巴士底狱

At the end of this work, Bailly, mayor of Paris, wrote, June 8, 1790 in La Fayette, begging him to intervene with the Assembly for the winners of the Bastille,"who deserve honor and money" and get them a prominent place at the next party of the Federation.

在这项工作，巴伊，巴黎市长年底，说，6月8日，在拉法耶特1790年，请求他干预此事与巴士底狱的获奖者大会，"谁应该得到的荣誉和金钱"，并让他们突出的位置在联邦下党。

Like fellows who had blown up the Bastile, J.

314"像是炸掉巴士底狱的家伙，"杰。

Inform the Tribunal of what you did that day within the Bastille, citizen.

向法庭报告那天你在巴士底狱做的事吧，公民！""

Bastille Day celebrations erupt in every French city,town,and hamlet9,and among French expatriates10 as well.

每一个法国的城市、小镇和村庄都庆祝攻占巴士底狱节，旅居海外的法国侨民也不例外。

JULY 14th 1789, the day the Bastille prison was stormed, has an iconic hold on the French imagination.

1789年7月14日，巴士底狱掀起腥风血雨，这一天在法国人的想象带来具有象征意义的冲击。

The shadow of the Bastille had fallen on him again.

巴士底狱的阴影又一次降临到了他身上。

For those who believed in free speech and free thinking, the Bastille stood for everything bad.

对于那些崇尚言论自由和思想自由的人来说，巴士底狱确实是邪恶的象征。

I'm off to storm the bastille.

我去袭击巴士底狱了

I am safe in Paris. I was a prisoner in the Bastille. Every body knows about me and how I suffered.

我曾是巴士底狱的一个囚徒，所有的人都知道我以及我是怎么受苦的。

Why was Bastille important to the citizens of Paris?

为什么巴士底狱对巴黎的市民如此重要？

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。