爱国主义大旗下。

The taking of the Bastille fortress, a symbol of arbitrary royal authority, was undoubtedly of revolutionary importance, in terms of weakening the monarchy and legitimising popular defiance.

毫无疑问，巴士底狱作为专制王权的象征，其被攻陷在削弱君权和鼓动世俗反抗方面，具有革命性的意义。

The taking of the Bastille fortress, a symbol of arbitrary royal authority, was undoubtedly of revolutionary importance, in terms of weakening the monarchy and legitimising popular defiance.

毫无疑问，从削弱君权、合理反抗王权来说，巴士底狱——这座代表皇权专制权威的沦陷具有革命性的意味。

Why was Bastille important to the citizens of Paris The building of the Bastille had been started in 1370 under Charles V.

为什么巴士底狱对巴黎的市民如此重要它在1370年查尔斯五世时期建造的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。